{"id":6135,"date":"2018-10-20T13:09:41","date_gmt":"2018-10-20T17:09:41","guid":{"rendered":"http:\/\/stateofshakespeare.com\/?page_id=6135"},"modified":"2023-10-30T10:45:08","modified_gmt":"2023-10-30T14:45:08","slug":"alls-well-that-ends-well-act-iv-scene-iii-first-folio-4","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=6135","title":{"rendered":"Romeo and Juliet; Act III, Scene ii:  First Folio"},"content":{"rendered":"\n<p class=\"has-medium-font-size\"><strong>Romeo and Juliet&nbsp; &nbsp; &nbsp; Act III, Scene ii &nbsp; &nbsp; &nbsp; &nbsp;Juliet<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\">This speech is used in our <a href=\"http:\/\/stateofshakespeare.com\/?p=6126\">interview with Zuzanna Szadowski<\/a>  and <a href=\"https:\/\/stateofshakespeare.com\/?p=8785\" target=\"_blank\" rel=\"noopener\" title=\"\">Sara Topham<\/a><\/p>\n\n\n\n<p class=\"has-medium-font-size\">Click here&nbsp;to <a href=\"http:\/\/stateofshakespeare.com\/?page_id=6138\">open a scanned version<\/a>.<\/p>\n\n\n\n<p class=\"has-medium-font-size\">Click here&nbsp;to <a href=\"http:\/\/stateofshakespeare.com\/?page_id=6132\">open up modern version<\/a>. <\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>&nbsp;Gallop apace, you&nbsp;fiery footed&nbsp;steedes,<\/li>\n\n\n\n<li>Towards&nbsp;<em>Phoebus<\/em>&nbsp;lodging,&nbsp;such a Wagoner<\/li>\n\n\n\n<li>As&nbsp;<em>Phaeton<\/em>&nbsp;would whip you to the west,<\/li>\n\n\n\n<li>And bring in Cloudie night immediately.<\/li>\n\n\n\n<li>Spred thy close Curtaine Loue-performing night,<\/li>\n\n\n\n<li>That run-awayes eyes may wincke, and&nbsp;<em>Romeo<\/em><\/li>\n\n\n\n<li>Leape to these armes, vntalkt of and vnseene,<\/li>\n\n\n\n<li>Louers can&nbsp;see to doe their Amorous rights,<\/li>\n\n\n\n<li>And by their owne Beauties: or if Loue be blind,<\/li>\n\n\n\n<li>It best&nbsp;agrees with night: come ciuill night,<\/li>\n\n\n\n<li>Thou&nbsp;sober&nbsp;suted Matron all in blacke,<\/li>\n\n\n\n<li>And learne me how to loose a winning match,<\/li>\n\n\n\n<li>Plaid for a paire of&nbsp;stainlesse Maidenhoods,<\/li>\n\n\n\n<li>Hood my vnman&#8217;d blood bayting in my Cheekes,<\/li>\n\n\n\n<li>With thy Blacke mantle, till&nbsp;strange Loue grow bold,<\/li>\n\n\n\n<li>Thinke true Loue acted&nbsp;simple modestie:<\/li>\n\n\n\n<li>Come night, come&nbsp;<em>Romeo,<\/em>&nbsp;come thou day in night,<\/li>\n\n\n\n<li>For thou wilt lie vpon the wings of night<\/li>\n\n\n\n<li>Whiter then new Snow vpon a Rauens backe:<\/li>\n\n\n\n<li>Come gentle night, come louing blackebrow&#8217;d night.<\/li>\n\n\n\n<li>Giue me my&nbsp;<em>Romeo,<\/em>&nbsp;and when I&nbsp;shall die,<\/li>\n\n\n\n<li>Take him and cut him out in little&nbsp;starres,<\/li>\n\n\n\n<li>And he will make the Face of heauen&nbsp;so&nbsp;fine,<\/li>\n\n\n\n<li>That all the world will be in Loue with night,<\/li>\n\n\n\n<li>And pay no worship to the Garish&nbsp;Sun.<\/li>\n\n\n\n<li>O I haue bought the Mansion of a Loue,<\/li>\n\n\n\n<li>But not possest&nbsp;it, and though I am&nbsp;sold,<\/li>\n\n\n\n<li>Not yet enioy&#8217;d,&nbsp;so tedious is this day,<\/li>\n\n\n\n<li>As is the night before&nbsp;some Festiuall,<\/li>\n\n\n\n<li>To an impatient child that hath new robes<\/li>\n\n\n\n<li>And may not weare them, O here comes my Nurse:&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<em>Enter Nurse with cords.<\/em><\/li>\n\n\n\n<li>And&nbsp;she brings newes and euery tongue that&nbsp;speaks<\/li>\n\n\n\n<li>But&nbsp;<em>Romeos,<\/em>&nbsp;name,&nbsp;speakes heauenly eloquence:<\/li>\n\n\n\n<li>Now Nurse, what newes? what hast&nbsp;thou there?<\/li>\n\n\n\n<li>The Cords that&nbsp;<em>Romeo<\/em>&nbsp;bid thee fetch?<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>Romeo and Juliet&nbsp; &nbsp; &nbsp; Act III, Scene ii &nbsp; &nbsp; &nbsp; &nbsp;Juliet This speech is used in our interview with Zuzanna Szadowski and Sara Topham Click here&nbsp;to open a scanned version. Click here&nbsp;to open up modern version.<\/p>\n <a href='https:\/\/stateofshakespeare.com\/?page_id=6135' class='excerpt-more-append'>[...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-6135","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2Frfq-1AX","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/6135","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6135"}],"version-history":[{"count":4,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/6135\/revisions"}],"predecessor-version":[{"id":8808,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/6135\/revisions\/8808"}],"wp:attachment":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6135"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}