{"id":4397,"date":"2015-02-12T06:35:26","date_gmt":"2015-02-12T11:35:26","guid":{"rendered":"http:\/\/stateofshakespeare.com\/?page_id=4397"},"modified":"2022-10-17T08:30:25","modified_gmt":"2022-10-17T12:30:25","slug":"jolly-abraham-about-the-artist","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=4397","title":{"rendered":"Jolly Abraham: About the Artist"},"content":{"rendered":"\n

Click here to listen to her interview<\/a>.<\/p>\n\n\n\n

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Jolly Abraham is a company member of The Pearl Theatre Company<\/a> in NYC since 2008. Favorites at Pearl include: Hamlet, No Exit, and The Bald Soprano. Broadway: Coram Boy and Bombay Dreams. Off-Broadway: Massacre, a new play by Jose Rivera at Rattlestick<\/a>, Twelfth Night as Viola (Sonnet Rep<\/a>), McReele (Roundabout<\/a>). Regional: this past fall critically acclaimed new play The Wolfe Twins by Rachel Bonds at The Studio Theatre<\/a> in DC, Scorched (Wilma Theater<\/a>, Barrymore Nomination), Loves Labours Lost (The Shakespeare Theatre DC<\/a> and RSC<\/a>), and Pentecost (Old Globe<\/a>).
Three seasons at Lincoln Center Directors Lab<\/a>. TV\/Web: \u201cWallflowers\u201d (webseries), \u201cUnforgettable,\u201d “Smash” \u201cLights Out,\u201d \u201cGossip Girl,\u201d \u201cSex and the City,\u201d \u201cEd,\u201d multiple \u201cLaw and Order: SVU\/CI,\u201d \u201dBedford Diaries,\u201d \u201cWhite Collar,\u201d \u201cSmash,\u201d and \u201cNurse Jackie.\u201d Film: upcoming \u201cA Walk Among the Tombstones\u201d with Liam Neeson, \u201cThe Adderall Diaries,\u201d \u201cStay,\u201d \u201cLoving Leah,\u201d and \u201cAfter You Left.\u201d Jolly has a BFA from The North Carolina School of the Arts<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Click here to listen to her interview. Jolly Abraham is a company member of The Pearl Theatre Company in NYC since 2008. Favorites at Pearl include: Hamlet, No Exit, and The Bald Soprano. Broadway: Coram Boy and Bombay Dreams. Off-Broadway: Massacre, a new play by Jose Rivera at Rattlestick, Twelfth Night as Viola (Sonnet Rep),<\/p>\n [...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"class_list":["post-4397","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2Frfq-18V","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/4397","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4397"}],"version-history":[{"count":6,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/4397\/revisions"}],"predecessor-version":[{"id":8495,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/4397\/revisions\/8495"}],"wp:attachment":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}