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<\/p>\n\u00a0\u00a0<\/p>\n
Click here to listen to his interview.<\/a><\/p>\n Neal J. Freeman<\/strong>\u00a0(Writer\/Director) is delighted to work with so many old and new friends on The Nightmare Dream<\/a>, particularly Heather Curran with whom he worked at Brooklyn’s The Gallery Players<\/a> for 8 years, the last 3 as Executive Director and Artistic Director respectively. \u00a0Director of over a dozen Shakespeare productions including favorites The Tempest with Sonnet Rep<\/a> and As You Like It at Cornell University<\/a>. \u00a0For FringeNYC<\/a> in 2006 Neal wrote, directed and produced Fatboy Romeo. \u00a0Neal’s play A Letter from Bataan has twice been a semi-finalist at the Eugene O’Neill Center National Playwrights Conference. \u00a0Neal has served as a reader and dramaturg for NYMF since 2009. \u00a0BA Cornell University (Honors Directiong), \u00a0MFA Directing Brooklyn College. Member SDC. www.nealjfreeman.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":" \u00a0\u00a0 Click here to listen to his interview. Neal J. Freeman\u00a0(Writer\/Director) is delighted to work with so many old and new friends on The Nightmare Dream, particularly Heather Curran with whom he worked at Brooklyn’s The Gallery Players for 8 years, the last 3 as Executive Director and Artistic Director respectively. \u00a0Director of over a<\/p>\n [...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-2798","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2Frfq-J8","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/2798","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2798"}],"version-history":[{"count":8,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/2798\/revisions"}],"predecessor-version":[{"id":2895,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/2798\/revisions\/2895"}],"wp:attachment":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2798"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}