Shakespeare in Taiwan April 12, 2019Shakespeare in America
Jenny Bennett, a fourth generation theater creator, has been doing #Shakespeare since she was knee high to a grasshopper. From Harlem, to Staunton, Virginia, all the way to Taiwan, she listens with her eyes and looks with her ears while she explores the intersection between communication and language.
Gertrude and Claudius February 25, 2019 The Orlando Shakespeare Festival
Jim Helsinger is bringing a bold vision to the Orlando Shakespeare Festival. In repertory with Hamlet, he is doing the World Premiere of Gertrude and Claudius, a precursor to Shakespeare’s most famous play. Based on John Updike’s novel, Gertrude and Claudius lends depth to the characters in Hamlet and holds a few surprises too!
The Container Globe Falstaff: Henry IV, Part I January 29, 2019
Angus Vail Rocks! While running the business office for the band Kiss, Angus is building the Container Globe: a modern Globe Theater from re-purposed shipping containers. As entertaining as he is determined, Mr. Vail talks all the possibilities and obstacles he sees in this brilliant way of bringing Shakespeare to life. Oh, and he also does a pretty brilliant Falstaff!
The Tempest: Act 1, Scene 2 Prospero December 22, 2018
JulieBillEngagement
If you have a lot of words, you have a lot of need. Ray Dooley has a lot to say. After over 40 years in the business his insights are second to none. Breaking down Act 1 of the Tempest, Ray makes a leap into acting principles that every actor needs to hear.
JaMeeka Holloway Burrell is on the rise. The founder and Artistic Director of Black Ops Theater Company just directed Twelfth Night at Shakespeare in Detroit. Having discovered Shakespeare at The Oregon Shakespeare Festival, JaMeeka approaches her work with fresh eyes, frank questions and aims to bring Shakespeare into the 21st Century.
Romeo and Juliet; Act 3, Scene 2 Juliet October 19, 2018
Zuzanna Szadowski is playing Juliet and Yelena in Uncle Romeo Vanya Juliet. What is in store when Chekhov characters have the Shakespeare play as their subtext? A world of possibilities is realized in this thrilling production from the minds of Bedlam!
Titus Andronicus; Act 5, Scene 1 Aaron September 28, 2018
Jackson Dean sees the English Speaking Union‘s Shakespeare competition as more of a celebration of Shakespeare. Having won this past years competition, he has lots to celebrate. With an affinity for villains and a keen sense of text, Jackson’s future looks bright.
“I feel there are territories within that are totally unknown. Huge, mysterious and dangerous territories. We think we know ourselves, when we really know only this little bitty part. We have this social person that we present to each other. We have all these galaxies inside of us.
And if we don’t enter those in art, of one kind or another, whether it’s playwriting, or painting or music, or whatever, then I don’t understand the point in doing anything.
I try to go into parts of myself that are unknown. And I think that those parts are related to everybody. They’re not unique to me. They’re not my personal domain.
Catharsis is getting rid of something. I’m not looking to get rid of it, I’m looking to find it. I’m not doing this in order to vent demons. I want to shake hands with them.”
Liz Wisan is a member of the New Neighborhood, a theater company in NYC. She also works seriously as a clown. Although she admits that sometimes it feels like she is in a cult, she finds the clown work extremely rewarding as an actor. Check this short interview out!
And here is her full interview about working on Kate in Taming of the Shrew!