{"id":4253,"date":"2014-12-09T21:58:34","date_gmt":"2014-12-10T02:58:34","guid":{"rendered":"http:\/\/stateofshakespeare.com\/?page_id=4253"},"modified":"2022-10-17T08:39:16","modified_gmt":"2022-10-17T12:39:16","slug":"marion-adler-about-the-artist","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=4253","title":{"rendered":"Marion Adler: About the Artist"},"content":{"rendered":"\n
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Click here to listen to her interview<\/a>.<\/p>\n\n\n\n

MARION ADLER (Beatrice<\/i>) is in her fourth season with The Shakespeare Theatre of New Jersey<\/a>. Company credits: The Learned Ladies<\/i> on the Outdoor Stage, Our Town, The Winter\u2019s Tale, A Midsummer Night\u2019s Dream, and<\/i> Enter the Guardsman <\/i>(Lyricist). Regional credits: Love\u2019s Labour\u2019s Lost, Othello, The Man in the Iron Mask, Henry IV, Part Two, <\/i>and Henry V <\/i>(Shakespeare Santa Cruz<\/a>). She was a member of the acting company at the Stratford Festival<\/a> for five seasons, and  last summer played the Queen of France in Loves Labours Lost and Emilia in Othello at Shakespeare Santa Cruz<\/a>, California.   Other Shakespeare credits: King Lear, Romeo and Juliet, As You Like It<\/i>, and Twelfth Night<\/i> (Stratford Festival<\/a> of Canada). Other favorite productions include Candida, The Rivals, Into the Woods, <\/i>and her own musical, Gunmetal Blues,<\/i> in which she starred as The Blonde in the Off-Broadway production.<\/p>\n","protected":false},"excerpt":{"rendered":"

Click here to listen to her interview. MARION ADLER (Beatrice) is in her fourth season with The Shakespeare Theatre of New Jersey. Company credits: The Learned Ladies on the Outdoor Stage, Our Town, The Winter\u2019s Tale, A Midsummer Night\u2019s Dream, and Enter the Guardsman (Lyricist). Regional credits: Love\u2019s Labour\u2019s Lost, Othello, The Man in the<\/p>\n [...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-4253","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2Frfq-16B","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/4253","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4253"}],"version-history":[{"count":6,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/4253\/revisions"}],"predecessor-version":[{"id":8501,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/4253\/revisions\/8501"}],"wp:attachment":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4253"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}