May 162022
 

Aili Huber and Toby Malone
Cutting Plays for Performance
May 16, 2022

Was this the kindest cut of all?  It began as a friendly argument between fellow Shakespeareans,  Aili Huber and Toby Malone, about how to trim the text of Richard III.  They’ve since collaborated on a book and website with tools and hints to how to cut Shakespeare effectively.  With a dose of humor and a dollop of wisdom, Cutting Shakespeare for Performance keenly tackles a sticky subject in Shakespeare.

Click here to follow along with the text.

Find Cutting Shakespeare for Performance at Routledge and Amazon.

Follow them on all platforms: @cuttingplays

Mar 282022
 

Henry V: Act 1, Scene 2
King Henry
March 28, 2022

Named for the rowdy Jacobean playhouse that illegally performed plays in England during the years of Puritan rule, the Red Bull Theater is breaking barriers. Using one of Henry V’s speeches, Associate Artistic Director Nathan Winkelstein reveals the power of Shakespeare and other plays of heightened language to deepen our understanding of the human condition.

Follow along with the speech.

First Folio Version.

Feb 232022
 

Teenage Dick
February 23, 2022

What happens if you plunk down Richard III in a modern day High School? You get Teenage Dick. Teenage Dick, Written by Mike Lew, was commissioned and developed by Gregg Mozgala’s own theater company, The Apothetae, which is dedicated to productions that illuminate the disabled experience.

“Exhilarating. It suggests how much richer the theater will be when it is truly open to artists of all kinds. Not just because those artists deserve employment but also because the canon of classics deserves reimagining to match our world.”

Lew says, “We set out to re-examine disability politics from Shakespearean times to our time, through a dark comedy that mashes up Shakespeare-talk and Tik Tok.” Join us as we sit down with Mike and talk all things Teenage Dick.

Jan 272022
 

The Untitled Othello Project
January 27, 2022

What is the Untitled Othello Project?  According to Keith Hamilton Cobb, the award-winning playwright who is the driving force behind the ensemble-based “adventure in theatre-making”, it’s much more than a deep and sustained exploration of Shakespeare’s text, it’s an “exercise in creative justice.” With this project, Keith is not just tackling Shakespeare’s play, he is taking on the whole “theatre industry complex”.

Dec 102021
 

The Tragedy of Macbeth
Act 5, Scene 5
December 10, 2021

Paul Alan Ruben has a sense for the feeling of a piece. The Grammy award winning director has finally turned his sense to Shakespeare. With Scott Brick in the title role, he has created the audiobook of The Tragedy of Macbeth. Creating this piece was a delicate balancing act between director, actor and microphone. Especially given that they were never in the same room! 

The Tragedy of Macbeth, which Paul directed for Dreamscape Audio, was released on March 18, 2021. The play features ten actor/audiobook narrators, including some of our industry’s most notable performers: Scott Brick, Simon Vance, Dion Graham and Kathe Mazur. Get it here: The Tragedy of Macbeth.

Click here to follow Scott with the text.

Sep 302021
 

Albert’s Adventures in Willy World
Novel
September 30, 2021

Prolific author, and two time guest, Scott Kaiser returns to tease his latest book, Albert’s Adventures in Willy World.  It’s a detective story that pokes fun at the “Shakespeare Industry”, set in a fictional wonderland which may seem oddly familiar to friends of the Oregon Shakespeare Festival, where Scott spent 28 seasons. 

Aug 252021
 

Henry VI, Part 3: Act 3, Scene 2
Gloucester
August 25, 2021

Why Shakespeare? Jeffrey Wilson, the author of the book Shakespeare and Trump, explores this question in depth, centering on the character of Richard III. Why is evil so exciting and good so boring? Is deformity a sign of his evil or is the deformity and social stigma the cause of it? We explore the textual, ethical, interpretive problems that Shakespeare presents in the modern age.

Click here to follow along with the text.

Click here for a First Folio version of the text.

Click here for a scanned version of the text.

Jul 172021
 

A Midsummer Night’s Dream: Act 3, Scene 1
Bottom
July 18, 2021

Live theatre is back!  Our guest, Patrick Harvey, is a member of the inaugural cast of the Connecticut Shakespeare Festival.  He’s playing Bottom in A Midsummer Night’s Dream at Hartford’s Playhouse on Park.  In this interview, Patrick shares why he especially loves playing characters who speak in prose – hint: it’s not all about the verse.

Jun 282021
 

Titus Andronicus: Act 1, Scene 4
Tamora
June 28, 2021

Kamilah Long, the Managing Director of Play On Shakespeare, is a force of nature. Growing up in Alabama, she discovered Shakespeare and has never looked back. Kamilah has big plans for Play On Shakespeare and performs Tamora from Titus Andronicus. If you have doubts about the Play On Project, Kamilah goes a long way to dispelling them.

Click here to follow along with the text.

Click here for a First Folio Version of the text.

Click here for a Scanned Version of the text.

May 302021
 

Twelfth Night: Act 5, Scene 1
Viola
May 30, 2021

The Folger Shakespeare Library stands in a prominent place in our nation’s capital.  Since its founding, the building, its architecture, contents, and programming have been thoughtfully curated with this in mind.  Dr. Michael Witmore, Director of the Folger Shakespeare Library, reveals how Shakespeare’s works influenced our nation’s founders and helped to shape a philosophy of government and the very structure of our constitution.  We also learn how the Folger Library continues to nurture the thought leaders of today and is creating astonishing digital resources for the future.

Click here to follow along with the text.

Click here for a Scanned Version of the text.