{"id":1687,"date":"2012-10-23T10:34:45","date_gmt":"2012-10-23T14:34:45","guid":{"rendered":"http:\/\/stateofshakespeare.com\/?p=1687"},"modified":"2021-07-22T15:48:30","modified_gmt":"2021-07-22T19:48:30","slug":"facing-page-luke-forbes-richard-iii","status":"publish","type":"post","link":"https:\/\/stateofshakespeare.com\/?p=1687","title":{"rendered":"Facing Page &#038; Luke Forbes: Richard III"},"content":{"rendered":"<!--powerpress_player--><div class=\"powerpress_player\" id=\"powerpress_player_3072\"><audio class=\"wp-audio-shortcode\" id=\"audio-1687-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/FacingPageandLukeForbes.mp3?_=1\" \/><a href=\"http:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/FacingPageandLukeForbes.mp3\">http:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/FacingPageandLukeForbes.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_links_mp3\" style=\"margin-bottom: 1px !important;\">Podcast: <a href=\"http:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/FacingPageandLukeForbes.mp3\" class=\"powerpress_link_pinw\" target=\"_blank\" title=\"Play in new window\" onclick=\"return powerpress_pinw('https:\/\/stateofshakespeare.com\/?powerpress_pinw=1687-podcast');\" rel=\"nofollow\">Play in new window<\/a> | <a href=\"http:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/FacingPageandLukeForbes.mp3\" class=\"powerpress_link_d\" title=\"Download\" rel=\"nofollow\" download=\"FacingPageandLukeForbes.mp3\">Download<\/a><\/p><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/itunes.apple.com\/in\/podcast\/the-state-of-shakespeare\/id478609859?mt=2&amp;ls=1#episodeGuid=http%3A%2F%2Fstateofshakespeare.com%2F%3Fp%3D1687\" class=\"powerpress_link_subscribe powerpress_link_subscribe_itunes\" target=\"_blank\" title=\"Subscribe on Apple Podcasts\" rel=\"nofollow\">Apple Podcasts<\/a> | <a href=\"https:\/\/open.spotify.com\/show\/4sUrD1Xw2LZYxf8TUdXU7m\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"https:\/\/tunein.com\/podcasts\/Arts--Culture-Podcasts\/The-State-of-Shakespeare-p960444\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"https:\/\/music.youtube.com\/playlist?list=PLWEywaKq6znUzOYmMa56pvQ5gozrgM6k5\" class=\"powerpress_link_subscribe powerpress_link_subscribe_youtube\" target=\"_blank\" title=\"Subscribe on Youtube Music\" rel=\"nofollow\">Youtube Music<\/a> | <a href=\"https:\/\/stateofshakespeare.com\/?feed=podcast\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a><\/p>\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:18% auto\"><figure class=\"wp-block-media-text__media\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"488\" height=\"680\" src=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2020\/08\/image.png?resize=488%2C680&#038;ssl=1\" alt=\"\" class=\"wp-image-6891 size-full\" srcset=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2020\/08\/image.png?w=488&amp;ssl=1 488w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2020\/08\/image.png?resize=50%2C70&amp;ssl=1 50w\" sizes=\"auto, (max-width: 488px) 100vw, 488px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-right wp-block-paragraph\" style=\"font-size:27px\"><strong><strong>Richard III: Act 1, Scene <\/strong>2<br><strong>Richard (Duke of Gloucester)<\/strong><br><strong>October 5, 2012<\/strong><\/strong><\/p>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"631\" height=\"800\" src=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/07\/Luke-Forbes.jpg?resize=631%2C800&#038;ssl=1\" alt=\"\" data-id=\"7548\" data-full-url=\"https:\/\/stateofshakespeare.com\/wp-content\/uploads\/2021\/07\/Luke-Forbes.jpg\" data-link=\"https:\/\/stateofshakespeare.com\/?attachment_id=7548\" class=\"wp-image-7548\" srcset=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/07\/Luke-Forbes.jpg?w=631&amp;ssl=1 631w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/07\/Luke-Forbes.jpg?resize=55%2C70&amp;ssl=1 55w\" sizes=\"auto, (max-width: 631px) 100vw, 631px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"180\" height=\"180\" src=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/07\/facingpagelogo.jpg?resize=180%2C180&#038;ssl=1\" alt=\"\" data-id=\"7547\" data-link=\"https:\/\/stateofshakespeare.com\/?attachment_id=7547\" class=\"wp-image-7547\" srcset=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/07\/facingpagelogo.jpg?w=180&amp;ssl=1 180w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/07\/facingpagelogo.jpg?resize=70%2C70&amp;ssl=1 70w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/07\/facingpagelogo.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/07\/facingpagelogo.jpg?resize=96%2C96&amp;ssl=1 96w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/07\/facingpagelogo.jpg?resize=24%2C24&amp;ssl=1 24w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/07\/facingpagelogo.jpg?resize=36%2C36&amp;ssl=1 36w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/07\/facingpagelogo.jpg?resize=48%2C48&amp;ssl=1 48w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/07\/facingpagelogo.jpg?resize=64%2C64&amp;ssl=1 64w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/07\/facingpagelogo.jpg?resize=50%2C50&amp;ssl=1 50w\" sizes=\"auto, (max-width: 180px) 100vw, 180px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"695\" height=\"492\" src=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/07\/Richard-3.jpg?resize=695%2C492&#038;ssl=1\" alt=\"\" data-id=\"7549\" data-full-url=\"https:\/\/stateofshakespeare.com\/wp-content\/uploads\/2021\/07\/Richard-3.jpg\" data-link=\"https:\/\/stateofshakespeare.com\/?attachment_id=7549\" class=\"wp-image-7549\" srcset=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/07\/Richard-3.jpg?w=750&amp;ssl=1 750w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2021\/07\/Richard-3.jpg?resize=70%2C50&amp;ssl=1 70w\" sizes=\"auto, (max-width: 695px) 100vw, 695px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Will Shakespeare be lost in translation, or can a play transcend transcription?&nbsp; It&#8217;s a question that will be put to the test in an audacious new production.&nbsp; Using the No Fear Shakespeare text, <a href=\"http:\/\/www.facingpageproductions.com\/\" target=\"_blank\" rel=\"noopener\">Facing Page Productions<\/a> is staging a plain English version of <span style=\"text-decoration: underline;\">Richard III<\/span>.&nbsp;&nbsp; Will it open the door to more Shakespeare fans?&nbsp; <a title=\"Luke Forbes:  About the Artist\" href=\"http:\/\/stateofshakespeare.com\/?page_id=1669\" target=\"_blank\" rel=\"noopener\">Luke Forbes<\/a> plays the titular character in a version that focuses more on the plot and the main character, less on the historical underpinnings.&nbsp; What is lost and what is gained when Shakespeare&#8217;s most famous villain takes the stage spouting prose from someone else&#8217;s pen?&nbsp; You be the judge as you listen to Richard&#8217;s monologue from Act 2, Scene 1.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Click here to see the <a title=\"Richard III: Act I, Scene ii, Facing Page\" href=\"http:\/\/stateofshakespeare.com\/?page_id=1673\" target=\"_blank\" rel=\"noopener\">Facing Page Version of the text<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Click here to see the <a title=\"Richard III: Act I, Scene ii Shakespeare\" href=\"http:\/\/stateofshakespeare.com\/?page_id=1728\" target=\"_blank\" rel=\"noopener\">Shakespeare version of the text<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Click here to see a <a title=\"Scansion: Richard III Act I, Scene ii\" href=\"http:\/\/stateofshakespeare.com\/?page_id=1707\" target=\"_blank\" rel=\"noopener\">fully scanned version of the Shakespeare text<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/media.blubrry.com\/stateofshakespeare\/www.stateofshakespeare.com\/TSS\/Media\/FacingPageandLukeForbes.mp3 Podcast: Play in new window | Download Subscribe: Apple Podcasts | Spotify | TuneIn | Youtube Music | RSS Richard III: Act 1, Scene 2Richard (Duke of Gloucester)October 5, 2012 Will Shakespeare be lost in translation, or can a play transcend transcription?&nbsp; It&#8217;s a question that will be put to the test in an<\/p>\n <a href='https:\/\/stateofshakespeare.com\/?p=1687' class='excerpt-more-append'>[...]<\/a>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[10,5,254],"tags":[221,96,20,53,214,222,212,57,218,217,150,211,199,216,22,34,44,219,14,50,215,24,66,220,71,213],"class_list":["post-1687","post","type-post","status-publish","format-standard","hentry","category-artists","category-interviews","category-podcasts","tag-4th-st-theater","tag-acting","tag-actor","tag-actor-preparation","tag-barnes-and-noble","tag-duke-of-gloucester","tag-facing-page","tag-freedom","tag-gerritt-vandermeer","tag-jim-elliott","tag-lady-anne","tag-luke-forbes","tag-metaphor","tag-no-fear-shakespeare","tag-playing-shakespeare","tag-poetry","tag-rhetoric","tag-richard-iii","tag-shakespeare","tag-short-line","tag-spark-notes","tag-speaking-verse","tag-the-state-of-shakespeare","tag-the-wooing-scene","tag-theater","tag-winnie-lok","category-10-id","category-5-id","category-254-id","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- 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18:36:20","updated":"2026-04-03 02:46:31","seo_analyzer_scan_date":null},"aioseo_breadcrumb":"<div class=\"aioseo-breadcrumbs\"><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/stateofshakespeare.com\" title=\"Home\">Home<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">&raquo;<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/stateofshakespeare.com\/?cat=5\" title=\"Interviews\">Interviews<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">&raquo;<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\tFacing Page &amp; Luke Forbes: Richard III\n\t\t<\/span><\/div>","aioseo_breadcrumb_json":[{"label":"Home","link":"https:\/\/stateofshakespeare.com"},{"label":"Interviews","link":"https:\/\/stateofshakespeare.com\/?cat=5"},{"label":"Facing Page &#038; Luke Forbes: Richard 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