http://media.blubrry.com/stateofshakespeare/www.stateofshakespeare.com/TSS/Media/RayDooley.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Email | TuneIn | RSS The Tempest: Act 1, Scene 2ProsperoDecember 22, 2018 If you have a lot of words, you have a lot of need. Ray Dooley has a lot to say. After over 40 years in the business his insights are second to
[...]http://media.blubrry.com/stateofshakespeare/www.stateofshakespeare.com/TSS/Media/JameekaHollowayBurrell.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Email | TuneIn | RSS Twelfth Night November 27, 2018 Shakespeare in Detroit, Black Ops Theater Company JaMeeka Holloway Burrell is on the rise. The founder and Artistic Director of Black Ops Theater Company just directed Twelfth Night at Shakespeare in Detroit. Having discovered Shakespeare at
[...]http://media.blubrry.com/stateofshakespeare/www.stateofshakespeare.com/TSS/Media/ZuzannaSzadowski.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Email | TuneIn | RSS Romeo and Juliet; Act 3, Scene 2 Juliet October 19, 2018 Zuzanna Szadowski is playing Juliet and Yelena in Uncle Romeo Vanya Juliet. What is in store when Chekhov characters have the Shakespeare play as their subtext? A world of possibilities
[...]http://media.blubrry.com/stateofshakespeare/www.stateofshakespeare.com/TSS/Media/JacksonDean.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Email | TuneIn | RSS Titus Andronicus; Act 5, Scene 1AaronSeptember 28, 2018 Jackson Dean sees the English Speaking Union‘s Shakespeare competition as more of a celebration of Shakespeare. Having won this past years competition, he has lots to celebrate. With an affinity for villains
[...]http://media.blubrry.com/stateofshakespeare/www.stateofshakespeare.com/TSS/Media/JPNewVision.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Email | TuneIn | RSSJohn Patrick lays out a bold new vision for the future of training actors. Could we all be Acting Teachers? Listen to his full interview here.
[...]http://media.blubrry.com/stateofshakespeare/www.stateofshakespeare.com/TSS/Media/JohnPatrick.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Email | TuneIn | RSS Voice CoachActing TeacherAugust 30, 2018 Welcome to the Revolution! John Patrick is calling for a radical change to the way we approach voice work and actor training. Click here to listen to John Patrick’s thoughts on Actor Training. Sam Shepard
[...]http://media.blubrry.com/stateofshakespeare/www.stateofshakespeare.com/TSS/Media/LizWisanClown.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Email | TuneIn | RSSLiz Wisan is a member of the New Neighborhood, a theater company in NYC. She also works seriously as a clown. Although she admits that sometimes it feels like she is in a cult, she finds the clown work extremely rewarding
[...]http://media.blubrry.com/stateofshakespeare/www.stateofshakespeare.com/TSS/Media/LizWisan.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Email | TuneIn | RSS The Taming of the Shrew; Act 5, Scene 2 Kate July 31, 2018 Liz Wisan is performing Kate in her first season at Hudson Valley Shakespeare Festival. What surprises does she have for the role and does Hudson
[...]http://media.blubrry.com/stateofshakespeare/www.stateofshakespeare.com/TSS/Media/JuliaCoffey.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Email | TuneIn | RSS Richard II: Act 3, Scene 2RichardJuly 1, 2018 In her second season at the Hudson Valley Shakespeare Festival, Julia Coffey takes on the role of Richard II, Shakespeare’s most famous deposed king. It’s a play which bridges the gap between
[...]http://media.blubrry.com/stateofshakespeare/www.stateofshakespeare.com/TSS/Media/DavidHammond.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Email | TuneIn | RSS Henry V: PrologueChorusMay 31, 2018 Like a great Jazz Musician, Shakespeare uses Iambic pentameter as the underlying time signature to his rhetorical flourishes. David Hammond explores this and many other ways of approaching the first playwright to give his characters
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