{"id":249,"date":"2012-01-04T22:07:56","date_gmt":"2012-01-05T03:07:56","guid":{"rendered":"http:\/\/wordpress.stateofshakespeare.com\/?page_id=249"},"modified":"2012-08-16T22:03:29","modified_gmt":"2012-08-17T02:03:29","slug":"hamlet","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=249","title":{"rendered":"Hamlet: Act III, Scene ii"},"content":{"rendered":"<p style=\"text-align: left;\"><strong><span style=\"text-decoration: underline;\">Hamlet<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0 Act III, Scene ii\u00a0\u00a0\u00a0 Hamlet<\/strong><\/p>\n<p>(This text is featured in our <a title=\"John Douglas Thompson\" href=\"http:\/\/stateofshakespeare.com\/?p=153\">interview with John Douglas Thompson<\/a>)<\/p>\n<p>HAMLET<\/p>\n<p>54\u00a0\u00a0\u00a0 Horatio, thou art e&#8217;en as just a man<br \/>\n55\u00a0\u00a0\u00a0 As e&#8217;er my conversation coped withal.<\/p>\n<p>HORATIO<br \/>\n56\u00a0\u00a0\u00a0 O, my dear lord,&#8211;<\/p>\n<p>HAMLET \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 Nay, do not think I flatter;<br \/>\n57\u00a0\u00a0\u00a0 For what advancement may I hope from thee<br \/>\n58\u00a0\u00a0\u00a0 That no revenue hast but thy good spirits,<br \/>\n59\u00a0\u00a0\u00a0 To feed and clothe thee? Why should the poor be flatter&#8217;d?<br \/>\n60\u00a0\u00a0\u00a0 No, let the candied tongue lick absurd pomp,<br \/>\n61\u00a0\u00a0\u00a0 And crook the pregnant hinges of the knee<br \/>\n62\u00a0\u00a0\u00a0 Where thrift may follow fawning. Dost thou hear?<br \/>\n63\u00a0\u00a0\u00a0 Since my dear soul was mistress of her choice<br \/>\n64\u00a0\u00a0\u00a0 And could of men distinguish, her election<br \/>\n65\u00a0\u00a0\u00a0 Hath seal&#8217;d thee for herself; for thou hast been<br \/>\n66\u00a0\u00a0\u00a0 As one, in suffering all, that suffers nothing,<br \/>\n67\u00a0 \u00a0 A man that fortune&#8217;s buffets and rewards<br \/>\n68\u00a0\u00a0\u00a0 Hast ta&#8217;en with equal thanks: and blest are those<br \/>\n69\u00a0\u00a0\u00a0 Whose blood and judgment are so well commingled,<br \/>\n70\u00a0\u00a0\u00a0 That they are not a pipe for fortune&#8217;s finger<br \/>\n71\u00a0\u00a0\u00a0 To sound what stop she please. Give me that man<br \/>\n72\u00a0\u00a0\u00a0 That is not passion&#8217;s slave, and I will wear him<br \/>\n73\u00a0\u00a0\u00a0 In my heart&#8217;s core, ay, in my heart of heart,<br \/>\n74\u00a0\u00a0\u00a0 As I do thee.&#8211;Something too much of this.&#8211;<br \/>\n75\u00a0\u00a0\u00a0 There is a play to-night before the king;<br \/>\n76\u00a0\u00a0\u00a0 One scene of it comes near the circumstance<br \/>\n77\u00a0\u00a0\u00a0 Which I have told thee of my father&#8217;s death:<br \/>\n78\u00a0\u00a0\u00a0 I prithee, when thou seest that act afoot,<br \/>\n79\u00a0\u00a0\u00a0 Even with the very comment of thy soul<br \/>\n80\u00a0\u00a0\u00a0 Observe mine uncle: if his occulted guilt<br \/>\n81\u00a0\u00a0\u00a0 Do not itself unkennel in one speech,<br \/>\n82\u00a0\u00a0\u00a0 It is a damned ghost that we have seen,<br \/>\n83\u00a0\u00a0\u00a0 And my imaginations are as foul<br \/>\n84\u00a0\u00a0\u00a0 As Vulcan&#8217;s stithy. Give him heedful note;<br \/>\n85\u00a0\u00a0\u00a0 For I mine eyes will rivet to his face,<br \/>\n86\u00a0\u00a0\u00a0 And after we will both our judgments join<br \/>\n87\u00a0\u00a0\u00a0 In censure of his seeming.<br \/>\n(shared)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hamlet\u00a0\u00a0\u00a0\u00a0\u00a0 Act III, Scene ii\u00a0\u00a0\u00a0 Hamlet (This text is featured in our interview with John Douglas Thompson) HAMLET 54\u00a0\u00a0\u00a0 Horatio, thou art e&#8217;en as just a man 55\u00a0\u00a0\u00a0 As e&#8217;er my conversation coped withal. HORATIO 56\u00a0\u00a0\u00a0 O, my dear lord,&#8211; HAMLET \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 Nay, do not think I flatter; 57\u00a0\u00a0\u00a0 For what advancement may<\/p>\n <a href='https:\/\/stateofshakespeare.com\/?page_id=249' class='excerpt-more-append'>[...]<\/a>","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"class_list":["post-249","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.9 - aioseo.com -->\n\t<meta name=\"description\" content=\"Hamlet Act III, Scene ii Hamlet (This text is featured in our interview with John Douglas Thompson) HAMLET 54 Horatio, thou art e&#039;en as just a man 55 As e&#039;er my conversation coped withal. 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