{"id":6588,"date":"2019-12-04T18:40:51","date_gmt":"2019-12-04T23:40:51","guid":{"rendered":"http:\/\/stateofshakespeare.com\/?page_id=6588"},"modified":"2022-10-17T09:53:24","modified_gmt":"2022-10-17T13:53:24","slug":"aditi-kapil-about-the-artist-12","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=6588","title":{"rendered":"Jack Cutmore-Scott: About the Artist"},"content":{"rendered":"\n

Click here to listen to his interview.<\/a><\/p>\n\n\n\n

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Jack Cutmore-Scott is an accomplished British actor who most recently starred in the ABC series DECEPTION in 2018. Previously, he was in the Christopher Nolan feature, DUNKIRK opposite Cillian Murphy, and the indie feature GOOD MATCH opposite Lili Simmons for director David Chirchirillo. He played the title character in the Fox series COOPER BARRETT\u2019S GUIDE TO SURVIVING LIFE, and he was previously cast as the lead in the FOX comedy pilot CABOT COLLEGE produced by Tina Fey. Jack made his motion picture debut in Matthew Vaughn’s KINGSMAN: THE SECRET SERVICE for FOX, and also appeared in Ridley Scott’s Showtime pilot VATICAN. Jack has an impressive list of Broadway credits that include CYRANO DE BERGERAC under director Jamie Lloyd and ARCADIA under director David Leveaux. He also starred as \u201cClaudio\u201d in MUCH ADO ABOUT NOTHING at Shakespeare in the Park for director Jack O\u2019Brien. Jack is based in both the UK and Los Angeles.<\/p>\n","protected":false},"excerpt":{"rendered":"

Click here to listen to his interview. Jack Cutmore-Scott is an accomplished British actor who most recently starred in the ABC series DECEPTION in 2018. Previously, he was in the Christopher Nolan feature, DUNKIRK opposite Cillian Murphy, and the indie feature GOOD MATCH opposite Lili Simmons for director David Chirchirillo. He played the title character<\/p>\n [...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-6588","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2Frfq-1Ig","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/6588","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6588"}],"version-history":[{"count":4,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/6588\/revisions"}],"predecessor-version":[{"id":8538,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/6588\/revisions\/8538"}],"wp:attachment":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6588"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}