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Hamlet; Act 3, Scene 1
Hamlet
February 28, 2023
Drop in! All Chukwudi Iwuji needs is the language, how the words resonate in him, their sounds and meanings and rhythms. Using these, how is he affecting the listener? When you listen, you will know.
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Click here for a First Folio version of the text.
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Midsummer Night’s Dream: Act 4, Scene 1
Bottom
January 27, 2023
What does it mean to be “smartly stupid,” and how might this approach help an actor reveal delightfully unexpected moments in well-worn texts? Ian Gould credits his training at the Shakespeare Theatre Company Academy in Washington DC for this technique, which he demonstrates in his fresh take on “Bottom’s Dream” from A Midsummer Night’s Dream.
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Click here for a First Folio version of the text.
Watch Ian Gould perform Bottom’s Monologue from the interview!
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Shakespeare’s Sceptered Isle
November 30, 2022
What did it mean to be “English” in Shakespeare’s day? How may Shakespeare’s most patriotic play, Henry V, have shaped notions of English identity ever since? Brian Carroll’s new book, Shakespeare’s Sceptered Isle: Finding English National Identity in the Plays examines hints in Shakespeare’s text about what his audiences might have thought being “English” was – and perhaps more revealingly, what (or who) wasn’t.
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Julius Caesar; Act 2, Scene 1
Brutus
October 11, 2022
With double digit years at a trio of theaters, Lynn Robert Berg is on the move. The self-proclaimed character actor has moved from intern to company leader with a skill set most actors would kill for (especially after listening to his reading of Brutus’ bloody-minded monologue from Julius Caesar.). A man of many hats, Lynn Robert Berg delights in his motley assortment of roles.
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Romeo and Juliet; Act 3, Scene 5
Romeo and Juliet
August 23, 2022
After a lifetime in the theatre, what does Shakespeare still have to teach us about life and love? Long-time stage veterans (and real-life couple0 Nance Williamson and Kurt Rhoads take on the titular roles in Hudson Valley Shakespeare Festival’s “age-blind” production of Romeo and Juliet. Having shared the stage together in seventy (70!) productions spanning more than 30 years, they may well be the most seasoned star-crossed young lovers Verona has ever met.
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The Book of Will
Colorado Shakespeare Festival
August 1, 2022
Who were the men and women who miraculously rescued half of Shakespeare’s plays from being lost forever – and what mystery, tragedy, romance, and drama raged around them as they struggled against greed, politics and their own mortality in order to grant immortality to a few precious words? Kevin Rich and the Colorado Shakespeare Festival (currently celebrating its 65th season) bring these forgotten heroes vividly to life in Lauren Gunderson’s, The Book of Will, a play about the birth of Shakespeare’s First Folio, which was published seven years after the Bard’s death and which Kevin Rich describes as a “love letter to the Theater”.
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