{"id":5923,"date":"2018-07-31T19:01:50","date_gmt":"2018-07-31T23:01:50","guid":{"rendered":"http:\/\/stateofshakespeare.com\/?page_id=5923"},"modified":"2022-10-14T16:28:14","modified_gmt":"2022-10-14T20:28:14","slug":"aditi-kapil-about-the-artist-4","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=5923","title":{"rendered":"Liz Wisan: About the Artist"},"content":{"rendered":"\n
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Click here to listen to her interview<\/a>.<\/p>\n\n\n\n

Liz Wisan was last seen at Theatre for a New Audience<\/a> in The Winter\u2019s Tale<\/i>, and Chris Bayes\u2019 The Servant of Two Masteres <\/i>(Also Yale Rep<\/a>\/Guthrie<\/a>\/Shakespeare Theatre Company<\/a>\/Seattle Rep<\/a>). Other New York Credits include: These Paper Bullets <\/i>(Atlantic<\/a>), Other Desert Cities <\/i>(Broadway \/ LCT<\/a>), The Tempest <\/i>(La MaMa<\/a>), DannyKrisDonnaVeronica <\/i>(Wheelhouse<\/a> \/ 4<\/a><\/span>th<\/sup><\/span> Street Theatre). Regional: Assassins, These Paper Bullets, Caucasian Chalk Circle <\/i>(Yale Rep), Baskerville <\/i>(Old Globe<\/a> and Dorset Theatre Festival<\/a>), Absurd Person Singular <\/i>(Two River Theatre<\/a>), Intelligent Homosexuals Guide\u2026 <\/i>(Berkley Rep<\/a>), Merchant of Venice <\/i>(Shakespeare Theatre Company<\/a>). Film \/ TV: Elementary, Garden DayZe, Ready or Knot<\/i>. MFA: Yale School of Drama. Member of New Neighborhood<\/a> and The Actors Center<\/a>. LizWisan.com<\/span><\/p>\n\n\n\n

 Please visit her website: https:\/\/www.lizwisan.com\/<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Click here to listen to her interview. Liz Wisan was last seen at Theatre for a New Audience in The Winter\u2019s Tale, and Chris Bayes\u2019 The Servant of Two Masteres (Also Yale Rep\/Guthrie\/Shakespeare Theatre Company\/Seattle Rep). Other New York Credits include: These Paper Bullets (Atlantic), Other Desert Cities (Broadway \/ LCT), The Tempest (La MaMa),<\/p>\n [...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"class_list":["post-5923","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\n","aioseo_head_json":{"title":"Liz Wisan: About the Artist | The State of Shakespeare","description":"Click here to listen to her interview. 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Other New York Credits include: These Paper Bullets (Atlantic), Other Desert Cities (Broadway \/ LCT), The Tempest (La MaMa),","og:url":"https:\/\/stateofshakespeare.com\/?page_id=5923","fb:admins":"100001614971768","og:image":"https:\/\/stateofshakespeare.com\/wp-content\/uploads\/2021\/08\/stateofshakes_600x600.jpg","og:image:secure_url":"https:\/\/stateofshakespeare.com\/wp-content\/uploads\/2021\/08\/stateofshakes_600x600.jpg","og:image:width":600,"og:image:height":600,"twitter:card":"summary","twitter:site":"@stateofshakespe","twitter:title":"Liz Wisan: About the Artist","twitter:description":"Click here to listen to her interview. Liz Wisan was last seen at Theatre for a New Audience in The Winter\u2019s Tale, and Chris Bayes\u2019 The Servant of Two Masteres (Also Yale Rep\/Guthrie\/Shakespeare Theatre Company\/Seattle Rep). Other New York Credits include: These Paper Bullets (Atlantic), Other Desert Cities (Broadway \/ LCT), The Tempest (La MaMa),","twitter:image":"https:\/\/stateofshakespeare.com\/wp-content\/uploads\/2021\/08\/stateofshakes_600x600.jpg"},"aioseo_meta_data":{"post_id":"5923","title":"Liz Wisan: About the Artist | #site_title","description":null,"keywords":[],"keyphrases":{"focus":{"keyphrase":"","score":0,"analysis":{"keyphraseInTitle":{"score":0,"maxScore":9,"error":1}}},"additional":[]},"primary_term":null,"canonical_url":null,"og_title":"Liz Wisan: About the Artist","og_description":null,"og_object_type":"website","og_image_type":"default","og_image_url":null,"og_image_width":null,"og_image_height":null,"og_image_custom_url":null,"og_image_custom_fields":null,"og_video":"","og_custom_url":null,"og_article_section":null,"og_article_tags":[],"twitter_use_og":false,"twitter_card":"summary","twitter_image_type":"default","twitter_image_url":null,"twitter_image_custom_url":null,"twitter_image_custom_fields":null,"twitter_title":null,"twitter_description":null,"schema":{"blockGraphs":[],"customGraphs":[],"default":{"data":{"Article":[],"Course":[],"Dataset":[],"FAQPage":[],"Movie":[],"Person":[],"Product":[],"ProductReview":[],"Car":[],"Recipe":[],"Service":[],"SoftwareApplication":[],"WebPage":[]},"graphName":"WebPage","isEnabled":true},"graphs":[]},"schema_type":null,"schema_type_options":null,"pillar_content":false,"robots_default":true,"robots_noindex":false,"robots_noarchive":false,"robots_nosnippet":false,"robots_nofollow":false,"robots_noimageindex":false,"robots_noodp":false,"robots_notranslate":false,"robots_max_snippet":"-1","robots_max_videopreview":"-1","robots_max_imagepreview":"large","priority":null,"frequency":"default","local_seo":null,"breadcrumb_settings":null,"limit_modified_date":false,"ai":null,"created":"2021-01-04 18:36:22","updated":"2026-04-03 02:18:51","seo_analyzer_scan_date":null},"aioseo_breadcrumb":"

\n\t\t\tHome<\/a>\n\t\t<\/span>»<\/span>\n\t\t\tLiz Wisan: About the Artist\n\t\t<\/span><\/div>","aioseo_breadcrumb_json":[{"label":"Home","link":"https:\/\/stateofshakespeare.com"},{"label":"Liz Wisan: About the Artist","link":"https:\/\/stateofshakespeare.com\/?page_id=5923"}],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2Frfq-1xx","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/5923","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5923"}],"version-history":[{"count":3,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/5923\/revisions"}],"predecessor-version":[{"id":8466,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/5923\/revisions\/8466"}],"wp:attachment":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5923"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}