Jul 312018
 

The Taming of the Shrew; Act 5, Scene 2
Kate
July 31, 2018

       

Liz Wisan is performing Kate in her first season at Hudson Valley Shakespeare Festival.  What surprises does she have for the role and does Hudson Valley have for her?  A rousing interview about love and relationships ensues.

Click here to follow along with the Hudson Valley Shakespeare Fest text.

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Here is a link to Liz talking about clowns and her company The New Neighborhood.  

Jun 292018
 

Richard II: Act 3, Scene 2
Richard
July 1, 2018

In her second season at the Hudson Valley Shakespeare Festival, Julia Coffey takes on the role of Richard II, Shakespeare’s most famous deposed king.  It’s a play which bridges the gap between the medieval and the modern world, and with a woman in the title role, this production opens some intriguing questions about the times we’re living in today.

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For tickets and information about the Hudson Valley Shakespeare Festival, please click here:

The Hudson Valley Shakespeare Festival.

May 302018
 

Henry V: Prologue
Chorus
May 31, 2018

Like a great Jazz Musician, Shakespeare uses Iambic pentameter as the underlying time signature to his rhetorical flourishes.  David Hammond explores this and many other ways of approaching the first playwright to give his characters language that pursues objective actions.

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Apr 242018
 

The Lost Letters of William Shakespeare

April 24, 2018

Years ago, Terry Tamminen was given a treasure trove of letters, reported as written by Shakespeare.  Are they real?  If so, they give a never before seen insight into the life of the playwright we know as William Shakespeare.

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Mar 282018
 

Othello; Act 2, Scene 3
Iago
March 28, 2018

“What’s he then that says I play the villain?”  Iago may be the baddest of Shakespeare’s bad guys, so what’s the trick to keeping the audience on your side when you’re clearly up to no good?  According to our guest Lee Nishri-Howitt, the answer lies in the structure.  Join us for a conversation with Lee about his journey from a non-native speaker of English, to becoming a professional vocal and dialect coach.

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Feb 282018
 

Hamlet; Act 2, Scene 2
Hamlet
February 27, 2018

Is Hamlet the Paragon of animals or a Quintessence of dust? For Michael Urie, appearing at the Shakespeare Theater of DC, Hamlet is mentally and emotionally ambidextrous and has more than a few tricks up his sleeve.  Mr. Urie, who is directed by Michael Kahn, brings clarity to Hamlet’s journey by trusting the text and using himself to the fullest.

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Jan 262018
 

Macbeth; Act 3, Scene 1
Macbeth
January 25, 2018

Benjamin Curns has been with the American Shakespeare Center for 16 years.  In this interview with a recent black belt, Ben describes the magic of ASC, the perspective he has gained over the years and dives deep into an oft overlooked speech from Macbeth.

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Dec 152017
 

The Winter’s Tale; Act 3, Scene 2
Paulina
December 15, 2017

Have Bard, Will Travel!  The Public Theater’s Mobil Unit brings Shakespeare all over the 5 boroughs of NYC.  Patrena Murray, playing Paulina in the Mobile Unit’s production of The Winter’s Tale, talks the audiences, the impact and of course what is going on in one of Shakespeare’s most beloved “problem” plays.

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Listen on Google Play Music
Nov 152017
 

Improvised Shakespeare Company
November 15, 2017

Shakespeare as Socrates? … The founder and AD of the Improvised Shakespeare Company, Blaine Swen cozies up to the mic to drop some knowledge.  It’s anything but Greek philosophy as Blaine shares some tricks of the trade and recites a never before heard Shakespeare Prologue.

Oct 062017
 

Oregon Shakespeare Festival Play On! Project
Measure for Measure
October 6, 2017

Just in time for Halloween… How do you make a 400-year-old laugh?  (Tickle his funny bone.)  Aditi Kapil and Liz Engelman are digging up ways to breathe life into some of Shakespeare’s (ahem) “mustier” laugh lines for the Oregon Shakespeare Festival’s “Play On! 36 playwrights translate Shakespeare” project.  Aditi and Liz talk about teaming up on Measure for Measure,  and the problem with Pompey’s posthumous punch-lines.

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