{"id":4449,"date":"2015-04-09T22:10:40","date_gmt":"2015-04-10T02:10:40","guid":{"rendered":"http:\/\/stateofshakespeare.com\/?page_id=4449"},"modified":"2015-04-09T22:10:40","modified_gmt":"2015-04-10T02:10:40","slug":"loves-labors-won-prologue","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=4449","title":{"rendered":"Love&#8217;s Labor&#8217;s Won:  Prologue"},"content":{"rendered":"<p><strong>Love&#8217;s Labor&#8217;s Won. \u00a0 \u00a0 \u00a0 \u00a0 Prologue. \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0War<\/strong><\/p>\n<p>This text is featured in our <a title=\"Scott Kaiser\" href=\"http:\/\/stateofshakespeare.com\/?p=4461\" target=\"_blank\">interview with Scott Kaiser<\/a>.<\/p>\n<p>Click here for a <a title=\"Scansion: Love\u2019s Labor\u2019s Won; Prologue\" href=\"http:\/\/stateofshakespeare.com\/?page_id=4451\" target=\"_blank\">scanned version<\/a>.<\/p>\n<p>WAR<\/p>\n<ol>\n<li>Nay, do not run\u2014for thou dost know me well;<\/li>\n<li>Though now my clothes are torn, and my grim visage<\/li>\n<li>Arrayed in blood. \u2019Twas only four years since<\/li>\n<li>That thou didst take my hand and welcome me.<\/li>\n<li>Why, is not this the very place that thou<\/li>\n<li>Didst fold me in thy open arms, and kissed<\/li>\n<li>My rosy cheeks, and praised my bearing much,<\/li>\n<li>Swearing oaths and waving flags as I marched by?<\/li>\n<li>And dost thou now not know me? O for shame!<\/li>\n<li>Why, thou didst polish bright my silver buttons,<\/li>\n<li>And sharpen my worn sword, and fill my purse<\/li>\n<li>With borrowed gold and new-collected treasure.<\/li>\n<li>And dost thou now not recognize my face?<\/li>\n<li>I am war, the pandemonious child<\/li>\n<li>You once adored, born in the self-same hour,<\/li>\n<li>And in that same contagious bed whereon<\/li>\n<li>The last French King commanded his last breath,<\/li>\n<li>Whose sickness, carried on the wanton breeze,<\/li>\n<li>Infected intertwined alliances<\/li>\n<li>As fragile as a widow spider\u2019s web,<\/li>\n<li>Infesting all the fecund courts of Europe<\/li>\n<li>With deadly enmity. For four long years<\/li>\n<li>I\u2019ve toiled for thy glory without rest,<\/li>\n<li>Deafening sons with my thunderous voice,<\/li>\n<li>Defiling daughters with my fiery fists,<\/li>\n<li>Trampling villages with my cruel boots,<\/li>\n<li>Starving children with my greedy stomach,<\/li>\n<li>Bereaving fathers with my stony heart,<\/li>\n<li>Widowing wives with my venomous breath,<\/li>\n<li>Divorcing bodies from their timeless souls,<\/li>\n<li>And all in loving and devoted service<\/li>\n<li>To thy most deep and secretive desires;<\/li>\n<li>And dost thou now disown me? Call me bastard?<\/li>\n<li>Spit out my bitter name? Well, \u2019tis no matter:<\/li>\n<li>I know thou shalt despair when I am gone,<\/li>\n<li>Which soon may come to pass, for now, alas,<\/li>\n<li>The fickle coronets of Spain and France<\/li>\n<li>Do court in Paris, where they woo and dance,<\/li>\n<li>United by desire to conceive<\/li>\n<li>A fetal treaty that will banish me<\/li>\n<li>From out the skirts of these deflower\u2019d lands.<\/li>\n<li>But what care I if they expel me hence?<\/li>\n<li>For I\u2019m in great demand on every plot<\/li>\n<li>Of this contentious ball of wormy earth;<\/li>\n<li>Pretend then, henceforth, not to know my birth;<\/li>\n<li>A round or two my labors here shall cease,<\/li>\n<li>While Time gestates my witless sibling, peace.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Love&#8217;s Labor&#8217;s Won. \u00a0 \u00a0 \u00a0 \u00a0 Prologue. \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0War This text is featured in our interview with Scott Kaiser. Click here for a scanned version. WAR Nay, do not run\u2014for thou dost know me well; Though now my clothes are torn, and my grim visage Arrayed in blood. \u2019Twas<\/p>\n <a href='https:\/\/stateofshakespeare.com\/?page_id=4449' class='excerpt-more-append'>[...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-4449","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2Frfq-19L","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/4449","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4449"}],"version-history":[{"count":3,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/4449\/revisions"}],"predecessor-version":[{"id":4563,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/4449\/revisions\/4563"}],"wp:attachment":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4449"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}