{"id":6544,"date":"2019-10-31T13:27:52","date_gmt":"2019-10-31T17:27:52","guid":{"rendered":"http:\/\/stateofshakespeare.com\/?page_id=6544"},"modified":"2019-10-31T14:01:41","modified_gmt":"2019-10-31T18:01:41","slug":"a-midsummer-nights-dream-act-i-scene-i-3","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=6544","title":{"rendered":"Love’s Labor’s Lost; Act III, Scene i: First Folio"},"content":{"rendered":"

Love’s Labor’s Lost.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Act 3, Scene 1.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Berowne<\/strong><\/p>\n

(This text is featured in our interview with Bradford Cover<\/a>)<\/p>\n

Click here to open a scanned version<\/a>.<\/p>\n

Click here to open up a modern version<\/a><\/p>\n

939\u00a0 O, and I for<\/span>s<\/span>ooth in loue,<\/span><\/div>\n
940\u00a0 I that haue beene loues whip<\/span>?<\/i><\/div>\n
941\u00a0 A verie Beadle to a humerous <\/span>s<\/span>i<\/span><\/span>gh: A Criticke,<\/span><\/div>\n
942\u00a0 Nay, a night-watch Con<\/span>s<\/span>t<\/span><\/span>able.<\/span><\/div>\n
943\u00a0 A domineering pedant ore the Boy,<\/span><\/div>\n
944\u00a0 Then whom no mortall <\/span>s<\/span>o magni<\/span>fi<\/span>cent,<\/span><\/div>\n
945\u00a0 This wimpled, whyning, purblinde waiward Boy,<\/span><\/div>\n
946\u00a0 This s<\/span>i<\/span>gnior\u00a0Iunios<\/i>\u00a0gyant drawfe, don\u00a0Cupid<\/i>,<\/div>\n
947\u00a0 Regent of Loue-rimes, Lord of folded armes,<\/div>\n
948\u00a0 Th’annointed s<\/span>oueraigne of\u00a0s<\/span>i<\/span>ghes and groanes:<\/div>\n
949\u00a0 Liedge of all loyterers and malecontents:<\/span><\/div>\n
950\u00a0 Dread Prince of Placcats, King of Codpeeces.<\/span><\/div>\n
951\u00a0 Sole Emperator and great generall<\/span><\/div>\n
952\u00a0 Of trotting Parrators (O my little heart.)<\/div>\n
953\u00a0 And I to be a Corporall of his fi<\/span>eld,<\/div>\n
954\u00a0 And weare his colours like a Tumblers hoope.<\/div>\n
955\u00a0 What? I loue, I s<\/span>ue, I\u00a0s<\/span>eeke a wife,<\/div>\n
956\u00a0 A woman that is like a Germane Cloake,<\/div>\n
957\u00a0 Still a repairing: euer out of frame,<\/div>\n
958\u00a0 And neuer going a right, being a Watch:<\/span><\/div>\n
959\u00a0 But being watcht, that it may <\/span>s<\/span>t<\/span><\/span>ill goe right.<\/span><\/div>\n
960\u00a0 Nay, to be periurde, which is wors<\/span>t<\/span>\u00a0of all:<\/div>\n
961\u00a0 And among three, to loue the wors<\/span>t<\/span>\u00a0of all,<\/div>\n
962\u00a0 A whitly wanton, with a veluet brow.<\/div>\n
963\u00a0 With two pitch bals <\/span>s<\/span>t<\/span><\/span>ucke in her face for eyes.<\/span><\/div>\n
964\u00a0 I, and by heauen, one that will doe the deede,<\/span><\/div>\n
965\u00a0 Though\u00a0<\/span>Argus<\/i>\u00a0were her Eunuch and her garde.<\/span><\/div>\n
966\u00a0 And I to <\/span>s<\/span>i<\/span><\/span>gh for her, to watch for her,<\/span><\/div>\n
967\u00a0 To pray for her, go to: it is a plague<\/span><\/div>\n
968\u00a0 That <\/span>Cupid<\/i>\u00a0will impo<\/span>s<\/span>e for my negle<\/span>ct<\/span>,<\/span><\/div>\n
969\u00a0 Of his almighty dreadfull little might.<\/span><\/div>\n
970\u00a0 Well, I will loue, write,\u00a0<\/span>s<\/span>i<\/span><\/span>gh, pray,\u00a0<\/span>s<\/span>h<\/span><\/span>ue, grone,<\/span><\/div>\n
971\u00a0 Some men mu<\/span>s<\/span>t<\/span><\/span>\u00a0loue my Lady, and\u00a0<\/span>s<\/span>ome Ione.<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

Love’s Labor’s Lost.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Act 3, Scene 1.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Berowne (This text is featured in our interview with Bradford Cover) Click here to open a scanned version. Click here to open up a modern version 939\u00a0 O, and I forsooth in loue, 940\u00a0 I that haue beene loues whip? 941\u00a0 A verie Beadle to a humerous sigh: A<\/p>\n [...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-6544","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2Frfq-1Hy","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/6544","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6544"}],"version-history":[{"count":7,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/6544\/revisions"}],"predecessor-version":[{"id":6566,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/6544\/revisions\/6566"}],"wp:attachment":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6544"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}