{"id":9460,"date":"2026-06-24T15:54:31","date_gmt":"2026-06-24T19:54:31","guid":{"rendered":"https:\/\/stateofshakespeare.com\/?page_id=9460"},"modified":"2026-06-24T15:54:35","modified_gmt":"2026-06-24T19:54:35","slug":"barry-edelstein-2","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=9460","title":{"rendered":"Jacob Ming-Trent: About the Artist"},"content":{"rendered":"\n<div class=\"wp-block-jetpack-tiled-gallery aligncenter is-style-rectangular\"><div class=\"\"><div class=\"tiled-gallery__gallery\"><div class=\"tiled-gallery__row\"><div class=\"tiled-gallery__col\" style=\"flex-basis:39.08886%\"><figure class=\"tiled-gallery__item\"><img decoding=\"async\" srcset=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2026\/06\/JMT.jpg?strip=info&#038;w=600&#038;ssl=1 600w\" alt=\"\" data-height=\"400\" data-id=\"9452\" data-link=\"https:\/\/stateofshakespeare.com\/?attachment_id=9452\" data-url=\"https:\/\/stateofshakespeare.com\/wp-content\/uploads\/2026\/06\/JMT.jpg\" data-width=\"600\" src=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2026\/06\/JMT.jpg?ssl=1\" data-amp-layout=\"responsive\"\/><\/figure><\/div><div class=\"tiled-gallery__col\" style=\"flex-basis:26.09875%\"><figure class=\"tiled-gallery__item\"><img data-recalc-dims=\"1\" decoding=\"async\" alt=\"\" data-id=\"9456\" data-link=\"https:\/\/stateofshakespeare.com\/?attachment_id=9456\" data-url=\"https:\/\/stateofshakespeare.com\/wp-content\/uploads\/2026\/06\/How-Shakespeare-Saved-My-Life-Title-1x1-2.jpg\" src=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2026\/06\/How-Shakespeare-Saved-My-Life-Title-1x1-2.jpg?w=695&#038;ssl=1\" data-amp-layout=\"responsive\"\/><\/figure><\/div><div class=\"tiled-gallery__col\" style=\"flex-basis:17.40620%\"><figure class=\"tiled-gallery__item\"><img decoding=\"async\" srcset=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2026\/06\/20260206_HSL-Berkeley-Repertory-Theatre_079-681x1024.jpg?strip=info&#038;w=600&#038;ssl=1 600w,https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2026\/06\/20260206_HSL-Berkeley-Repertory-Theatre_079-681x1024.jpg?strip=info&#038;w=900&#038;ssl=1 900w,https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2026\/06\/20260206_HSL-Berkeley-Repertory-Theatre_079-681x1024.jpg?strip=info&#038;w=1200&#038;ssl=1 1200w,https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2026\/06\/20260206_HSL-Berkeley-Repertory-Theatre_079-681x1024.jpg?strip=info&#038;w=1500&#038;ssl=1 1500w,https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2026\/06\/20260206_HSL-Berkeley-Repertory-Theatre_079-681x1024.jpg?strip=info&#038;w=1597&#038;ssl=1 1597w\" alt=\"\" data-height=\"2400\" data-id=\"9455\" data-link=\"https:\/\/stateofshakespeare.com\/?attachment_id=9455\" data-url=\"https:\/\/stateofshakespeare.com\/wp-content\/uploads\/2026\/06\/20260206_HSL-Berkeley-Repertory-Theatre_079-681x1024.jpg\" data-width=\"1597\" src=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2026\/06\/20260206_HSL-Berkeley-Repertory-Theatre_079-681x1024.jpg?ssl=1\" data-amp-layout=\"responsive\"\/><\/figure><\/div><div class=\"tiled-gallery__col\" style=\"flex-basis:17.40620%\"><figure class=\"tiled-gallery__item\"><img decoding=\"async\" srcset=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2026\/06\/20260206_HSL-Berkeley-Repertory-Theatre_122-681x1024.jpg?strip=info&#038;w=600&#038;ssl=1 600w,https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2026\/06\/20260206_HSL-Berkeley-Repertory-Theatre_122-681x1024.jpg?strip=info&#038;w=900&#038;ssl=1 900w,https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2026\/06\/20260206_HSL-Berkeley-Repertory-Theatre_122-681x1024.jpg?strip=info&#038;w=1200&#038;ssl=1 1200w,https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2026\/06\/20260206_HSL-Berkeley-Repertory-Theatre_122-681x1024.jpg?strip=info&#038;w=1500&#038;ssl=1 1500w,https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2026\/06\/20260206_HSL-Berkeley-Repertory-Theatre_122-681x1024.jpg?strip=info&#038;w=1597&#038;ssl=1 1597w\" alt=\"\" data-height=\"2400\" data-id=\"9453\" data-link=\"https:\/\/stateofshakespeare.com\/?attachment_id=9453\" data-url=\"https:\/\/stateofshakespeare.com\/wp-content\/uploads\/2026\/06\/20260206_HSL-Berkeley-Repertory-Theatre_122-681x1024.jpg\" data-width=\"1597\" src=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2026\/06\/20260206_HSL-Berkeley-Repertory-Theatre_122-681x1024.jpg?ssl=1\" data-amp-layout=\"responsive\"\/><\/figure><\/div><\/div><\/div><\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Click here to <a href=\"https:\/\/stateofshakespeare.com\/?p=9451\" target=\"_blank\" rel=\"noopener\" title=\"\">listen to his interview<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Jacob Ming-Trent<\/strong> (Actor and Playwright)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Folger Theatre: <span style=\"text-decoration: underline;\"><em>How Shakespeare Saved My Life<\/em><\/span> (Reading Room Festival 2024), <span style=\"text-decoration: underline;\">A Midsummer Night\u2019s Dream<\/span>; Shakespeare Theatre Company: <span style=\"text-decoration: underline;\">Merry Wives<\/span>. Broadway: <span style=\"text-decoration: underline;\">Gypsy<\/span> revival, original cast, <span style=\"text-decoration: underline;\">Shrek the Musical<\/span>, original cast, <span style=\"text-decoration: underline;\">Hands on a Hardbody<\/span>, original cast. Off-Broadway: The Public Theater: <span style=\"text-decoration: underline;\">The Harder They Come<\/span> (Lucille Lortel Award nomination, AUDELCO nomination), <span style=\"text-decoration: underline;\">Twelfth Night<\/span>, <span style=\"text-decoration: underline;\">Father Comes Home from the Wars<\/span> (Lortel Award, AUDELCO nomination), <span style=\"text-decoration: underline;\">Cymbeline<\/span>, <span style=\"text-decoration: underline;\">The Tempest<\/span>; Shakespeare in the Park: <span style=\"text-decoration: underline;\">Merry Wives<\/span> (Drama Desk nomination); Classic Stage Company: <span style=\"text-decoration: underline;\">Mother Courage<\/span>; Red Bull Theater: <span style=\"text-decoration: underline;\">Medea Re-Versed<\/span> (Lortel nomination), <span style=\"text-decoration: underline;\">The Alchemist,<\/span> <span style=\"text-decoration: underline;\">Mammon<\/span> (Lortel nomination); Theatre for a New Audience: <span style=\"text-decoration: underline;\">The Merchant of Venice<\/span>, <span style=\"text-decoration: underline;\">A Midsummer Night\u2019s Dream<\/span>; Epic Theater Ensemble: <span style=\"text-decoration: underline;\">Widowers\u2019 Houses<\/span>; Lincoln Center Theater: <span style=\"text-decoration: underline;\">On the Levee<\/span>. Television: Showtime: <em>White Famous<\/em> (series regular), <em>Ray Donovan<\/em> (recurring); HBO: <em>Watchmen<\/em> (series regular); AMC: <em>Feed the Beast<\/em> (recurring); <em>Only Murders in the Building<\/em>; <em>WU-TANG: An American Saga<\/em>; N<em>ew Amsterdam<\/em>; <em>God Friended Me<\/em>; <em>High Maintenance<\/em>, and more. Film: <strong>Superfly<\/strong>, <strong>Forty-Year-Old Version<\/strong>, <strong>Snakes<\/strong>, <strong>R+J<\/strong>, P<strong>ossession of Hannah Grace<\/strong>, <strong>The Bygone<\/strong>, <strong>Julie Taymour\u2019s A Midsummer Night\u2019s Dream<\/strong>, <strong>Psycho Therapy: The Shallow Tale of a Writer\u2026<\/strong>, <strong>Friendship<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Click here to listen to his interview. Jacob Ming-Trent (Actor and Playwright) Folger Theatre: How Shakespeare Saved My Life (Reading Room Festival 2024), A Midsummer Night\u2019s Dream; Shakespeare Theatre Company: Merry Wives. Broadway: Gypsy revival, original cast, Shrek the Musical, original cast, Hands on a Hardbody, original cast. Off-Broadway: The Public Theater: The Harder They<\/p>\n <a href='https:\/\/stateofshakespeare.com\/?page_id=9460' class='excerpt-more-append'>[...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"class_list":["post-9460","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2Frfq-2sA","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/9460","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9460"}],"version-history":[{"count":1,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/9460\/revisions"}],"predecessor-version":[{"id":9464,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/9460\/revisions\/9464"}],"wp:attachment":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9460"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}