{"id":8139,"date":"2022-08-23T15:29:59","date_gmt":"2022-08-23T19:29:59","guid":{"rendered":"https:\/\/stateofshakespeare.com\/?page_id=8139"},"modified":"2022-08-29T18:56:58","modified_gmt":"2022-08-29T22:56:58","slug":"andres-montejo-about-the-artist-2-2","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=8139","title":{"rendered":"Kurt Rhoads: About the Artist"},"content":{"rendered":"\n

Click here to listen to his interview<\/a><\/p>\n\n\n\n

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Favorites at HVSF include: An Iliad, Tartuffe, Petruchio, Leontes, Macbeth, Iago, Launce, Antony, George Washington and Henry in The Book of Will.\u00a0Directing credits at HVSF:\u00a0\u00a0The Comedy of Errors\u00a0(\u201902 & \u201911); The Taming of the Shrew\u00a0(\u201910); As You Like It (\u201907); Two Gentlemen of Verona (\u201905).\u00a0Directing Credits at Westchester Community College:\u00a0\u00a0Much Ado About Nothing; Romeo and Juliet.\u00a0\u00a0At the Everyman Theatre in Baltimore he has appeared as James Tyrone in\u00a0Long Day\u2019s Journey Into Night and as Stan in Sweat.\u00a0At the Clarence Brown Theatre he has appeared as Titus in Titus Andronicus and Charles in King Charles III.\u00a0Kurt was a company member at the Dallas Theater Center where he\u00a0 recently performed in White Rabbit, Red Rabbit.\u00a0 Kurt and actress Nance Williamson have worked together on 66 plays. <\/p>\n","protected":false},"excerpt":{"rendered":"

Click here to listen to his interview Favorites at HVSF include: An Iliad, Tartuffe, Petruchio, Leontes, Macbeth, Iago, Launce, Antony, George Washington and Henry in The Book of Will.\u00a0Directing credits at HVSF:\u00a0\u00a0The Comedy of Errors\u00a0(\u201902 & \u201911); The Taming of the Shrew\u00a0(\u201910); As You Like It (\u201907); Two Gentlemen of Verona (\u201905).\u00a0Directing Credits at Westchester<\/p>\n [...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"class_list":["post-8139","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\n","aioseo_head_json":{"title":"Angus Vail: About the Artist | The State of Shakespeare","description":"I\u2019m a kiwi (New Zealander) and after finishing law school I worked in London in the mid-eighties, and caught the \u201cShakespeare virus\u201d there. 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