{"id":7829,"date":"2022-05-16T10:45:22","date_gmt":"2022-05-16T14:45:22","guid":{"rendered":"https:\/\/stateofshakespeare.com\/?page_id=7829"},"modified":"2022-05-16T14:23:43","modified_gmt":"2022-05-16T18:23:43","slug":"aditi-kapil-about-the-artist-25","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=7829","title":{"rendered":"Toby Malone: About the Artist"},"content":{"rendered":"\n
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Click here to listen to his interview<\/a>.<\/p>\n\n\n\n

Toby Malone is an Australian-Canadian academic, playwright, and dramaturg. He holds a PhD in Shakespearean textual analysis and dramaturgy from the University of Toronto and a BA (Honours) in English from the University of Western Australia.<\/p>\n\n\n\n

He has worked as a theatre artist in Australia (Australian Shakespeare Company, Hole in the Wall Theatre), Canada (Stratford Festival, Shaw Festival, Soulpepper, Canadian Stage), the United Kingdom (Poorboy Theatre Glasgow), and the United States (Pittsburgh Public Theater, Arizona Theatre Company), and currently serves as Assistant Professor of Dramaturgy, Theatre History, and Criticism in the Theatre Department at the State University of New York at Oswego.<\/p>\n\n\n\n

On top of his academic work, Toby works as a partner in both the subTEXT Solutions Dramaturgy Group and with the groundbreaking Entertainment Engineering Collective.<\/p>\n","protected":false},"excerpt":{"rendered":"

Click here to listen to his interview. Toby Malone is an Australian-Canadian academic, playwright, and dramaturg. He holds a PhD in Shakespearean textual analysis and dramaturgy from the University of Toronto and a BA (Honours) in English from the University of Western Australia. He has worked as a theatre artist in Australia (Australian Shakespeare Company,<\/p>\n [...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-7829","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2Frfq-22h","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/7829","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7829"}],"version-history":[{"count":3,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/7829\/revisions"}],"predecessor-version":[{"id":7844,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/7829\/revisions\/7844"}],"wp:attachment":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7829"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}