{"id":2736,"date":"2013-07-17T11:39:03","date_gmt":"2013-07-17T15:39:03","guid":{"rendered":"http:\/\/stateofshakespeare.com\/?page_id=2736"},"modified":"2013-07-17T18:11:45","modified_gmt":"2013-07-17T22:11:45","slug":"as-you-like-it-act-ii-scene-vii-first-folio","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=2736","title":{"rendered":"As You Like It: Act II, Scene vii First Folio"},"content":{"rendered":"<p><strong>As You Like It \u00a0 \u00a0 \u00a0 Act II, Scene vii\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Jacques<\/strong><br \/>\n<strong>(First Folio edition)<br \/>\n<\/strong><\/p>\n<p>This text is featured in our\u00a0<a title=\"Nicholas Martin Smith\" href=\"http:\/\/stateofshakespeare.com\/?p=2518\" target=\"_blank\">interview with Nicholas Martin-Smith<\/a>.<\/p>\n<p><a title=\"As You Like It: Act II, Scene vii\" href=\"http:\/\/stateofshakespeare.com\/?page_id=2510\" target=\"_blank\">Click here<\/a>\u00a0to open up a modern version in a new window.<\/p>\n<p><a title=\"Scansion:  As You Like It Act 2, Scene 7\" href=\"http:\/\/stateofshakespeare.com\/?page_id=2599\" target=\"_blank\">Click here<\/a>\u00a0to open up a scanned version.<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #ffffff;\">xxxxxxxxxxxxxxxxxxxxxxx<\/span>All the world&#8217;s a stage,<br \/>\n<i>1119: \u00a0<\/i>And all the men and women, meerely Players;<br \/>\n<i>1120: \u00a0<\/i>They haue their\u00a0<i>Exits<\/i>\u00a0and their Entrances,<br \/>\n<i>1121: \u00a0<\/i>And one man in his time playes many parts,<br \/>\n<i>1122: \u00a0<\/i>His Acts being seuen ages. At first the Infant,<br \/>\n<i>1123: \u00a0<\/i>Mewling, and puking in the Nurses armes:<br \/>\n<i>1124: \u00a0<\/i>Then, the whining Schoole-boy with his Satchell<br \/>\n<i>1125: \u00a0<\/i>And shining morning face, creeping like snaile<br \/>\n<i>1126: \u00a0<\/i>Vnwillingly to schoole. And then the Louer,<br \/>\n<i>1127: \u00a0<\/i>Sighing like Furnace, with a wofull ballad<br \/>\n<i>1128: \u00a0<\/i>Made to his Mistresse eye-brow. Then, a Soldier,<br \/>\n<i>1129: \u00a0<\/i>Full of strange oaths, and bearded like the Pard,<br \/>\n<i>1130: \u00a0<\/i>Ielous in honor, sodaine, and quicke in quarrell,<br \/>\n<i>1131: \u00a0\u00a0<\/i>Seeking the bubble Reputation<br \/>\n<i>1132: \u00a0<\/i>Euen in the Canons mouth: And then, the Iustice<br \/>\n<i>1133: \u00a0<\/i>In faire round belly, with good Capon lin&#8217;d,<br \/>\n<i>1134: \u00a0<\/i>With eyes seuere, and beard of formall cut,<br \/>\n<i>1135: \u00a0<\/i>Full of wise sawes, and moderne instances,<br \/>\n<i>1136: \u00a0<\/i>And so he playes his part. The sixt age shifts<br \/>\n<i>1137: \u00a0<\/i>Into the leane and slipper&#8217;d Pantaloone,<br \/>\n<i>1138: \u00a0<\/i>With spectacles on nose, and pouch on side,<br \/>\n<i>1139: \u00a0<\/i>His youthfull hose well sau&#8217;d, a world too wide,<br \/>\n<i>1140: \u00a0<\/i>For his shrunke shanke, and his bigge manly voice,<br \/>\n<i>1141: \u00a0<\/i>Turning againe toward childish trebble pipes,<br \/>\n<i>1142: \u00a0<\/i>And whistles in his sound. Last Scene of all,<br \/>\n<i>1143: \u00a0<\/i>That ends this strange euentfull historie,<br \/>\n<i>1144: \u00a0<\/i>Is second childishnesse, and meere obliuion,<br \/>\n<i>1145: \u00a0<\/i>Sans teeth, sans eyes, sans taste, sans euery thing.<br \/>\n<i>1146: \u00a0<\/i>[<i>\u00a0<i>Enter Orlando with Adam<\/i>.<\/i>]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As You Like It \u00a0 \u00a0 \u00a0 Act II, Scene vii\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Jacques (First Folio edition) This text is featured in our\u00a0interview with Nicholas Martin-Smith. Click here\u00a0to open up a modern version in a new window. Click here\u00a0to open up a scanned version. xxxxxxxxxxxxxxxxxxxxxxxAll the world&#8217;s a stage, 1119: \u00a0And all the men and women, meerely<\/p>\n <a href='https:\/\/stateofshakespeare.com\/?page_id=2736' class='excerpt-more-append'>[...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"class_list":["post-2736","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.9 - aioseo.com -->\n\t<meta name=\"description\" content=\"As You Like It Act II, Scene vii Jacques (First Folio edition) This text is featured in our interview with Nicholas Martin-Smith. 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