{"id":7512,"date":"2021-07-17T12:31:14","date_gmt":"2021-07-17T16:31:14","guid":{"rendered":"https:\/\/stateofshakespeare.com\/?page_id=7512"},"modified":"2021-07-17T12:31:16","modified_gmt":"2021-07-17T16:31:16","slug":"patrick-harvey-about-the-artist","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=7512","title":{"rendered":"Patrick Harvey: About the Artist"},"content":{"rendered":"\n
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Click here to listen to his interview.<\/a><\/p>\n\n\n\n

Patrick Harvey received his BFA in Drama from NYU, and studied Shakespeare and Classical Theatre in Performance at London\u2019s Royal Academy of Dramatic Art. He has acted in the National Touring company of Ken Ludwig\u2019s \u2018Twas the Night Before Christmas in the lead role of Amos, off-Broadway at the esteemed Pearl Theatre Company (The Dingdong, Christmas Carol: a radio play) and in the Ford Studio at Signature Theatre (Artaud Artaud). He was also picked by Laura Benanti to act opposite her in a webisode promoting the Radio City Spring Spectacular.<\/p>\n\n\n\n

Patrick\u2019s other New York stage credits include plays at Dixon Place, The Tank, Columbia Stages, the Harold Clurman Festival of the Arts (Samuel Beckett\u2019s All That Fall featuring Alvin Epstein), and Smith Street Stage.<\/p>\n\n\n\n

A dual citizen of the United States and Ireland, Patrick is fluent in Irish Gaelic. He is cared for by his two cats, Maggie and Missy Elliott.<\/p>\n","protected":false},"excerpt":{"rendered":"

Click here to listen to his interview. Patrick Harvey received his BFA in Drama from NYU, and studied Shakespeare and Classical Theatre in Performance at London\u2019s Royal Academy of Dramatic Art. He has acted in the National Touring company of Ken Ludwig\u2019s \u2018Twas the Night Before Christmas in the lead role of Amos, off-Broadway at<\/p>\n [...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-7512","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2Frfq-1Xa","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/7512","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7512"}],"version-history":[{"count":6,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/7512\/revisions"}],"predecessor-version":[{"id":7530,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/7512\/revisions\/7530"}],"wp:attachment":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7512"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}