{"id":6915,"date":"2020-08-26T18:01:03","date_gmt":"2020-08-26T22:01:03","guid":{"rendered":"http:\/\/stateofshakespeare.com\/?page_id=6915"},"modified":"2020-08-26T18:01:06","modified_gmt":"2020-08-26T22:01:06","slug":"a-midsummer-nights-dream-act-i-scene-i-7","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=6915","title":{"rendered":"King Lear:  Act 2, Scene 2"},"content":{"rendered":"\n<p><strong>King Lear.&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Act 2, Scene 2.&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Kent<\/strong><\/p>\n\n\n\n<p>(This text is featured in our&nbsp;interview with <a href=\"http:\/\/stateofshakespeare.com\/?p=6886\">Paul Sugarman<\/a>)<\/p>\n\n\n\n<p>Click here to open up First Folio version<\/p>\n\n\n<p id=\"block-e12246d4-a259-421d-8acb-e45cc8897f8e\" class=\"wp-block-preformatted block-editor-block-list__block wp-block is-selected rich-text block-editor-rich-text__editable is-hovered wp-block\" tabindex=\"0\" role=\"textbox\" contenteditable=\"true\" aria-label=\"Write preformatted text\u2026\" aria-multiline=\"true\" data-block=\"e12246d4-a259-421d-8acb-e45cc8897f8e\" data-type=\"core\/preformatted\" data-title=\"Preformatted\"><strong data-rich-text-format-boundary=\"true\">KENT<\/strong><br data-rich-text-line-break=\"true\" \/>10.\u00a0 Fellow, I know thee.<br data-rich-text-line-break=\"true\" \/><strong>OSWALD<\/strong><br data-rich-text-line-break=\"true\" \/>11.\u00a0 What dost thou know me for?<br data-rich-text-line-break=\"true\" \/><strong>KENT<\/strong><br data-rich-text-line-break=\"true\" \/>12. A knave; a rascal; an eater of broken meats; a base, proud,\u00a0<br data-rich-text-line-break=\"true\" \/>13. shallow, beggarly, three-suited, hundred-pound, filthy,\u00a0<br data-rich-text-line-break=\"true\" \/>14. worsted-stocking knave; a lily-livered, action-taking knave, a whoreson,<br data-rich-text-line-break=\"true\" \/>15. glass-gazing, super-serviceable finical rogue;<br data-rich-text-line-break=\"true\" \/>16. one-trunk-inheriting slave; one that wouldst be a bawd, in way of\u00a0<br data-rich-text-line-break=\"true\" \/>17. good service, and art nothing but the composition of a knave,\u00a0<br data-rich-text-line-break=\"true\" \/>18. beggar, coward, pandar, and the son and heir of a mongrel bitch:\u00a0<br data-rich-text-line-break=\"true\" \/>19. one whom I will beat into clamorous whining, if thou deniest the\u00a0<br data-rich-text-line-break=\"true\" \/>10. least syllable of thy addition.<br data-rich-text-line-break=\"true\" \/><strong>OSWALD<\/strong><br data-rich-text-line-break=\"true\" \/>21. Why, what a monstrous fellow art thou, thus to rail on one\u00a0<br data-rich-text-line-break=\"true\" \/>22. that is neither known of thee nor knows thee!<br data-rich-text-line-break=\"true\" \/><strong>KENT<\/strong><br data-rich-text-line-break=\"true\" \/>23. What a brazen-faced varlet art thou, to deny thou knowest me!\u00a0<br data-rich-text-line-break=\"true\" \/>24. Is it two days ago since I tripped up thy heels,\u00a0<br data-rich-text-line-break=\"true\" \/>25. and beat thee before the king? Draw, you rogue: for, though\u00a0<br data-rich-text-line-break=\"true\" \/>26. it be night, yet the moon shines; I&#8217;ll make a sop o&#8217; the\u00a0<br data-rich-text-line-break=\"true\" \/>27. moonshine of you: draw, you whoreson cullionly barber-monger,\u00a0<br data-rich-text-line-break=\"true\" \/>28. draw.<\/p>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>King Lear.&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Act 2, Scene 2.&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Kent (This text is featured in our&nbsp;interview with Paul Sugarman) Click here to open up First Folio version KENT10.\u00a0 Fellow, I know thee.OSWALD11.\u00a0 What dost thou know me for?KENT12. A knave;<\/p>\n <a href='https:\/\/stateofshakespeare.com\/?page_id=6915' class='excerpt-more-append'>[...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"class_list":["post-6915","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2Frfq-1Nx","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/6915","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6915"}],"version-history":[{"count":5,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/6915\/revisions"}],"predecessor-version":[{"id":6933,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/6915\/revisions\/6933"}],"wp:attachment":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6915"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}