{"id":337,"date":"2011-01-12T23:15:48","date_gmt":"2011-01-13T04:15:48","guid":{"rendered":"http:\/\/wordpress.stateofshakespeare.com\/?p=337"},"modified":"2022-09-19T14:59:38","modified_gmt":"2022-09-19T18:59:38","slug":"interview-charles-tuthill","status":"publish","type":"post","link":"https:\/\/stateofshakespeare.com\/?p=337","title":{"rendered":"Charles Tuthill"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_23\"><audio class=\"wp-audio-shortcode\" id=\"audio-337-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/Interview3_CharlesTuthill.mp3?_=1\" \/><a href=\"http:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/Interview3_CharlesTuthill.mp3\">http:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/Interview3_CharlesTuthill.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_links_mp3\" style=\"margin-bottom: 1px !important;\">Podcast: <a href=\"http:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/Interview3_CharlesTuthill.mp3\" class=\"powerpress_link_pinw\" target=\"_blank\" title=\"Play in new window\" onclick=\"return powerpress_pinw('https:\/\/stateofshakespeare.com\/?powerpress_pinw=337-podcast');\" rel=\"nofollow\">Play in new window<\/a> | <a href=\"http:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/Interview3_CharlesTuthill.mp3\" class=\"powerpress_link_d\" title=\"Download\" rel=\"nofollow\" download=\"Interview3_CharlesTuthill.mp3\">Download<\/a><\/p><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/itunes.apple.com\/in\/podcast\/the-state-of-shakespeare\/id478609859?mt=2&amp;ls=1#episodeGuid=http%3A%2F%2Fwordpress.stateofshakespeare.com%2F%3Fp%3D337\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/4sUrD1Xw2LZYxf8TUdXU7m\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"https:\/\/tunein.com\/podcasts\/Arts--Culture-Podcasts\/The-State-of-Shakespeare-p960444\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/music.youtube.com\/playlist?list=PLWEywaKq6znUzOYmMa56pvQ5gozrgM6k5\" class=\"powerpress_link_subscribe powerpress_link_subscribe_youtube\" target=\"_blank\" title=\"Subscribe on Youtube Music\" rel=\"nofollow\">Youtube Music<\/a> | <a href=\"https:\/\/stateofshakespeare.com\/?feed=podcast\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a><\/p>\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:21% auto\"><figure class=\"wp-block-media-text__media\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"488\" height=\"680\" src=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2020\/08\/image.png?resize=488%2C680&#038;ssl=1\" alt=\"\" class=\"wp-image-6891 size-full\" srcset=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2020\/08\/image.png?w=488&amp;ssl=1 488w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2020\/08\/image.png?resize=50%2C70&amp;ssl=1 50w\" sizes=\"auto, (max-width: 488px) 100vw, 488px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-right wp-block-paragraph\" style=\"font-size:27px\"><strong>Sonnet 128<strong> <\/strong><br><strong>January 12, 2011<\/strong><\/strong><\/p>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"109\" height=\"116\" data-id=\"8332\" src=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/09\/charles-tuthill.jpg?resize=109%2C116&#038;ssl=1\" alt=\"\" class=\"wp-image-8332\" srcset=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/09\/charles-tuthill.jpg?w=109&amp;ssl=1 109w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/09\/charles-tuthill.jpg?resize=66%2C70&amp;ssl=1 66w\" sizes=\"auto, (max-width: 109px) 100vw, 109px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"335\" height=\"240\" data-id=\"8335\" src=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/09\/1485896165_Charles-Tuthill.jpg?resize=335%2C240&#038;ssl=1\" alt=\"\" class=\"wp-image-8335\" srcset=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/09\/1485896165_Charles-Tuthill.jpg?w=335&amp;ssl=1 335w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/09\/1485896165_Charles-Tuthill.jpg?resize=70%2C50&amp;ssl=1 70w\" sizes=\"auto, (max-width: 335px) 100vw, 335px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"695\" height=\"974\" data-id=\"8336\" src=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/09\/young-woman-at-a-virginal-jan-vermeer.jpg?resize=695%2C974&#038;ssl=1\" alt=\"\" class=\"wp-image-8336\" srcset=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/09\/young-woman-at-a-virginal-jan-vermeer.jpg?resize=731%2C1024&amp;ssl=1 731w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/09\/young-woman-at-a-virginal-jan-vermeer.jpg?resize=50%2C70&amp;ssl=1 50w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/09\/young-woman-at-a-virginal-jan-vermeer.jpg?resize=768%2C1075&amp;ssl=1 768w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/09\/young-woman-at-a-virginal-jan-vermeer.jpg?w=857&amp;ssl=1 857w\" sizes=\"auto, (max-width: 695px) 100vw, 695px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"39\" data-id=\"8333\" src=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/09\/tuthillbio.png?resize=300%2C39&#038;ssl=1\" alt=\"\" class=\"wp-image-8333\" srcset=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/09\/tuthillbio.png?w=300&amp;ssl=1 300w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/09\/tuthillbio.png?resize=70%2C9&amp;ssl=1 70w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">What is it about Shakespeare\u2019s sonnets which so confounds editors, scholars and theater makers? &nbsp;In this interview, master teacher <a title=\"Charles Tuthill: About the Artist\" href=\"http:\/\/stateofshakespeare.com\/?page_id=402\">Charles Tuthill<\/a> tickles out the music of Sonnet 128. &nbsp;Mr. Tuthill defends the verse&#8230; and delivers a passionate challenge to young actors.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Click here to view <a title=\"Sonnet 128\" href=\"http:\/\/stateofshakespeare.com\/?page_id=754\">Sonnet 128<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Click here to view a <a title=\"Scansion: Sonnet 128\" href=\"http:\/\/stateofshakespeare.com\/?page_id=350\">fully scanned version of the text<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/Interview3_CharlesTuthill.mp3 Podcast: Play in new window | Download Subscribe: Apple Podcasts | Spotify | TuneIn | Youtube Music | RSS Sonnet 128 January 12, 2011 What is it about Shakespeare\u2019s sonnets which so confounds editors, scholars and theater makers? &nbsp;In this interview, master teacher Charles Tuthill tickles out the music of Sonnet 128. &nbsp;Mr. Tuthill<\/p>\n <a href='https:\/\/stateofshakespeare.com\/?p=337' class='excerpt-more-append'>[...]<\/a>","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[10,5,254],"tags":[96,20,53,41,47,116,46,68,144,139,141,42,32,57,142,17,26,15,40,135,25,22,136,34,117,33,51,48,44,143,16,14,50,132,133,24,55,137,138,43,27,71,114,140,39,81,56,134,49,52],"class_list":["post-337","post","type-post","status-publish","format-standard","hentry","category-artists","category-interviews","category-podcasts","tag-acting","tag-actor","tag-actor-preparation","tag-alexandrine","tag-alliteration","tag-antithesis","tag-bad-shakespeare","tag-breath","tag-breathing","tag-coaching","tag-ellen-adair","tag-extra-feet","tag-first-folio","tag-freedom","tag-helena","tag-iambic-pentameter","tag-making-choices","tag-meter","tag-metric-variation","tag-old-man","tag-playable-moments","tag-playing-shakespeare","tag-playing-the-thought","tag-poetry","tag-prose","tag-punctuation","tag-pyrrhic","tag-repetition","tag-rhetoric","tag-romeo-and-juliet","tag-scansion","tag-shakespeare","tag-short-line","tag-sonnet","tag-sonnet-128","tag-speaking-verse","tag-subtext","tag-suzuki","tag-suzuki-training","tag-symmetry","tag-textual-clues","tag-theater","tag-thought","tag-through-line","tag-turning-points","tag-verse","tag-verse-vs-punctuation","tag-virginal","tag-vocal-technique","tag-warming-up","category-10-id","category-5-id","category-254-id","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- 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18:36:20","updated":"2026-04-03 02:43:30","seo_analyzer_scan_date":null},"aioseo_breadcrumb":"<div class=\"aioseo-breadcrumbs\"><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/stateofshakespeare.com\" title=\"Home\">Home<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">&raquo;<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/stateofshakespeare.com\/?cat=5\" title=\"Interviews\">Interviews<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">&raquo;<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\tCharles Tuthill\n\t\t<\/span><\/div>","aioseo_breadcrumb_json":[{"label":"Home","link":"https:\/\/stateofshakespeare.com"},{"label":"Interviews","link":"https:\/\/stateofshakespeare.com\/?cat=5"},{"label":"Charles 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