{"id":7820,"date":"2022-05-16T14:08:27","date_gmt":"2022-05-16T18:08:27","guid":{"rendered":"https:\/\/stateofshakespeare.com\/?p=7820"},"modified":"2022-05-17T10:40:59","modified_gmt":"2022-05-17T14:40:59","slug":"toby-malone-and-aili-huber","status":"publish","type":"post","link":"https:\/\/stateofshakespeare.com\/?p=7820","title":{"rendered":"Toby Malone and Aili Huber"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_2444\"><audio class=\"wp-audio-shortcode\" id=\"audio-7820-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/CuttingShakespeare.mp3?_=1\" \/><a href=\"https:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/CuttingShakespeare.mp3\">https:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/CuttingShakespeare.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_links_mp3\" style=\"margin-bottom: 1px !important;\">Podcast: <a href=\"https:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/CuttingShakespeare.mp3\" class=\"powerpress_link_pinw\" target=\"_blank\" title=\"Play in new window\" onclick=\"return powerpress_pinw('https:\/\/stateofshakespeare.com\/?powerpress_pinw=7820-podcast');\" rel=\"nofollow\">Play in new window<\/a> | <a href=\"https:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/CuttingShakespeare.mp3\" class=\"powerpress_link_d\" title=\"Download\" rel=\"nofollow\" download=\"CuttingShakespeare.mp3\">Download<\/a><\/p><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/itunes.apple.com\/in\/podcast\/the-state-of-shakespeare\/id478609859?mt=2&amp;ls=1#episodeGuid=https%3A%2F%2Fstateofshakespeare.com%2F%3Fp%3D7820\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/4sUrD1Xw2LZYxf8TUdXU7m\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"https:\/\/tunein.com\/podcasts\/Arts--Culture-Podcasts\/The-State-of-Shakespeare-p960444\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/music.youtube.com\/playlist?list=PLWEywaKq6znUzOYmMa56pvQ5gozrgM6k5\" class=\"powerpress_link_subscribe 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(max-width: 488px) 100vw, 488px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-right\" style=\"font-size:27px\"><strong><strong>Aili Huber and Toby Malone <\/strong><br><strong>Cutting Plays for Performance<\/strong><br><strong>May 16, 2022<\/strong><\/strong><\/p>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"695\" height=\"933\" data-id=\"7825\" src=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/05\/92680084_935662326854133_7178885767651917824_n.png?resize=695%2C933&#038;ssl=1\" alt=\"\" class=\"wp-image-7825\" srcset=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/05\/92680084_935662326854133_7178885767651917824_n.png?resize=763%2C1024&amp;ssl=1 763w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/05\/92680084_935662326854133_7178885767651917824_n.png?resize=52%2C70&amp;ssl=1 52w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/05\/92680084_935662326854133_7178885767651917824_n.png?resize=768%2C1031&amp;ssl=1 768w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/05\/92680084_935662326854133_7178885767651917824_n.png?resize=1144%2C1536&amp;ssl=1 1144w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/05\/92680084_935662326854133_7178885767651917824_n.png?w=1434&amp;ssl=1 1434w\" sizes=\"auto, (max-width: 695px) 100vw, 695px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"695\" height=\"927\" data-id=\"7824\" src=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/05\/Toby-Malone.jpg?resize=695%2C927&#038;ssl=1\" alt=\"\" class=\"wp-image-7824\" srcset=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/05\/Toby-Malone-scaled.jpg?resize=768%2C1024&amp;ssl=1 768w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/05\/Toby-Malone-scaled.jpg?resize=53%2C70&amp;ssl=1 53w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/05\/Toby-Malone-scaled.jpg?resize=1152%2C1536&amp;ssl=1 1152w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/05\/Toby-Malone-scaled.jpg?resize=1536%2C2048&amp;ssl=1 1536w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/05\/Toby-Malone-scaled.jpg?w=1920&amp;ssl=1 1920w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/05\/Toby-Malone-scaled.jpg?w=1390&amp;ssl=1 1390w\" sizes=\"auto, (max-width: 695px) 100vw, 695px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"691\" height=\"1024\" data-id=\"7823\" src=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/05\/9780367748883.jpg?resize=691%2C1024&#038;ssl=1\" alt=\"\" class=\"wp-image-7823\" srcset=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/05\/9780367748883-scaled.jpg?resize=691%2C1024&amp;ssl=1 691w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/05\/9780367748883-scaled.jpg?resize=47%2C70&amp;ssl=1 47w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/05\/9780367748883-scaled.jpg?resize=768%2C1138&amp;ssl=1 768w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/05\/9780367748883-scaled.jpg?resize=1036%2C1536&amp;ssl=1 1036w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/05\/9780367748883-scaled.jpg?resize=1382%2C2048&amp;ssl=1 1382w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/05\/9780367748883-scaled.jpg?w=1727&amp;ssl=1 1727w\" sizes=\"auto, (max-width: 691px) 100vw, 691px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Was this the kindest cut of&nbsp;all?&nbsp; It began as a friendly argument between fellow Shakespeareans,&nbsp; <a href=\"https:\/\/stateofshakespeare.com\/?page_id=7833\" target=\"_blank\" rel=\"noreferrer noopener\">Aili Huber<\/a> and <a href=\"https:\/\/stateofshakespeare.com\/?page_id=7829\" target=\"_blank\" rel=\"noreferrer noopener\">Toby Malone<\/a>, about how to trim the text of Richard III.&nbsp; They&#8217;ve since collaborated on a <a href=\"https:\/\/www.routledge.com\/Cutting-Plays-for-Performance-A-Practical-and-Accessible-Guide\/Malone-Huber\/p\/book\/9780367748883\" target=\"_blank\" rel=\"noreferrer noopener\">book<\/a> and <a href=\"https:\/\/cuttingplays.com\/index\" target=\"_blank\" rel=\"noreferrer noopener\">website<\/a> with tools and hints to how to cut Shakespeare effectively.&nbsp; With a dose of humor and a dollop of wisdom,&nbsp;<em>Cutting Shakespeare for Performance<\/em>&nbsp;keenly tackles a sticky subject in Shakespeare.<\/p>\n\n\n\n<p>Click here to <a href=\"https:\/\/stateofshakespeare.com\/?page_id=7827\" target=\"_blank\" rel=\"noreferrer noopener\" title=\"Richard III; Act IV, scene iv.\">follow along with the text<\/a>.<\/p>\n\n\n\n<p>Find <span style=\"text-decoration: underline;\">Cutting Shakespeare for Performance<\/span> at <a href=\"https:\/\/www.routledge.com\/Cutting-Plays-for-Performance-A-Practical-and-Accessible-Guide\/Malone-Huber\/p\/book\/9780367748883\" target=\"_blank\" rel=\"noreferrer noopener\">Routledge<\/a> and <a href=\"https:\/\/www.amazon.com\/Cutting-Plays-Performance-Toby-Malone\/dp\/0367748886\" target=\"_blank\" rel=\"noreferrer noopener\">Amazon<\/a>.  <\/p>\n\n\n\n<p>Follow them on all platforms:  @cuttingplays<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/CuttingShakespeare.mp3 Podcast: Play in new window | Download Subscribe: Apple Podcasts | Spotify | TuneIn | Youtube Music | RSS Aili Huber and Toby Malone Cutting Plays for PerformanceMay 16, 2022 Was this the kindest cut of&nbsp;all?&nbsp; It began as a friendly argument between fellow Shakespeareans,&nbsp; Aili Huber and Toby Malone, about how to trim<\/p>\n <a href='https:\/\/stateofshakespeare.com\/?p=7820' 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