{"id":4350,"date":"2015-03-05T09:38:15","date_gmt":"2015-03-05T14:38:15","guid":{"rendered":"http:\/\/stateofshakespeare.com\/?page_id=4350"},"modified":"2015-03-05T10:09:03","modified_gmt":"2015-03-05T15:09:03","slug":"romeo-and-juliet-prologue-second-quarto","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=4350","title":{"rendered":"Romeo and Juliet: Prologue: Second Quarto"},"content":{"rendered":"
This speech is used in our interview with Louis Colaianni<\/a>.<\/div>\n

<\/a><\/p>\n

Click here for a modern version of the text<\/a>.<\/p>\n

Click here for a scanned version of the text<\/a>.<\/p>\n

1. \u00a0 Two hous<\/span>holds both alike in dignitie,<\/div>\n
<\/a>2. \u00a0 (In faire Verona where we lay our Scene)<\/div>\n
3. \u00a0 From auncient grudge, breake to new mutinie,<\/div>\n
<\/a>4. \u00a0 Where ciuill bloud makes ciuill hands vncleane:<\/div>\n
<\/a>5. \u00a0 From forth the fatall loynes of thes<\/span>e two foes,<\/div>\n
<\/a>6. \u00a0 A paire of s<\/span>tarre-cros<\/span>t louers, take their life:<\/div>\n
7. \u00a0 Whos<\/span>e mis<\/span>aduentur’d pittious ouerthrowes,<\/div>\n
<\/a>8. \u00a0 Doth with their death burie their Parents s<\/span>trife.<\/div>\n
<\/a>9. \u00a0 The fearfull pas<\/span>s<\/span>age of their death-markt loue,<\/div>\n
<\/a>10. \u00a0And the continuance of their Parents rage:<\/div>\n
<\/a>11. \u00a0Which but their childrens end nought could remoue:<\/div>\n
12. \u00a0Is now the two houres trafficque of our Stage.<\/div>\n
<\/a>13. \u00a0The which if you with patient eares attend,<\/div>\n
<\/a>14. \u00a0What heare s<\/span>hall mis<\/span>s<\/span>e, our toyle s<\/span>hall s<\/span>triue to mend.<\/div>\n","protected":false},"excerpt":{"rendered":"

This speech is used in our interview with Louis Colaianni. Click here for a modern version of the text. Click here for a scanned version of the text. 1. \u00a0 Two housholds both alike in dignitie, 2. \u00a0 (In faire Verona where we lay our Scene) 3. \u00a0 From auncient grudge, breake to new mutinie,<\/p>\n [...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-4350","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2Frfq-18a","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/4350","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4350"}],"version-history":[{"count":7,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/4350\/revisions"}],"predecessor-version":[{"id":4531,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/4350\/revisions\/4531"}],"wp:attachment":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4350"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}