{"id":3288,"date":"2014-02-24T09:38:22","date_gmt":"2014-02-24T14:38:22","guid":{"rendered":"http:\/\/stateofshakespeare.com\/?page_id=3288"},"modified":"2022-10-17T09:47:35","modified_gmt":"2022-10-17T13:47:35","slug":"kelly-curran-about-the-artist","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=3288","title":{"rendered":"Kelley Curran: About the Artist"},"content":{"rendered":"\n

Click here to listen to her interview<\/a><\/p>\n\n\n\n

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Off-Broadway<\/strong>: The Atmosphere of Memory (LAByrinth<\/a>, dir. Pam MacKinnon),Angels In America (Signature<\/a>, dir. Michael Greif), Knives & Spoons Go on the Right (59East59<\/a>), Henry V, The Tempest, Moby Dick – Rehearsed, Jane Eyre, The Spy (The Acting Company<\/a>), as well as work with The Shakespeare Society<\/a> and Exit Pursued By Bear<\/a>. Regional:<\/strong> Venus in Fur, Clybourne Park, Anna Karenina, Cymbeline (Portland Center Stage<\/a>), As You Like It, Romeo & Juliet(Shakespeare & Company<\/a>), Henry V (The Guthrie<\/a>), Hamlet, All’s Well That Ends Well (Alabama Shakespeare Festival<\/a>), & multiple plays with The Barnstormers<\/a>. Film: Dear Santa, Still On the Road. Awards\/Honors: Lucille Lortel Award (Angels In America, Best Revival), Drammy Award (Clybourne Park, Best Ensemble), 2005 Princess Grace Award Nominee.<\/p>\n","protected":false},"excerpt":{"rendered":"

Click here to listen to her interview Off-Broadway: The Atmosphere of Memory (LAByrinth, dir. Pam MacKinnon),Angels In America (Signature, dir. Michael Greif), Knives & Spoons Go on the Right (59East59), Henry V, The Tempest, Moby Dick – Rehearsed, Jane Eyre, The Spy (The Acting Company), as well as work with The Shakespeare Society and Exit<\/p>\n [...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-3288","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2Frfq-R2","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/3288","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3288"}],"version-history":[{"count":5,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/3288\/revisions"}],"predecessor-version":[{"id":8533,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/3288\/revisions\/8533"}],"wp:attachment":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3288"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}