{"id":3284,"date":"2014-02-24T09:41:49","date_gmt":"2014-02-24T14:41:49","guid":{"rendered":"http:\/\/stateofshakespeare.com\/?page_id=3284"},"modified":"2014-02-24T21:04:18","modified_gmt":"2014-02-25T02:04:18","slug":"henry-iv-part-ii-act-ii-scene-iii","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=3284","title":{"rendered":"Henry IV, Part ii:  Act II, Scene iii"},"content":{"rendered":"<p dir=\"ltr\"><strong>Henry IV, Part ii \u00a0 \u00a0 \u00a0Act II, Scene iii \u00a0 \u00a0 \u00a0 \u00a0Lady Percy<\/strong><\/p>\n<p>This speech is used in our <a title=\"Kelly Curran\" href=\"http:\/\/stateofshakespeare.com\/?p=3359\" target=\"_blank\">interview with Kelley Curran<\/a>.<\/p>\n<p>Click here\u00a0to open a <a title=\"Scansion:  Henry IV, Part ii; Act II, Scene iii\" href=\"http:\/\/stateofshakespeare.com\/?page_id=3350\" target=\"_blank\">scanned version<\/a>.<\/p>\n<p>Click here\u00a0to open up <a title=\"Henry IV, Part ii; Act II, Scene iii First Folio\" href=\"http:\/\/stateofshakespeare.com\/?page_id=3294\" target=\"_blank\">First Folio version<\/a>.<\/p>\n<p>9 \u00a0 \u00a0O yet, for God&#8217;s sake, go not to these wars!<br \/>\n10 \u00a0 The time was, father, that you broke your word,<br \/>\n11 \u00a0 When you were more endeared to it than now;<br \/>\n12 \u00a0 When your own Percy, when my heart&#8217;s dear Harry,<br \/>\n13 \u00a0 Threw many a northward look to see his father<br \/>\n14 \u00a0 Bring up his powers; but he did long in vain.<br \/>\n15 \u00a0 Who then persuaded you to stay at home?<br \/>\n16 \u00a0 There were two honours lost, yours and your son&#8217;s.<br \/>\n17 \u00a0 For yours, the God of heaven brighten it!<br \/>\n18 \u00a0 For his, it stuck upon him as the sun<br \/>\n19 \u00a0 In the grey vault of heaven, and by his light<br \/>\n20 \u00a0 Did all the chivalry of England move<br \/>\n21 \u00a0 To do brave acts: he was indeed the glass<br \/>\n22 \u00a0 Wherein the noble youth did dress themselves:<br \/>\n23 \u00a0 He had no legs that practised not his gait;<br \/>\n24 \u00a0 And speaking thick, which nature made his blemish,<br \/>\n25 \u00a0 Became the accents of the valiant;<br \/>\n26 \u00a0 For those that could speak low and tardily<br \/>\n27 \u00a0 Would turn their own perfection to abuse,<br \/>\n28 \u00a0 To seem like him: so that in speech, in gait,<br \/>\n29 \u00a0 In diet, in affections of delight,<br \/>\n30 \u00a0 In military rules, humours of blood,<br \/>\n31 \u00a0 He was the mark and glass, copy and book,<br \/>\n32 \u00a0 That fashion&#8217;d others. And him, O wondrous him!<br \/>\n33 \u00a0 O miracle of men! him did you leave,<br \/>\n34 \u00a0 Second to none, unseconded by you,<br \/>\n35 \u00a0 To look upon the hideous god of war<br \/>\n36 \u00a0 In disadvantage; to abide a field<br \/>\n37 \u00a0 Where nothing but the sound of Hotspur&#8217;s name<br \/>\n38 \u00a0 Did seem defensible: so you left him.<br \/>\n39 \u00a0 Never, O never, do his ghost the wrong<br \/>\n40 \u00a0 To hold your honour more precise and nice<br \/>\n41 \u00a0 With others than with him! let them alone:<br \/>\n42 \u00a0 The marshal and the archbishop are strong:<br \/>\n43 \u00a0 Had my sweet Harry had but half their numbers,<br \/>\n44 \u00a0 To-day might I, hanging on Hotspur&#8217;s neck,<br \/>\n45 \u00a0 Have talk&#8217;d of Monmouth&#8217;s grave.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Henry IV, Part ii \u00a0 \u00a0 \u00a0Act II, Scene iii \u00a0 \u00a0 \u00a0 \u00a0Lady Percy This speech is used in our interview with Kelley Curran. Click here\u00a0to open a scanned version. Click here\u00a0to open up First Folio version. 9 \u00a0 \u00a0O yet, for God&#8217;s sake, go not to these wars! 10 \u00a0 The time was,<\/p>\n <a href='https:\/\/stateofshakespeare.com\/?page_id=3284' class='excerpt-more-append'>[...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-3284","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2Frfq-QY","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/3284","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3284"}],"version-history":[{"count":4,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/3284\/revisions"}],"predecessor-version":[{"id":3411,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/3284\/revisions\/3411"}],"wp:attachment":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3284"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}