{"id":3754,"date":"2014-05-28T21:08:38","date_gmt":"2014-05-29T01:08:38","guid":{"rendered":"http:\/\/stateofshakespeare.com\/?page_id=3754"},"modified":"2014-05-28T21:13:26","modified_gmt":"2014-05-29T01:13:26","slug":"the-tempest-ariels-journey-various-acts-and-scenes","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=3754","title":{"rendered":"The Tempest.  Ariel&#8217;s Journey, Various Acts and Scenes"},"content":{"rendered":"<p>These speech segments are used in our <a title=\"Erin Partin\" href=\"http:\/\/stateofshakespeare.com\/?p=3767\" target=\"_blank\">interview with Erin Partin<\/a><\/p>\n<p><strong><span style=\"text-decoration: underline;\"><em>Act 1, Scene 2<\/em><\/span><\/strong><\/p>\n<p><strong>Ariel<\/strong><br \/>\n189\u00a0\u00a0<b>\u00a0<\/b>All hail, great master! grave sir, hail! I come<br \/>\n190\u00a0 \u00a0To answer thy best pleasure; be&#8217;t to fly,<br \/>\n191\u00a0 \u00a0To swim, to dive into the fire, to ride<br \/>\n192\u00a0 \u00a0On the curl&#8217;d clouds, to thy strong bidding task<br \/>\n193\u00a0 \u00a0 Ariel and all his quality.<br \/>\n<strong>Prospero<\/strong><br \/>\n194 \u00a0<span style=\"color: #ffffff;\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span>Hast thou, spirit,<br \/>\n195\u00a0 \u00a0Perform&#8217;d to point the tempest that I bade thee?<br \/>\n<b>Ariel<\/b><br \/>\n196<strong>\u00a0 \u00a0<\/strong>To every article.<br \/>\n197\u00a0 \u00a0I boarded the king&#8217;s ship; now on the beak,<br \/>\n198\u00a0 \u00a0Now in the waist, the deck, in every cabin,<br \/>\n199\u00a0 \u00a0I flamed amazement: sometime I&#8217;ld divide,<br \/>\n200\u00a0 \u00a0And burn in many places; on the topmast,<br \/>\n201\u00a0 \u00a0The yards and bowsprit, would I flame distinctly,<br \/>\n202\u00a0 \u00a0Then meet and join. Jove&#8217;s lightnings, the precursors<br \/>\n203\u00a0 O&#8217; the dreadful thunder-claps, more momentary<br \/>\n204\u00a0 \u00a0And sight-outrunning were not; the fire and cracks<br \/>\n205 \u00a0Of sulphurous roaring the most mighty Neptune<br \/>\n206 \u00a0 Seem to besiege and make his bold waves tremble,<br \/>\n207\u00a0 \u00a0Yea, his dread trident shake.<\/p>\n<p>&#8230;<\/p>\n<p><strong>Ariel<\/strong><br \/>\n242 \u00a0 Is there more toil? Since thou dost give me pains,<br \/>\n243 \u00a0 Let me remember thee what thou hast promised,<br \/>\n244 \u00a0 Which is not yet perform&#8217;d me.<br \/>\n<b>Prospero<\/b><br \/>\n244 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0How now? moody?<br \/>\n245 \u00a0 What is&#8217;t thou canst demand?<br \/>\n<b>Ariel<\/b><br \/>\n245 \u00a0<span style=\"color: #ffffff;\">x\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/span>My liberty.<br \/>\n<b>Prospero<\/b><br \/>\n246 \u00a0 Before the time be out? no more!<br \/>\n<b>Ariel<\/b><br \/>\n246 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0I prithee,<br \/>\n247 \u00a0 Remember I have done thee worthy service;<br \/>\n248 \u00a0 Told thee no lies, made thee no mistakings, served<br \/>\n249 \u00a0 Without or grudge or grumblings: thou didst promise<br \/>\n250 \u00a0To bate me a full year.<\/p>\n<p><span style=\"text-decoration: underline;\"><strong><em>Act 4, Scene 1<\/em><\/strong><\/span><\/p>\n<p><b>Ariel<\/b><b>.<\/b><br \/>\n48 \u00a0 Before you can say &#8216;come&#8217; and &#8216;go,&#8217;<br \/>\n49 \u00a0 And breathe twice and cry &#8216;so, so,&#8217;<br \/>\n50 \u00a0 Each one, tripping on his toe,<br \/>\n51 \u00a0 Will be here with mop and mow.<br \/>\n52 \u00a0 Do you love me, master? no?<\/p>\n<p><span style=\"text-decoration: underline;\"><strong><em>Act 5 Scene 1<\/em><\/strong><\/span><\/p>\n<p><b>Prospero<\/b><b>. <\/b><br \/>\n1 \u00a0 Now does my project gather to a head:<br \/>\n2 \u00a0 My charms crack not; my spirits obey; and time<br \/>\n3 \u00a0 Goes upright with his carriage. How&#8217;s the day?<br \/>\n<b>Ariel<\/b><b>. <\/b><br \/>\n4 \u00a0 On the sixth hour; at which time, my lord,<br \/>\n5 \u00a0 You said our work should cease.<br \/>\n<b>Prospero<\/b><b>. <\/b><br \/>\n5 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 I did say so,<br \/>\n6 \u00a0 When first I raised the tempest. Say, my spirit,<br \/>\n7 \u00a0 How fares the king and&#8217;s followers?<br \/>\n<b>Ariel<\/b><b>. <\/b><br \/>\n8 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Confined together<br \/>\n9 \u00a0 In the same fashion as you gave in charge,<br \/>\n10 \u00a0Just as you left them; all prisoners, sir,<br \/>\n11 \u00a0In the line-grove which weather-fends your cell;<br \/>\n12 \u00a0They cannot budge till your release. The king,<br \/>\n13 \u00a0His brother and yours, abide all three distracted<br \/>\n14 \u00a0And the remainder mourning over them,<br \/>\n15 \u00a0Brimful of sorrow and dismay; but chiefly<br \/>\n16 \u00a0Him that you term&#8217;d, sir, &#8216;The good old lord Gonzalo;&#8217;<br \/>\n17 \u00a0His tears run down his beard, like winter&#8217;s drops<br \/>\n18 \u00a0From eaves of reeds. Your charm so strongly works &#8217;em<br \/>\n19 \u00a0That if you now beheld them, your affections<br \/>\n20 \u00a0Would become tender.<br \/>\n<b>Prospero<\/b><b>. <\/b><br \/>\n20 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Dost thou think so, spirit?<br \/>\n<b>Ariel<\/b><b>. <\/b><br \/>\n21 \u00a0 Mine would, sir, were I human.<br \/>\n<b>Prospero<\/b><b>. <\/b><br \/>\n21 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0And mine shall.<br \/>\n22 \u00a0Hast thou, which art but air, a touch, a feeling<br \/>\n23 \u00a0Of their afflictions, and shall not myself,<br \/>\n24 \u00a0One of their kind, that relish all as sharply,<br \/>\n25 \u00a0Passion as they, be kindlier moved than thou art?<br \/>\n26 \u00a0Though with their high wrongs I am struck to the quick,<br \/>\n27 \u00a0Yet with my nobler reason &#8216;gaitist my fury<br \/>\n28 \u00a0Do I take part: the rarer action is<br \/>\n29 \u00a0In virtue than in vengeance: they being penitent,<br \/>\n30 \u00a0The sole drift of my purpose doth extend<br \/>\n31 \u00a0Not a frown further. Go release them, Ariel:<br \/>\n32 \u00a0My charms I&#8217;ll break, their senses I&#8217;ll restore,<br \/>\n33 \u00a0And they shall be themselves.<br \/>\n<b>Ariel<\/b><b>. <\/b><br \/>\n33 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 I&#8217;ll fetch them, sir.<\/p>\n<p>&#8230;<\/p>\n<p><b>Ariel<\/b><b>. <\/b><i>[Aside to PROSPERO]<\/i><br \/>\n256 \u00a0Sir, all this service<br \/>\n257 \u00a0Have I done since I went.<br \/>\n<b>Prospero<\/b><b>. <\/b><i>[Aside to ARIEL]<\/i><br \/>\n258 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0My tricksy spirit!<br \/>\n<b>Alonso<\/b><b>. <\/b><br \/>\n259 \u00a0These are not natural events; they strengthen<br \/>\n260 \u00a0From strange to stranger. Say, how came you hither?<br \/>\n<b>Boatswain<\/b><b>. <\/b><br \/>\n261 \u00a0If I did think, sir, I were well awake,<br \/>\n262 \u00a0I&#8217;ld strive to tell you. We were dead of sleep,<br \/>\n263 \u00a0And\u2014how we know not\u2014all clapp&#8217;d under hatches;<br \/>\n264 \u00a0Where but even now with strange and several noises<br \/>\n265 \u00a0Of roaring, shrieking, howling, jingling chains,<br \/>\n266 \u00a0And more diversity of sounds, all horrible,<br \/>\n267 \u00a0We were awaked; straightway, at liberty;<br \/>\n268 \u00a0Where we, in all her trim, freshly beheld<br \/>\n269 \u00a0Our royal, good and gallant ship, our master<br \/>\n270 \u00a0Capering to eye her: on a trice, so please you,<br \/>\n271 \u00a0Even in a dream, were we divided from them<br \/>\n272 \u00a0And were brought moping hither.<br \/>\n<b>Ariel<\/b><b>. <\/b><i>[Aside to PROSPERO]<\/i><br \/>\n272 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Was&#8217;t well done?<br \/>\n<b>Prospero<\/b><b>. <\/b><i>[Aside to ARIEL]<\/i><br \/>\n273 \u00a0 Bravely, my diligence. Thou shalt be free.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>These speech segments are used in our interview with Erin Partin Act 1, Scene 2 Ariel 189\u00a0\u00a0\u00a0All hail, great master! grave sir, hail! I come 190\u00a0 \u00a0To answer thy best pleasure; be&#8217;t to fly, 191\u00a0 \u00a0To swim, to dive into the fire, to ride 192\u00a0 \u00a0On the curl&#8217;d clouds, to thy strong bidding task 193\u00a0<\/p>\n <a href='https:\/\/stateofshakespeare.com\/?page_id=3754' class='excerpt-more-append'>[...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-3754","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2Frfq-Yy","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/3754","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3754"}],"version-history":[{"count":4,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/3754\/revisions"}],"predecessor-version":[{"id":3805,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/3754\/revisions\/3805"}],"wp:attachment":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3754"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}