{"id":5627,"date":"2018-03-28T21:44:11","date_gmt":"2018-03-29T01:44:11","guid":{"rendered":"http:\/\/stateofshakespeare.com\/?page_id=5627"},"modified":"2018-03-28T21:47:32","modified_gmt":"2018-03-29T01:47:32","slug":"othello-act-ii-scene-iii-first-folio","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=5627","title":{"rendered":"Othello:  Act II, Scene iii; First Folio"},"content":{"rendered":"<p><strong>Othello.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Act 2, Scene 3.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Iago<\/strong><\/p>\n<p>This speech is used in our <a href=\"http:\/\/stateofshakespeare.com\/?p=5750\" target=\"_blank\" rel=\"noopener\">interview with Lee Nishri-Howitt<\/a><\/p>\n<p>Click here for a <a href=\"http:\/\/stateofshakespeare.com\/?page_id=5678\" target=\"_blank\" rel=\"noopener\">scanned version<\/a><\/p>\n<p>Click here for a <a href=\"http:\/\/stateofshakespeare.com\/?page_id=5630\" target=\"_blank\" rel=\"noopener\">Modern Version<\/a><\/p>\n<p>1460:\u00a0 And what&#8217;s he then,<br \/>\n<i>1461:\u00a0\u00a0<\/i>That saies I play the Villaine?<br \/>\n<i>1462:\u00a0\u00a0<\/i>When this aduise is free I giue, and honest,<br \/>\n<i>1463:\u00a0\u00a0<\/i>Proball to thinking, and indeed the course<br \/>\n<i>1464:\u00a0\u00a0<\/i>To win the Moore againe.<br \/>\n<i>1465:\u00a0\u00a0<\/i>For &#8217;tis most easie<br \/>\n<i>1466:\u00a0\u00a0<\/i>Th&#8217; inclyning\u00a0<i>Desdemona<\/i>\u00a0to subdue<br \/>\n<i>1467:\u00a0\u00a0<\/i>In any honest Suite. She&#8217;s fram&#8217;d as fruitefull<br \/>\n<i>1468:\u00a0\u00a0<\/i>As the free Elements. And then for her<br \/>\n<i>1469:\u00a0\u00a0<\/i>To win the Moore, were to renownce his Baptisme,<br \/>\n<i>1470:\u00a0\u00a0<\/i>All Seales, and Simbols of redeemed sin:<br \/>\n<i>1471:\u00a0\u00a0<\/i>His Soule is so enfetter&#8217;d to her Loue,<br \/>\n<i>1472:\u00a0\u00a0<\/i>That she may make, vnmake, do what she list,<br \/>\n<i>1473:\u00a0\u00a0<\/i>Euen as her Appetite shall play the God,<br \/>\n<i>1474:\u00a0\u00a0<\/i>With his weake Function. How am I then a Villaine,<br \/>\n<i>1475:\u00a0\u00a0<\/i>To Counsell\u00a0<i>Cassio<\/i>\u00a0to this paralell course,<br \/>\n<i>1476:\u00a0\u00a0<\/i>Directly to his good? Diuinitie of hell,<br \/>\n<i>1477:\u00a0\u00a0<\/i>When diuels will the blackest sinnes put on,<br \/>\n<i>1478:\u00a0\u00a0<\/i>They do suggest at first with heauenly shewes,<br \/>\n<i>1479:\u00a0\u00a0<\/i>As I do now. For whiles this honest Foole<br \/>\n<i>1480:\u00a0\u00a0<\/i>Plies\u00a0<i>Desdemona<\/i>, to repaire his Fortune,<br \/>\n<i>1481:\u00a0\u00a0<\/i>And she for him, pleades strongly to the Moore,<br \/>\n<i>1482:\u00a0\u00a0<\/i>Ile powre this pestilence into his eare:<br \/>\n<i>1483:\u00a0\u00a0<\/i>That she repeales him, for her bodies Lust,<br \/>\n<i>1484:\u00a0\u00a0<\/i>And by how much she striues to do him good,<br \/>\n<i>1485:\u00a0\u00a0<\/i>She shall vndo her Credite with the Moore.<br \/>\n<i>1486:\u00a0\u00a0<\/i>So will I turne her vertue into pitch.<br \/>\n<i>1487:\u00a0\u00a0<\/i>And out of her owne goodnesse make the Net,<br \/>\n<i>1488:\u00a0\u00a0<\/i>That shall en-mash them all.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Othello.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Act 2, Scene 3.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Iago This speech is used in our interview with Lee Nishri-Howitt Click here for a scanned version Click here for a Modern Version 1460:\u00a0 And what&#8217;s he then, 1461:\u00a0\u00a0That saies I play the Villaine? 1462:\u00a0\u00a0When this aduise is free I giue, and honest, 1463:\u00a0\u00a0Proball to thinking, and indeed the course 1464:\u00a0\u00a0To<\/p>\n <a href='https:\/\/stateofshakespeare.com\/?page_id=5627' class='excerpt-more-append'>[...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-5627","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2Frfq-1sL","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/5627","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5627"}],"version-history":[{"count":7,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/5627\/revisions"}],"predecessor-version":[{"id":5806,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/5627\/revisions\/5806"}],"wp:attachment":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5627"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}