{"id":5167,"date":"2016-07-20T12:35:18","date_gmt":"2016-07-20T16:35:18","guid":{"rendered":"http:\/\/stateofshakespeare.com\/?page_id=5167"},"modified":"2022-08-16T15:52:40","modified_gmt":"2022-08-16T19:52:40","slug":"maria-christina-oliveras-about-the-artist","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=5167","title":{"rendered":"Maria-Christina Oliveras: About the Artist"},"content":{"rendered":"\n
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\n\nPhotograph \u00a9 T Charles Erickson\ntcepix@comcast.net\nhttp:\/\/tcharleserickson.photoshelter.com\/<\/figcaption><\/figure>\n\n\n\n
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\nPhotograph \u00a9 T Charles Erickson\ntcepix@comcast.net\nhttp:\/\/tcharleserickson.photoshelter.com\/<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Click Here to listen to her interview<\/a>.<\/p>\n\n\n\n

Maria-Christina\u2019s Broadway credits include Machinal and Bloody Bloody Andrew Jackson. Her Off-Broadway credits include Romeo and Juliet, Here Lies Love, and Bloody Bloody Andrew Jackson (The Public<\/a>), Pretty Filthy (The Civilians<\/a>), Zorba (City Center Encores<\/a>), And Miles to Go (PCP), Reading Under the Influence (DR2<\/a>), Night Sky (BPAC<\/a>), The Really Big Once (Target Margin<\/a>), and After (PCP). Select regional credits include Berkeley Rep<\/a>, ACT<\/a>, Williamstown<\/a>, Huntington<\/a>, Long Wharf<\/a>, Baltimore Centerstage<\/a>. Select Film\/TV credits include Manhattan Night, The Humbling, St. Vincent, Nurse Jackie, and Law & Order: SVU. Education: B.A.\/Faculty-Yale University; M.F.A.-NTC. Charles Bowden Actor Award.
More information: mariachristinaoliveras.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Click Here to listen to her interview. Maria-Christina\u2019s Broadway credits include Machinal and Bloody Bloody Andrew Jackson. Her Off-Broadway credits include Romeo and Juliet, Here Lies Love, and Bloody Bloody Andrew Jackson (The Public), Pretty Filthy (The Civilians), Zorba (City Center Encores), And Miles to Go (PCP), Reading Under the Influence (DR2), Night Sky (BPAC),<\/p>\n [...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-5167","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2Frfq-1ll","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/5167","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5167"}],"version-history":[{"count":3,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/5167\/revisions"}],"predecessor-version":[{"id":8020,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/5167\/revisions\/8020"}],"wp:attachment":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}