{"id":8683,"date":"2023-03-24T11:45:05","date_gmt":"2023-03-24T15:45:05","guid":{"rendered":"https:\/\/stateofshakespeare.com\/?page_id=8683"},"modified":"2023-03-24T11:45:11","modified_gmt":"2023-03-24T15:45:11","slug":"aditi-kapil-about-the-artist-26-2","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=8683","title":{"rendered":"Miriam Laube: About the Artist"},"content":{"rendered":"\n
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Photo: Jenny Graham.<\/figcaption><\/figure>\n\n\n\n
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Photo: Jenny Graham.<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Click here to listen to her interview<\/a>.<\/p>\n\n\n\n

Miriam Laube recently relocated to NYC after 16 seasons at the Oregon Shakespeare Festival.<\/p>\n\n\n\n

She played Hermione in William Shakespeare’s play, “The Winter’s Tale,” in an Oregon Shakespeare Festival production at the Angus Bowmer Theatre in Ashland, Oregon with Nell Geisslinger (Perditia) and Geoffrey Blaisdell (Shepherd) in the cast. Penny Metropulos was director. Libby Appel was artistic director.<\/p>\n\n\n\n

Other theatres: Broadway:<\/strong> Bombay Dreams<\/em>. Off-Broadway:<\/strong> The Public Theater, Aquila Theater, Ensemble Studio Theatre. Regional:<\/strong> Denver Center Theatre Company, Dallas Theater Center, Berkeley Rep, Baltimore Center Stage, Virginia Stage Company, Cleveland Play House, Milwaukee Repertory Theater, Guthrie Theater, Mixed Blood Theatre.<\/p>\n\n\n\n

Awards:<\/strong> Henry Award, Best Supporting Actress (The Book of Will<\/em>, world premiere, DCTC); Theatre Communications Group\u2013Fox Fellow; 2018 Lunt-Fontanne Fellow.<\/p>\n","protected":false},"excerpt":{"rendered":"

Click here to listen to her interview. Miriam Laube recently relocated to NYC after 16 seasons at the Oregon Shakespeare Festival. She played Hermione in William Shakespeare’s play, “The Winter’s Tale,” in an Oregon Shakespeare Festival production at the Angus Bowmer Theatre in Ashland, Oregon with Nell Geisslinger (Perditia) and Geoffrey Blaisdell (Shepherd) in the<\/p>\n [...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-8683","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2Frfq-2g3","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/8683","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8683"}],"version-history":[{"count":2,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/8683\/revisions"}],"predecessor-version":[{"id":8703,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/8683\/revisions\/8703"}],"wp:attachment":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}