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The Tempest: Act 1, Scene 2
Prospero
December 22, 2018
If you have a lot of words, you have a lot of need. Ray Dooley has a lot to say. After over 40 years in the business his insights are second to none. Breaking down Act 1 of the Tempest, Ray makes a leap into acting principles that every actor needs to hear.
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Twelfth Night
November 27, 2018
Shakespeare in Detroit, Black Ops Theater Company
JaMeeka Holloway Burrell is on the rise. The founder and Artistic Director of Black Ops Theater Company just directed Twelfth Night at Shakespeare in Detroit. Having discovered Shakespeare at The Oregon Shakespeare Festival, JaMeeka approaches her work with fresh eyes, frank questions and aims to bring Shakespeare into the 21st Century.
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Romeo and Juliet; Act 3, Scene 2
Juliet
October 19, 2018
Zuzanna Szadowski is playing Juliet and Yelena in Uncle Romeo Vanya Juliet. What is in store when Chekhov characters have the Shakespeare play as their subtext? A world of possibilities is realized in this thrilling production from the minds of Bedlam!
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Titus Andronicus; Act 5, Scene 1
Aaron
September 28, 2018
Jackson Dean sees the English Speaking Union‘s Shakespeare competition as more of a celebration of Shakespeare. Having won this past years competition, he has lots to celebrate. With an affinity for villains and a keen sense of text, Jackson’s future looks bright.
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See the video of his performance:
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Voice Coach
Acting Teacher
August 30, 2018
Welcome to the Revolution! John Patrick is calling for a radical change to the way we approach voice work and actor training.
Click here to listen to John Patrick’s thoughts on Actor Training.
Sam Shepard Quote:
“I feel there are territories within that are totally unknown.
Huge, mysterious and dangerous territories. We think we know ourselves, when we really know only this little bitty part. We have this social person that we present to each other. We have all these galaxies inside of us.
And if we don’t enter those in art, of one kind or another, whether it’s playwriting, or painting or music, or whatever, then I don’t understand the point in doing anything.
I try to go into parts of myself that are unknown. And I think that those parts are related to everybody. They’re not unique to me. They’re not my personal domain.
Catharsis is getting rid of something. I’m not looking to get rid of it, I’m looking to find it. I’m not doing this in order to vent demons. I want to shake hands with them.”
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The Taming of the Shrew; Act 5, Scene 2
Kate
July 31, 2018
Liz Wisan is performing Kate in her first season at Hudson Valley Shakespeare Festival. What surprises does she have for the role and does Hudson Valley have for her? A rousing interview about love and relationships ensues.
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Here is a link to Liz talking about clowns and her company The New Neighborhood.
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Richard II: Act 3, Scene 2
Richard
July 1, 2018
In her second season at the Hudson Valley Shakespeare Festival, Julia Coffey takes on the role of Richard II, Shakespeare’s most famous deposed king. It’s a play which bridges the gap between the medieval and the modern world, and with a woman in the title role, this production opens some intriguing questions about the times we’re living in today.
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For tickets and information about the Hudson Valley Shakespeare Festival, please click here:
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Henry V: Prologue
Chorus
May 31, 2018
Like a great Jazz Musician, Shakespeare uses Iambic pentameter as the underlying time signature to his rhetorical flourishes. David Hammond explores this and many other ways of approaching the first playwright to give his characters language that pursues objective actions.
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The Lost Letters of William Shakespeare
April 24, 2018
Years ago, Terry Tamminen was given a treasure trove of letters, reported as written by Shakespeare. Are they real? If so, they give a never before seen insight into the life of the playwright we know as William Shakespeare.
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Othello; Act 2, Scene 3
Iago
March 28, 2018
“What’s he then that says I play the villain?” Iago may be the baddest of Shakespeare’s bad guys, so what’s the trick to keeping the audience on your side when you’re clearly up to no good? According to our guest Lee Nishri-Howitt, the answer lies in the structure. Join us for a conversation with Lee about his journey from a non-native speaker of English, to becoming a professional vocal and dialect coach.
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