{"id":4251,"date":"2015-01-13T12:25:26","date_gmt":"2015-01-13T17:25:26","guid":{"rendered":"http:\/\/stateofshakespeare.com\/?page_id=4251"},"modified":"2015-01-14T10:23:09","modified_gmt":"2015-01-14T15:23:09","slug":"eric-tucker-about-the-artist","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=4251","title":{"rendered":"Eric Tucker: About the Artist"},"content":{"rendered":"

\"eric-t-061-email\"<\/p>\n

Click here to listen to his interview<\/a>.<\/p>\n

Eric Tucker\u00a0is Artistic Director of Bedlam<\/a>. \u00a0Most recent director credits include: Sense and Sensibility and The Seagull. \u00a0 Also Saint Joan (NY Times, Backstage Magazine Critics’ Pick; Best Revival 2012, Wall Street Journal), Hamlet (Time Out NY and Backstage Critics’ Pick), Tina Packer<\/a>‘s Women of Will: The Overview and Women of Will: The Complete Journey (Judson), The Libertine (The Kirk), The Belle of Belfast (Cherry Lane<\/a>), The Libertine (Boston Center for the Arts<\/a>, Bridge Rep<\/a>; IRNE nomination, Best Director). Eric received his MFA from the Trinity Rep Conservatory<\/a>.(same as Fiasco founders). \u00a0Eric directed Two Gentlemen of Verona at the Hudson Valley Shakespeare Festival<\/a> in 2014. \u00a0Recently named “Best Director of the Year<\/a>” by Terry Teachout of the Wall Street Journal.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Click here to listen to his interview. Eric Tucker\u00a0is Artistic Director of Bedlam. \u00a0Most recent director credits include: Sense and Sensibility and The Seagull. \u00a0 Also Saint Joan (NY Times, Backstage Magazine Critics’ Pick; Best Revival 2012, Wall Street Journal), Hamlet (Time Out NY and Backstage Critics’ Pick), Tina Packer‘s Women of Will: The Overview<\/p>\n [...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"class_list":["post-4251","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2Frfq-16z","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/4251","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4251"}],"version-history":[{"count":4,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/4251\/revisions"}],"predecessor-version":[{"id":4361,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/4251\/revisions\/4361"}],"wp:attachment":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4251"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}