{"id":5750,"date":"2018-03-28T21:40:06","date_gmt":"2018-03-29T01:40:06","guid":{"rendered":"http:\/\/stateofshakespeare.com\/?p=5750"},"modified":"2022-08-15T18:33:23","modified_gmt":"2022-08-15T22:33:23","slug":"vilma-silva-2-2-3","status":"publish","type":"post","link":"https:\/\/stateofshakespeare.com\/?p=5750","title":{"rendered":"Lee Nishri-Howitt"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_866\"><audio class=\"wp-audio-shortcode\" id=\"audio-5750-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/LeeNishri.mp3?_=1\" \/><a href=\"http:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/LeeNishri.mp3\">http:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/LeeNishri.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_links_mp3\" style=\"margin-bottom: 1px !important;\">Podcast: <a href=\"http:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/LeeNishri.mp3\" class=\"powerpress_link_pinw\" target=\"_blank\" title=\"Play in new window\" onclick=\"return powerpress_pinw('https:\/\/stateofshakespeare.com\/?powerpress_pinw=5750-podcast');\" rel=\"nofollow\">Play in new window<\/a> | <a href=\"http:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/LeeNishri.mp3\" class=\"powerpress_link_d\" title=\"Download\" rel=\"nofollow\" download=\"LeeNishri.mp3\">Download<\/a><\/p><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/itunes.apple.com\/in\/podcast\/the-state-of-shakespeare\/id478609859?mt=2&amp;ls=1#episodeGuid=http%3A%2F%2Fstateofshakespeare.com%2F%3Fp%3D5750\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/4sUrD1Xw2LZYxf8TUdXU7m\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"https:\/\/tunein.com\/podcasts\/Arts--Culture-Podcasts\/The-State-of-Shakespeare-p960444\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/music.youtube.com\/playlist?list=PLWEywaKq6znUzOYmMa56pvQ5gozrgM6k5\" class=\"powerpress_link_subscribe powerpress_link_subscribe_youtube\" target=\"_blank\" title=\"Subscribe on Youtube Music\" rel=\"nofollow\">Youtube Music<\/a> | <a href=\"https:\/\/stateofshakespeare.com\/?feed=podcast\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a><\/p>\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:21% auto\"><figure class=\"wp-block-media-text__media\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"488\" height=\"680\" src=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2020\/08\/image.png?resize=488%2C680&#038;ssl=1\" alt=\"\" class=\"wp-image-6891 size-full\" srcset=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2020\/08\/image.png?w=488&amp;ssl=1 488w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2020\/08\/image.png?resize=50%2C70&amp;ssl=1 50w\" sizes=\"auto, (max-width: 488px) 100vw, 488px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-right wp-block-paragraph\" style=\"font-size:27px\"><strong>Othello; Act 2, Scene 3<strong> <\/strong><br>Iago<br><strong>March 28, 2018<\/strong><\/strong><\/p>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" data-id=\"7980\" src=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/L.Nishiri-2.jpg?resize=683%2C1024&#038;ssl=1\" alt=\"\" class=\"wp-image-7980\" srcset=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/L.Nishiri-2-scaled.jpg?resize=683%2C1024&amp;ssl=1 683w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/L.Nishiri-2-scaled.jpg?resize=47%2C70&amp;ssl=1 47w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/L.Nishiri-2-scaled.jpg?resize=768%2C1152&amp;ssl=1 768w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/L.Nishiri-2-scaled.jpg?resize=1024%2C1536&amp;ssl=1 1024w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/L.Nishiri-2-scaled.jpg?resize=1365%2C2048&amp;ssl=1 1365w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/L.Nishiri-2-scaled.jpg?w=1707&amp;ssl=1 1707w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"695\" height=\"521\" data-id=\"7981\" src=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/LNH2.jpg?resize=695%2C521&#038;ssl=1\" alt=\"\" class=\"wp-image-7981\" srcset=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/LNH2.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/LNH2.jpg?resize=70%2C53&amp;ssl=1 70w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/LNH2.jpg?resize=768%2C576&amp;ssl=1 768w\" sizes=\"auto, (max-width: 695px) 100vw, 695px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"695\" height=\"464\" data-id=\"7982\" src=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/LNH1.jpg?resize=695%2C464&#038;ssl=1\" alt=\"\" class=\"wp-image-7982\" srcset=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/LNH1.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/LNH1.jpg?resize=70%2C47&amp;ssl=1 70w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/LNH1.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/LNH1.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"auto, (max-width: 695px) 100vw, 695px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><span class=\"s1\">\u201cWhat\u2019s he then that says I play the villain?\u201d<span class=\"Apple-converted-space\">&nbsp; <\/span>Iago may be the baddest of Shakespeare\u2019s bad guys, so what\u2019s the trick to keeping the audience on your side when you\u2019re clearly up to no good?<span class=\"Apple-converted-space\">&nbsp; <\/span>According to our guest <a href=\"http:\/\/stateofshakespeare.com\/?page_id=5673\" target=\"_blank\" rel=\"noopener\">Lee Nishri-Howitt<\/a>, the answer lies in the structure.&nbsp; Join us for a conversation with Lee about his journey from a non-native speaker of English, to becoming a professional vocal and dialect coach.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Click here to <a href=\"http:\/\/stateofshakespeare.com\/?page_id=5630\" target=\"_blank\" rel=\"noopener\">follow along with the text.<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Click here for a <a href=\"http:\/\/stateofshakespeare.com\/?page_id=5627\" target=\"_blank\" rel=\"noopener\">First Folio version of the text<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Click here for a <a href=\"http:\/\/stateofshakespeare.com\/?page_id=5678\" target=\"_blank\" rel=\"noopener\">scanned version of the text<\/a>.<\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><a class=\"https:\/\/play.google.com\/music\/listen?authuser&amp;u=0#\/ps\/Ij4relqc5aawb7axuucplpzovcm\" href=\"https:\/\/play.google.com\/music\/listen?authuser&amp;u=0#\/ps\/Ij4relqc5aawb7axuucplpzovcm\" target=\"_blank\" rel=\"https:\/\/play.google.com\/music\/listen?authuser&amp;u=0#\/ps\/Ij4relqc5aawb7axuucplpzovcm noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/play.google.com\/intl\/en_us\/badges-music\/images\/badges\/en_badge_web_music.png?resize=179%2C66&#038;ssl=1\" alt=\"Listen on Google Play Music\" width=\"179\" height=\"66\"\/><\/a><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/LeeNishri.mp3 Podcast: Play in new window | Download Subscribe: Apple Podcasts | Spotify | TuneIn | Youtube Music | RSS Othello; Act 2, Scene 3 IagoMarch 28, 2018 \u201cWhat\u2019s he then that says I play the villain?\u201d&nbsp; Iago may be the baddest of Shakespeare\u2019s bad guys, so what\u2019s the trick to keeping the audience on<\/p>\n <a href='https:\/\/stateofshakespeare.com\/?p=5750' class='excerpt-more-append'>[...]<\/a>","protected":false},"author":1,"featured_media":5674,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[10,5,254],"tags":[96,20,53,842,844,843,831,834,833,218,710,17,841,217,830,26,199,40,608,832,779,565,25,22,95,33,44,16,14,24,27,66,71,114,840,81,49,822],"class_list":["post-5750","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists","category-interviews","category-podcasts","tag-acting","tag-actor","tag-actor-preparation","tag-adolf-shapiro","tag-amda","tag-american-musical-and-dramatic-academy","tag-american-repertory-theater","tag-art","tag-david-hammond","tag-gerritt-vandermeer","tag-iago","tag-iambic-pentameter","tag-ian-mortimer","tag-jim-elliott","tag-lee-nishri-howitt","tag-making-choices","tag-metaphor","tag-metric-variation","tag-metrical-variation","tag-moscow-art-theater","tag-nature","tag-othello","tag-playable-moments","tag-playing-shakespeare","tag-preparation","tag-punctuation","tag-rhetoric","tag-scansion","tag-shakespeare","tag-speaking-verse","tag-textual-clues","tag-the-state-of-shakespeare","tag-theater","tag-thought","tag-time-travelers-guide-to-elizabethan-england","tag-verse","tag-vocal-technique","tag-william-shakespeare","category-10-id","category-5-id","category-254-id","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.9 - aioseo.com -->\n\t<meta name=\"description\" content=\"Othello; Act 2, Scene 3 IagoMarch 28, 2018 \u201cWhat\u2019s he then that says I play the villain?\u201d Iago may be the baddest of Shakespeare\u2019s bad guys, so what\u2019s the trick to keeping the audience on your side when you\u2019re clearly up to no good? According to our guest Lee Nishri-Howitt, the answer lies in the\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"stateofshakespeare\"\/>\n\t<meta name=\"google-site-verification\" content=\"UA-28965856-1\" \/>\n\t<meta name=\"p:domain_verify\" content=\"d36dfa872cf08cb1686a0c207bca81df\" \/>\n\t<meta name=\"keywords\" content=\"american musical and dramatic academy,amda,adolf shapiro,time travelers guide to elizabethan england,ian mortimer,lee nishri-howitt,othello,iago,american repertory theater,moscow art theater,david hammond,art,jim elliott,gerritt vandermeer,the state of shakespeare,shakespeare,acting,actor,actor preparation,iambic pentameter,making choices,metaphor,metric variation,metrical variation,nature,playable moments,playing shakespeare,preparation,punctuation,rhetoric,scansion,speaking verse,textual clues,theater,thought,verse,vocal technique,william shakespeare\" \/>\n\t<link rel=\"canonical\" href=\"https:\/\/stateofshakespeare.com\/?p=5750\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 4.9.9\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"The State of Shakespeare\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"Lee Nishri-Howitt\" \/>\n\t\t<meta property=\"og:description\" content=\"Iago may be the baddest of Shakespeare\u2019s bad guys, so what\u2019s the trick to keeping the audience on your side when you\u2019re clearly up to no good? According to our guest Lee Nishri-Howitt, the answer may surprise you.\" \/>\n\t\t<meta property=\"og:url\" content=\"https:\/\/stateofshakespeare.com\/?p=5750\" \/>\n\t\t<meta property=\"fb:admins\" content=\"100001614971768\" \/>\n\t\t<meta property=\"og:image\" content=\"https:\/\/stateofshakespeare.com\/wp-content\/uploads\/2018\/01\/L.Nishiri-2-e1515084949737-150x150.jpg\" \/>\n\t\t<meta property=\"og:image:secure_url\" content=\"https:\/\/stateofshakespeare.com\/wp-content\/uploads\/2018\/01\/L.Nishiri-2-e1515084949737-150x150.jpg\" \/>\n\t\t<meta property=\"article:published_time\" content=\"2018-03-29T01:40:06+00:00\" \/>\n\t\t<meta property=\"article:modified_time\" content=\"2022-08-15T22:33:23+00:00\" \/>\n\t\t<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/TheStateofShakespeare\/\" \/>\n\t\t<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n\t\t<meta name=\"twitter:site\" content=\"@stateofshakespe\" \/>\n\t\t<meta name=\"twitter:title\" content=\"Lee Nishri-Howitt\" \/>\n\t\t<meta name=\"twitter:description\" content=\"Iago may be the baddest of Shakespeare\u2019s bad guys, so what\u2019s the trick to keeping the audience on your side when you\u2019re clearly up to no good? According to our guest Lee Nishri-Howitt, the answer may surprise you.\" \/>\n\t\t<meta name=\"twitter:image\" content=\"https:\/\/stateofshakespeare.com\/wp-content\/uploads\/2018\/01\/L.Nishiri-2-e1515084949737.jpg\" \/>\n\t\t<!-- All in One SEO -->\n\n","aioseo_head_json":{"title":"Lee Nishri-Howitt | The State of Shakespeare","description":"Othello; Act 2, Scene 3 IagoMarch 28, 2018 \u201cWhat\u2019s he then that says I play the villain?\u201d Iago may be the baddest of Shakespeare\u2019s bad guys, so what\u2019s the trick to keeping the audience on your side when you\u2019re clearly up to no good? According to our guest Lee Nishri-Howitt, the answer lies in the","canonical_url":"https:\/\/stateofshakespeare.com\/?p=5750","robots":"max-image-preview:large","keywords":"american musical and dramatic academy,amda,adolf shapiro,time travelers guide to elizabethan england,ian mortimer,lee nishri-howitt,othello,iago,american repertory theater,moscow art theater,david hammond,art,jim elliott,gerritt vandermeer,the state of shakespeare,shakespeare,acting,actor,actor preparation,iambic pentameter,making choices,metaphor,metric variation,metrical variation,nature,playable moments,playing shakespeare,preparation,punctuation,rhetoric,scansion,speaking verse,textual clues,theater,thought,verse,vocal technique,william shakespeare","webmasterTools":{"google-site-verification":"UA-28965856-1","p:domain_verify":"d36dfa872cf08cb1686a0c207bca81df","miscellaneous":""},"schema":null,"og:locale":"en_US","og:site_name":"The State of Shakespeare","og:type":"article","og:title":"Lee Nishri-Howitt","og:description":"Iago may be the baddest of Shakespeare\u2019s bad guys, so what\u2019s the trick to keeping the audience on your side when you\u2019re clearly up to no good? According to our guest Lee Nishri-Howitt, the answer may surprise you.","og:url":"https:\/\/stateofshakespeare.com\/?p=5750","fb:admins":"100001614971768","og:image":"https:\/\/stateofshakespeare.com\/wp-content\/uploads\/2018\/01\/L.Nishiri-2-e1515084949737-150x150.jpg","og:image:secure_url":"https:\/\/stateofshakespeare.com\/wp-content\/uploads\/2018\/01\/L.Nishiri-2-e1515084949737-150x150.jpg","article:published_time":"2018-03-29T01:40:06+00:00","article:modified_time":"2022-08-15T22:33:23+00:00","article:publisher":"https:\/\/www.facebook.com\/TheStateofShakespeare\/","twitter:card":"summary_large_image","twitter:site":"@stateofshakespe","twitter:title":"Lee Nishri-Howitt","twitter:description":"Iago may be the baddest of Shakespeare\u2019s bad guys, so what\u2019s the trick to keeping the audience on your side when you\u2019re clearly up to no good? According to our guest Lee Nishri-Howitt, the answer may surprise you.","twitter:image":"https:\/\/stateofshakespeare.com\/wp-content\/uploads\/2018\/01\/L.Nishiri-2-e1515084949737.jpg"},"aioseo_meta_data":{"post_id":"5750","title":"Lee Nishri-Howitt | #site_title","description":null,"keywords":[{"label":"American Musical and Dramatic Academy","value":"American Musical and Dramatic Academy"},{"label":"AMDA","value":"AMDA"},{"label":"Adolf Shapiro","value":"Adolf Shapiro"},{"label":"Time Travelers Guide to Elizabethan England","value":"Time Travelers Guide to Elizabethan England"},{"label":"Ian Mortimer","value":"Ian Mortimer"},{"label":"Lee NIshri-Howitt","value":"Lee NIshri-Howitt"},{"label":"Othello","value":"Othello"},{"label":"Iago","value":"Iago"},{"label":"American Repertory Theater","value":"American Repertory Theater"},{"label":"Moscow Art Theater","value":"Moscow Art Theater"},{"label":"David Hammond","value":"David Hammond"},{"label":"ART","value":"ART"},{"label":"Jim Elliott","value":"Jim Elliott"},{"label":"Gerritt VanderMeer","value":"Gerritt VanderMeer"},{"label":"The State of Shakespeare","value":"The State of Shakespeare"},{"label":"Shakespeare","value":"Shakespeare"},{"label":"Acting","value":"Acting"}],"keyphrases":{"focus":{"keyphrase":"","score":0,"analysis":{"keyphraseInTitle":{"score":0,"maxScore":9,"error":1}}},"additional":[]},"primary_term":null,"canonical_url":null,"og_title":"Lee Nishri-Howitt","og_description":"Iago may be the baddest of Shakespeare\u2019s bad guys, so what\u2019s the trick to keeping the audience on your side when you\u2019re clearly up to no good?\u00a0 According to our guest Lee Nishri-Howitt, the answer may surprise you.","og_object_type":"article","og_image_type":"custom_image","og_image_url":"http:\/\/stateofshakespeare.com\/wp-content\/uploads\/2018\/01\/L.Nishiri-2-e1515084949737-150x150.jpg","og_image_width":"0","og_image_height":"0","og_image_custom_url":"http:\/\/stateofshakespeare.com\/wp-content\/uploads\/2018\/01\/L.Nishiri-2-e1515084949737-150x150.jpg","og_image_custom_fields":null,"og_video":"","og_custom_url":null,"og_article_section":null,"og_article_tags":[],"twitter_use_og":false,"twitter_card":"summary_large_image","twitter_image_type":"default","twitter_image_url":null,"twitter_image_custom_url":null,"twitter_image_custom_fields":null,"twitter_title":null,"twitter_description":null,"schema":{"blockGraphs":[],"customGraphs":[],"default":{"data":{"Article":[],"Course":[],"Dataset":[],"FAQPage":[],"Movie":[],"Person":[],"Product":[],"ProductReview":[],"Car":[],"Recipe":[],"Service":[],"SoftwareApplication":[],"WebPage":[]},"graphName":"","isEnabled":true},"graphs":[],"defaultGraph":"Article","defaultPostTypeGraph":""},"schema_type":"default","schema_type_options":"{\"article\":{\"articleType\":\"BlogPosting\"},\"course\":{\"name\":\"\",\"description\":\"\",\"provider\":\"\"},\"faq\":{\"pages\":[]},\"product\":{\"reviews\":[]},\"recipe\":{\"ingredients\":[],\"instructions\":[],\"keywords\":[]},\"software\":{\"reviews\":[],\"operatingSystems\":[]},\"webPage\":{\"webPageType\":\"WebPage\"},\"blockGraphs\":[]}","pillar_content":false,"robots_default":true,"robots_noindex":false,"robots_noarchive":false,"robots_nosnippet":false,"robots_nofollow":false,"robots_noimageindex":false,"robots_noodp":false,"robots_notranslate":false,"robots_max_snippet":"-1","robots_max_videopreview":"-1","robots_max_imagepreview":"large","priority":null,"frequency":"default","local_seo":null,"breadcrumb_settings":null,"limit_modified_date":false,"ai":null,"created":"2021-01-04 18:36:20","updated":"2026-04-03 03:00:03","seo_analyzer_scan_date":null},"aioseo_breadcrumb":"<div class=\"aioseo-breadcrumbs\"><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/stateofshakespeare.com\" title=\"Home\">Home<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">&raquo;<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/stateofshakespeare.com\/?cat=5\" title=\"Interviews\">Interviews<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">&raquo;<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\tLee Nishri-Howitt\n\t\t<\/span><\/div>","aioseo_breadcrumb_json":[{"label":"Home","link":"https:\/\/stateofshakespeare.com"},{"label":"Interviews","link":"https:\/\/stateofshakespeare.com\/?cat=5"},{"label":"Lee Nishri-Howitt","link":"https:\/\/stateofshakespeare.com\/?p=5750"}],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2018\/01\/L.Nishiri-2-e1515084949737.jpg?fit=2393%2C2886&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2Frfq-1uK","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/posts\/5750","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5750"}],"version-history":[{"count":12,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/posts\/5750\/revisions"}],"predecessor-version":[{"id":7983,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/posts\/5750\/revisions\/7983"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/media\/5674"}],"wp:attachment":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5750"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5750"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5750"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}