{"id":9166,"date":"2025-06-18T09:34:48","date_gmt":"2025-06-18T13:34:48","guid":{"rendered":"https:\/\/stateofshakespeare.com\/?page_id=9166"},"modified":"2025-06-18T09:34:57","modified_gmt":"2025-06-18T13:34:57","slug":"a-midsummer-nights-dream-act-i-scene-i-2-2","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=9166","title":{"rendered":"Twelfth Night: Act V, Scene i"},"content":{"rendered":"\n<p><strong>Twelfth Night.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Act 5, Scene 1.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Olivia<\/strong><\/p>\n\n\n\n<p>(This text is featured in our\u00a0<a href=\"https:\/\/stateofshakespeare.com\/?p=9151\" target=\"_blank\" rel=\"noopener\" title=\"\">interview with Mei Ann Teo<\/a>)<\/p>\n\n\n\n<p>Click here to open a <a href=\"https:\/\/stateofshakespeare.com\/?page_id=9169\" target=\"_blank\" rel=\"noopener\" title=\"\">First Folio Version<\/a>.<\/p>\n\n\n\n<p><strong>OLIVIA <\/strong><br>236        Most Wonderful!<\/p>\n\n\n\n<p><span style=\"text-decoration: underline;\"><strong><em>OTHER OPTION<\/em><\/strong><\/span><\/p>\n\n\n\n<pre class=\"wp-block-verse\">ORSINO <br> 118.  Why should I not, had I the heart to do it,<br> 119.  Like to th\u2019 Egyptian thief at point of death,<br> 120.  Kill what I love?\u2014a savage jealousy<br> 121.  That sometime savors nobly. But hear me this:<br> 122.  Since you to nonregardance cast my faith,<br> 123.  And that I partly know the instrument<br> 124.  That screws me from my true place in your favor,<br> 125.  Live you the marble-breasted tyrant still.<br> 126.  But this your minion, whom I know you love,<br> 127.  And whom, by heaven I swear, I tender dearly,<br> 128.  Him will I tear out of that cruel eye<br> 129.  Where he sits crown\u00e8d in his master\u2019s spite.\u2014<br> 130.  Come, boy, with me. My thoughts are ripe in mischief.<br> 131.  I\u2019ll sacrifice the lamb that I do love<br> 132.  To spite a raven\u2019s heart within a dove.<br><br>VIOLA <br> 133.  And I, most jocund, apt, and willingly,<br> 134.  To do you rest a thousand deaths would die.<br><br>OLIVIA <br> 135.  Where goes Cesario?<br><br>VIOLA                             <br>                                                              After him I love<br> 136.  More than I love these eyes, more than my life,<br> 137.  More by all mores than e\u2019er I shall love wife.<br> 138.  If I do feign, you witnesses above,<br> 139.  Punish my life for tainting of my love.<br><br>OLIVIA <br> 140.  Ay me, detested! How am I beguiled!<br><br>VIOLA <br> 141.  Who does beguile you? Who does do you wrong?<br><br>OLIVIA <br> 142.  Hast thou forgot thyself? Is it so long?\u2014<br> 143.  Call forth the holy father.\u231cAn Attendant exits.\u231d<br><br>ORSINO, \u231cto Viola\u231d   <br>                                            Come, away!<br><br>OLIVIA <br> 144.  Whither, my lord?\u2014Cesario, husband, stay.<br><br>ORSINO <br> 145.  Husband?<br><br>OLIVIA   <br>                        Ay, husband. Can he that deny?<br><br>ORSINO <br> 146.  Her husband, sirrah?<br><br>VIOLA   <br>                                      No, my lord, not I.<br><br>OLIVIA <br>147.   Alas, it is the baseness of thy fear<br>148.  That makes thee strangle thy propriety.<br>149.  Fear not, Cesario. Take thy fortunes up.<br>150.  Be that thou know\u2019st thou art, and then thou art<br>151.  As great as that thou fear\u2019st.<br><br><br><br><\/pre>\n","protected":false},"excerpt":{"rendered":"<p>Twelfth Night.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Act 5, Scene 1.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Olivia (This text is featured in our\u00a0interview with Mei Ann Teo) Click here to open a First Folio Version. OLIVIA 236 Most Wonderful! OTHER OPTION ORSINO 118. Why should I not, had I the heart to do it, 119. Like to th\u2019 Egyptian thief at point of death, 120. Kill<\/p>\n <a href='https:\/\/stateofshakespeare.com\/?page_id=9166' class='excerpt-more-append'>[...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-9166","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2Frfq-2nQ","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/9166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9166"}],"version-history":[{"count":2,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/9166\/revisions"}],"predecessor-version":[{"id":9170,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/9166\/revisions\/9170"}],"wp:attachment":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}