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Polishing Shakespeare
June 24, 2019
Brian Dykstra has written the play Polishing Shakespeare in reaction to the Play On Translation project. Should Shakespeare be translated? If this interview doesn’t reveal Brian’s answer, his play will. The reading is on July 1st.
Information about the reading and The Resident Acting Company.
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As You Like It. Act II, Scene 7. Jacques
May 29, 2019
Shakespeare in Qatar
How is Doha, Qatar like Elizabethan London? David Pearson is 7200 miles from where he grew up and 3200 miles from where Shakespeare lived. How did he end up in Qatar and how do they do Shakespeare in this small desert country? The answers are amazing.
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Shakespeare in Taiwan
April 12, 2019
Shakespeare in America
Jenny Bennett, a fourth generation theater creator, has been doing #Shakespeare since she was knee high to a grasshopper. From Harlem, to Staunton, Virginia, all the way to Taiwan, she listens with her eyes and looks with her ears while she explores the intersection between communication and language.
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Gertrude and Claudius
February 25, 2019
The Orlando Shakespeare Festival
Jim Helsinger is bringing a bold vision to the Orlando Shakespeare Festival. In repertory with Hamlet, he is doing the World Premiere of Gertrude and Claudius, a precursor to Shakespeare’s most famous play. Based on John Updike’s novel, Gertrude and Claudius lends depth to the characters in Hamlet and holds a few surprises too!
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The Container Globe
January 29, 2019
Falstaff: Henry IV, Part I
Angus Vail Rocks! While running the business office for the band Kiss, Angus is building the Container Globe: a modern Globe Theater from re-purposed shipping containers. As entertaining as he is determined, Mr. Vail talks all the possibilities and obstacles he sees in this brilliant way of bringing Shakespeare to life. Oh, and he also does a pretty brilliant Falstaff!
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The Tempest: Act 1, Scene 2
Prospero
December 22, 2018
If you have a lot of words, you have a lot of need. Ray Dooley has a lot to say. After over 40 years in the business his insights are second to none. Breaking down Act 1 of the Tempest, Ray makes a leap into acting principles that every actor needs to hear.
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