{"id":9169,"date":"2025-06-18T09:34:51","date_gmt":"2025-06-18T13:34:51","guid":{"rendered":"https:\/\/stateofshakespeare.com\/?page_id=9169"},"modified":"2025-06-18T09:35:01","modified_gmt":"2025-06-18T13:35:01","slug":"as-you-like-it-act-ii-scene-vii-first-folio-3","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=9169","title":{"rendered":"Twelfth Night: Act IV, Scene i First Folio"},"content":{"rendered":"\n<p><strong>Twelfth Night\u00a0 \u00a0 \u00a0 Act V, Scene i\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Olivia<\/strong><br><strong>(First Folio edition)<\/strong><\/p>\n\n\n\n<p>This text is featured in our\u00a0<a href=\"https:\/\/stateofshakespeare.com\/?p=9151\" target=\"_blank\" rel=\"noopener\" title=\"\">interview with Mei Ann Teo<\/a>.<\/p>\n\n\n\n<p><a href=\"https:\/\/stateofshakespeare.com\/?page_id=9166\" target=\"_blank\" rel=\"noopener\" title=\"\">Open up a modern version<\/a> in a new window.<\/p>\n\n\n\n<pre class=\"wp-block-verse\">Ol. <br>2390.  Most wonderfull.<br><br><strong><span style=\"text-decoration: underline;\"><em>Alternate Text:<\/em><\/span><\/strong><br><br>Du. <br>2273.  Why should I not, (had I the heart to do it)<br>2274.  Like to th'Egyptian theefe, at point of death<br>2275.  Kill what I loue: (a sauage iealousie,<br>2276.  That sometime sauours nobly) but heare me this:<br>2277.  Since you to non-regardance cast my faith,<br>2278.  And that I partly know the instrument<br>2279.  That screwes me from my true place in your fauour:<br>2280.  Liue you the Marble-brested Tirant still.<br>2281.  But this your Minion, whom I know you loue,<br>2282.  And whom, by heauen I sweare, I tender deerely,<br>2283.  Him will I teare out of that cruell eye,<br>2284.  Where he sits crowned in his masters spight.<br>2285.  Come boy with me, my thoughts are ripe in mischiefe:<br>2286.  Ile sacrifice the Lambe that I do loue,<br>2287.  To spight a Rauens heart within a Doue.<br><br>Vio. <br>2288.  And I most iocund, apt, and willinglie,<br>2289.  To do you rest, a thousand deaths would dye.<br><br>Ol. <br>2290.  Where goes Cesario?<br><br>Vio. <br>2291.  After him I loue,<br>2292.  More then I loue these eyes, more then my life,<br>2293.  More by all mores, then ere I shall loue wife.<br>2294.  If I do feigne, you witnesses aboue<br>2295.  Punish my life, for tainting of my loue.<br><br>Ol. <br>2296.  Aye me detested, how am I beguil'd?<br><br>Vio. <br>2297.  Who does beguile you? who does do you wrong?<br><br>Ol. <br>2298.  Hast thou forgot thy selfe? Is it so long?<br>2299.  Call forth the holy Father.<br><br>Du. <br>2300.  Come, away.<br><br>Ol. <br>2301.  Whether my Lord? Cesario, Husband, stay.<br><br>Du. <br>2302.  Husband?<br><br>Ol. <br>2303.  I Husband. Can he that deny?<br><br>Du. <br>2304.  Her husband, sirrah?<br><br>Vio. <br>2305.  No my Lord, not I.<br><br>Ol. <br>2306.  Alas, it is the basenesse of thy feare,<br>2307.  That makes thee strangle thy propriety:<br>2308.  Feare not Cesario, take thy fortunes vp,<br>2309.  Be that thou know'st thou art, and then thou art<br>2310.  As great as that thou fear'st.<br><\/pre>\n\n\n\n<p class=\"has-text-align-left\"><span style=\"color: #ffffff;\">x<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Twelfth Night\u00a0 \u00a0 \u00a0 Act V, Scene i\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Olivia(First Folio edition) This text is featured in our\u00a0interview with Mei Ann Teo. Open up a modern version in a new window. Ol. 2390. Most wonderfull.Alternate Text:Du. 2273. Why should I not, (had I the heart to do it)2274. Like to th&#8217;Egyptian theefe, at point of death2275.<\/p>\n <a href='https:\/\/stateofshakespeare.com\/?page_id=9169' class='excerpt-more-append'>[...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-9169","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2Frfq-2nT","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/9169","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9169"}],"version-history":[{"count":1,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/9169\/revisions"}],"predecessor-version":[{"id":9171,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/9169\/revisions\/9171"}],"wp:attachment":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9169"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}