{"id":4686,"date":"2015-11-05T21:35:19","date_gmt":"2015-11-06T02:35:19","guid":{"rendered":"http:\/\/stateofshakespeare.com\/?page_id=4686"},"modified":"2022-10-17T11:38:54","modified_gmt":"2022-10-17T15:38:54","slug":"ted-lewis-about-the-artist","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=4686","title":{"rendered":"Ted Lewis: About the Artist"},"content":{"rendered":"\n

Click here to listen to his interview<\/a>.<\/p>\n\n\n\n

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\"\"<\/figure><\/div><\/div><\/div><\/div>\n\n\n\n

Edmund appeared most recently in Bedlam<\/a>\u2019s acclaimed repertory of \u201cTwelfth Night\u201d and \u201cWhat You Will.\u201d  <\/span>Prior to that, he appeared in A.R.T\u2019<\/a>s production of \u201cThe Tempest\u201d which was co-directed by Teller. <\/span><\/p>\n\n\n\n

A founding member of the innovative Bedlam<\/a> company, Edmund appeared in the original runs of “Saint Joan” and “Hamlet,” first at the Access Theatre and then Off-Broadway at the Lynn Redgrave Theater. Other New York credits include Sackville & Mr. Harris in The Libertine <\/i>(directed by Eric Tucker); Mark in The Philadelphia<\/i>, Kafka in Words, Words, Words,<\/i> Sir Richard Attenborough in Time Flies<\/i> (Bang Theatre Collective); Oronte in The Misanthrope<\/i>, Pozzo in Waiting For Godot<\/i>, Creon in Antigone<\/i> (Pilot House); The Father in One Way to Babylon<\/i>, Banquo in Macbeth<\/i> (Chimera Theatre); Horny Delivery Guy in 95% Chance They’ll Wind Up Like Larvae<\/i> (NY Fringe). Edmund can also be seen in his friend Gregory Abbey’s web series Marriage & Other Tragedies <\/i>and in Andrew Lawton\u2019s short film Have You Seen Calvin? <\/i>which will be premiering at various film festivals this year.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Click here to listen to his interview. Edmund appeared most recently in Bedlam\u2019s acclaimed repertory of \u201cTwelfth Night\u201d and \u201cWhat You Will.\u201d  Prior to that, he appeared in A.R.T\u2019s production of \u201cThe Tempest\u201d which was co-directed by Teller. A founding member of the innovative Bedlam company, Edmund appeared in the original runs of “Saint Joan”<\/p>\n [...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"class_list":["post-4686","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\n","aioseo_head_json":{"title":"Ted Lewis: About the Artist | The State of Shakespeare","description":"Click here to listen to his interview. 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Edmund appeared most recently in Bedlam\u2019s acclaimed repertory of \u201cTwelfth Night\u201d and \u201cWhat You Will.\u201d Prior to that, he appeared in A.R.T\u2019s production of \u201cThe Tempest\u201d which was co-directed by Teller. 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\n\t\t\tHome<\/a>\n\t\t<\/span>»<\/span>\n\t\t\tTed Lewis: About the Artist\n\t\t<\/span><\/div>","aioseo_breadcrumb_json":[{"label":"Home","link":"https:\/\/stateofshakespeare.com"},{"label":"Ted Lewis: About the Artist","link":"https:\/\/stateofshakespeare.com\/?page_id=4686"}],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2Frfq-1dA","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/4686","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4686"}],"version-history":[{"count":4,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/4686\/revisions"}],"predecessor-version":[{"id":8589,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/4686\/revisions\/8589"}],"wp:attachment":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4686"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}