{"id":5834,"date":"2018-05-30T12:07:48","date_gmt":"2018-05-30T16:07:48","guid":{"rendered":"http:\/\/stateofshakespeare.com\/?p=5834"},"modified":"2021-08-06T18:51:34","modified_gmt":"2021-08-06T22:51:34","slug":"vilma-silva-2-2-3-2","status":"publish","type":"post","link":"https:\/\/stateofshakespeare.com\/?p=5834","title":{"rendered":"David Hammond"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_7709\"><audio class=\"wp-audio-shortcode\" id=\"audio-5834-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/DavidHammond.mp3?_=1\" \/><a href=\"http:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/DavidHammond.mp3\">http:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/DavidHammond.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_links_mp3\" style=\"margin-bottom: 1px !important;\">Podcast: <a href=\"http:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/DavidHammond.mp3\" class=\"powerpress_link_pinw\" target=\"_blank\" title=\"Play in new window\" onclick=\"return powerpress_pinw('https:\/\/stateofshakespeare.com\/?powerpress_pinw=5834-podcast');\" rel=\"nofollow\">Play in new window<\/a> | <a href=\"http:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/DavidHammond.mp3\" class=\"powerpress_link_d\" title=\"Download\" rel=\"nofollow\" download=\"DavidHammond.mp3\">Download<\/a><\/p><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/itunes.apple.com\/in\/podcast\/the-state-of-shakespeare\/id478609859?mt=2&amp;ls=1#episodeGuid=http%3A%2F%2Fstateofshakespeare.com%2F%3Fp%3D5834\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/4sUrD1Xw2LZYxf8TUdXU7m\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"https:\/\/tunein.com\/podcasts\/Arts--Culture-Podcasts\/The-State-of-Shakespeare-p960444\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/music.youtube.com\/playlist?list=PLWEywaKq6znUzOYmMa56pvQ5gozrgM6k5\" class=\"powerpress_link_subscribe powerpress_link_subscribe_youtube\" target=\"_blank\" title=\"Subscribe on Youtube Music\" rel=\"nofollow\">Youtube Music<\/a> | <a href=\"https:\/\/stateofshakespeare.com\/?feed=podcast\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a><\/p>\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:18% auto\"><figure class=\"wp-block-media-text__media\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"488\" height=\"680\" src=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2020\/08\/image.png?resize=488%2C680&#038;ssl=1\" alt=\"\" class=\"wp-image-6891 size-full\" srcset=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2020\/08\/image.png?w=488&amp;ssl=1 488w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2020\/08\/image.png?resize=50%2C70&amp;ssl=1 50w\" sizes=\"auto, (max-width: 488px) 100vw, 488px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-right wp-block-paragraph\" style=\"font-size:27px\"><strong><strong>Henry V: Prologue<\/strong><br><strong>Chorus<\/strong><br><strong>May 31, 2018<\/strong><\/strong><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-jetpack-tiled-gallery aligncenter is-style-rectangular\"><div class=\"tiled-gallery__gallery\"><div class=\"tiled-gallery__row\"><div class=\"tiled-gallery__col\" style=\"flex-basis:27.85321%\"><figure class=\"tiled-gallery__item\"><img decoding=\"async\" srcset=\"https:\/\/i1.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/08\/DAVID-HAMMOND-photo.jpg?strip=info&#038;w=240&#038;ssl=1 240w\" alt=\"\" data-height=\"432\" data-id=\"7599\" data-link=\"https:\/\/stateofshakespeare.com\/?attachment_id=7599\" data-url=\"https:\/\/stateofshakespeare.com\/wp-content\/uploads\/2021\/08\/DAVID-HAMMOND-photo.jpg\" data-width=\"240\" src=\"https:\/\/i1.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/08\/DAVID-HAMMOND-photo.jpg?ssl=1\" data-amp-layout=\"responsive\"\/><\/figure><\/div><div class=\"tiled-gallery__col\" style=\"flex-basis:72.14679%\"><figure class=\"tiled-gallery__item\"><img decoding=\"async\" srcset=\"https:\/\/i1.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/08\/HAMLET-PlayMakers-REpertory-Company.-Neil-Marren..jpg?strip=info&#038;w=600&#038;ssl=1 600w,https:\/\/i1.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/08\/HAMLET-PlayMakers-REpertory-Company.-Neil-Marren..jpg?strip=info&#038;w=900&#038;ssl=1 900w,https:\/\/i1.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/08\/HAMLET-PlayMakers-REpertory-Company.-Neil-Marren..jpg?strip=info&#038;w=1200&#038;ssl=1 1200w,https:\/\/i1.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/08\/HAMLET-PlayMakers-REpertory-Company.-Neil-Marren..jpg?strip=info&#038;w=1326&#038;ssl=1 1326w\" alt=\"\" data-height=\"919\" data-id=\"7601\" data-link=\"https:\/\/stateofshakespeare.com\/?attachment_id=7601\" data-url=\"https:\/\/stateofshakespeare.com\/wp-content\/uploads\/2021\/08\/HAMLET-PlayMakers-REpertory-Company.-Neil-Marren..jpg\" data-width=\"1326\" src=\"https:\/\/i1.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/08\/HAMLET-PlayMakers-REpertory-Company.-Neil-Marren..jpg?ssl=1\" data-amp-layout=\"responsive\"\/><\/figure><\/div><\/div><div class=\"tiled-gallery__row\"><div class=\"tiled-gallery__col\" style=\"flex-basis:23.41948%\"><figure class=\"tiled-gallery__item\"><img decoding=\"async\" srcset=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/08\/THE-TAMING-OF-THE-SHREW-PlayMakers-Repertory-Company.-Bernard-Addison-Lisa-Benedict-Matthew-Ryan..jpg?strip=info&#038;w=600&#038;ssl=1 600w,https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/08\/THE-TAMING-OF-THE-SHREW-PlayMakers-Repertory-Company.-Bernard-Addison-Lisa-Benedict-Matthew-Ryan..jpg?strip=info&#038;w=890&#038;ssl=1 890w\" alt=\"\" data-height=\"1254\" data-id=\"7600\" data-link=\"https:\/\/stateofshakespeare.com\/?attachment_id=7600\" data-url=\"https:\/\/stateofshakespeare.com\/wp-content\/uploads\/2021\/08\/THE-TAMING-OF-THE-SHREW-PlayMakers-Repertory-Company.-Bernard-Addison-Lisa-Benedict-Matthew-Ryan..jpg\" data-width=\"890\" src=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/08\/THE-TAMING-OF-THE-SHREW-PlayMakers-Repertory-Company.-Bernard-Addison-Lisa-Benedict-Matthew-Ryan..jpg?ssl=1\" data-amp-layout=\"responsive\"\/><\/figure><\/div><div class=\"tiled-gallery__col\" style=\"flex-basis:28.42873%\"><figure class=\"tiled-gallery__item\"><img decoding=\"async\" srcset=\"https:\/\/i2.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/08\/OTHELLO-PlayMakers-Repertory-Company.-Earl-Baker-Jr.-Conan-McCarty..jpg?strip=info&#038;w=600&#038;ssl=1 600w,https:\/\/i2.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/08\/OTHELLO-PlayMakers-Repertory-Company.-Earl-Baker-Jr.-Conan-McCarty..jpg?strip=info&#038;w=783&#038;ssl=1 783w\" alt=\"\" data-height=\"908\" data-id=\"7602\" data-link=\"https:\/\/stateofshakespeare.com\/?attachment_id=7602\" data-url=\"https:\/\/stateofshakespeare.com\/wp-content\/uploads\/2021\/08\/OTHELLO-PlayMakers-Repertory-Company.-Earl-Baker-Jr.-Conan-McCarty..jpg\" data-width=\"783\" src=\"https:\/\/i2.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/08\/OTHELLO-PlayMakers-Repertory-Company.-Earl-Baker-Jr.-Conan-McCarty..jpg?ssl=1\" data-amp-layout=\"responsive\"\/><\/figure><\/div><div class=\"tiled-gallery__col\" style=\"flex-basis:48.15179%\"><figure class=\"tiled-gallery__item\"><img decoding=\"async\" srcset=\"https:\/\/i2.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/08\/MUCH-ADO-ABOUT-NOTHING-PlayMakers-Repertory-Company.-Steve-Hendrickson-Tandy-Cronyn..jpg?strip=info&#038;w=600&#038;ssl=1 600w,https:\/\/i2.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/08\/MUCH-ADO-ABOUT-NOTHING-PlayMakers-Repertory-Company.-Steve-Hendrickson-Tandy-Cronyn..jpg?strip=info&#038;w=900&#038;ssl=1 900w,https:\/\/i2.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/08\/MUCH-ADO-ABOUT-NOTHING-PlayMakers-Repertory-Company.-Steve-Hendrickson-Tandy-Cronyn..jpg?strip=info&#038;w=1200&#038;ssl=1 1200w,https:\/\/i2.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/08\/MUCH-ADO-ABOUT-NOTHING-PlayMakers-Repertory-Company.-Steve-Hendrickson-Tandy-Cronyn..jpg?strip=info&#038;w=1292&#038;ssl=1 1292w\" alt=\"\" data-height=\"883\" data-id=\"7603\" data-link=\"https:\/\/stateofshakespeare.com\/?attachment_id=7603\" data-url=\"https:\/\/stateofshakespeare.com\/wp-content\/uploads\/2021\/08\/MUCH-ADO-ABOUT-NOTHING-PlayMakers-Repertory-Company.-Steve-Hendrickson-Tandy-Cronyn..jpg\" data-width=\"1292\" src=\"https:\/\/i2.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/08\/MUCH-ADO-ABOUT-NOTHING-PlayMakers-Repertory-Company.-Steve-Hendrickson-Tandy-Cronyn..jpg?ssl=1\" data-amp-layout=\"responsive\"\/><\/figure><\/div><\/div><\/div><\/div>\n\n\n\n<p class=\"p1 wp-block-paragraph\">Like a great Jazz Musician, Shakespeare uses Iambic pentameter as the underlying time signature to his rhetorical flourishes.&nbsp; <a href=\"http:\/\/stateofshakespeare.com\/?page_id=5841\" target=\"_blank\" rel=\"noopener\">David Hammond<\/a> explores this and many other ways of approaching the first playwright to give his characters language that pursues objective actions.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Click here to <a href=\"http:\/\/stateofshakespeare.com\/?page_id=5842\" target=\"_blank\" rel=\"noopener\">follow along with the text<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Click here for a <a href=\"http:\/\/stateofshakespeare.com\/?page_id=5843\" target=\"_blank\" rel=\"noopener\">First Folio version of the text<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Click here for a <a href=\"http:\/\/stateofshakespeare.com\/?page_id=5870\" target=\"_blank\" rel=\"noopener\">scanned version of the text<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/DavidHammond.mp3 Podcast: Play in new window | Download Subscribe: Apple Podcasts | Spotify | TuneIn | Youtube Music | RSS Henry V: PrologueChorusMay 31, 2018 Like a great Jazz Musician, Shakespeare uses Iambic pentameter as the underlying time signature to his rhetorical flourishes.&nbsp; David Hammond explores this and many other ways of approaching the first<\/p>\n <a href='https:\/\/stateofshakespeare.com\/?p=5834' class='excerpt-more-append'>[...]<\/a>","protected":false},"author":1,"featured_media":5838,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[10,5,254],"tags":[96,20,53,833,218,262,849,17,217,851,26,852,199,40,608,779,847,850,25,22,95,848,33,44,16,14,24,27,66,71,854,114,81,853,49,822],"class_list":["post-5834","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists","category-interviews","category-podcasts","tag-acting","tag-actor","tag-actor-preparation","tag-david-hammond","tag-gerritt-vandermeer","tag-henry-v","tag-henry-v-prologue","tag-iambic-pentameter","tag-jim-elliott","tag-john-brinsley","tag-making-choices","tag-mary-overly","tag-metaphor","tag-metric-variation","tag-metrical-variation","tag-nature","tag-north-carolina-school-of-the-arts","tag-o-for-a-muse-of-fire","tag-playable-moments","tag-playing-shakespeare","tag-preparation","tag-prologue","tag-punctuation","tag-rhetoric","tag-scansion","tag-shakespeare","tag-speaking-verse","tag-textual-clues","tag-the-state-of-shakespeare","tag-theater","tag-thomas-campion","tag-thought","tag-verse","tag-viewpoints","tag-vocal-technique","tag-william-shakespeare","category-10-id","category-5-id","category-254-id","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- 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