{"id":4811,"date":"2015-10-01T09:51:44","date_gmt":"2015-10-01T13:51:44","guid":{"rendered":"http:\/\/stateofshakespeare.com\/?page_id=4811"},"modified":"2022-08-16T15:41:15","modified_gmt":"2022-08-16T19:41:15","slug":"nance-williamson-about-the-artist","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=4811","title":{"rendered":"Nance Williamson: About the Artist"},"content":{"rendered":"\n
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Click here to listen to her interview<\/a>.<\/p>\n\n\n\n

Nance Williamson has appeared in 45 Productions of Shakespeare\u2019s plays, including As You Like It<\/span> (4 times), Midsummer<\/span> (4 Times), Much Ado About Nothing<\/span> (3 Times), Two Gentlemen of Verona<\/span> (3).  <\/span>She has worked at The Dallas Theater Center<\/a>, the Dallas Shakespeare Festival<\/a>, The Old Globe<\/a>, Colorado Shakespeare Festival<\/a>, New York Shakespeare Festival<\/a>, Shakespeare Theater in DC<\/a>, Hudson Valley Shakespeare Festival<\/a> and Lincoln Center<\/a>.  <\/span>She was in the Broadway Production of Romeo and Juliet<\/span> in 2013.  Currently, she is appearing in A Midsummer Night’s Dream<\/span> with Jason O’Connell<\/a>, directed by Eric Tucker<\/a> at the Pearl Theater<\/a> in NYC.  This production of Midsummer was originally produced at the Hudson Valley Shakespeare Festival<\/a>.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Click here to listen to her interview. Nance Williamson has appeared in 45 Productions of Shakespeare\u2019s plays, including As You Like It (4 times), Midsummer (4 Times), Much Ado About Nothing (3 Times), Two Gentlemen of Verona (3).  She has worked at The Dallas Theater Center, the Dallas Shakespeare Festival, The Old Globe, Colorado Shakespeare<\/p>\n [...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-4811","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2Frfq-1fB","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/4811","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4811"}],"version-history":[{"count":6,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/4811\/revisions"}],"predecessor-version":[{"id":8015,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/4811\/revisions\/8015"}],"wp:attachment":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4811"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}