{"id":2246,"date":"2013-04-16T10:10:18","date_gmt":"2013-04-16T14:10:18","guid":{"rendered":"http:\/\/stateofshakespeare.com\/?page_id=2246"},"modified":"2013-04-16T10:10:18","modified_gmt":"2013-04-16T14:10:18","slug":"richard-iii-act-i-scene-i","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=2246","title":{"rendered":"Richard III; Act I, Scene i"},"content":{"rendered":"<p><strong>Richard III.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Act 1, Scene 1.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Richard<br \/>\n<\/strong><\/p>\n<p>(This text is featured in our <a title=\"The Epic Theater Ensemble: Richard III (Interview Part I)\" href=\"http:\/\/stateofshakespeare.com\/?p=2280\" target=\"_blank\">interview with Jim Wallert and Ron Russell<\/a>)<\/p>\n<p><i>1: <\/i> Now is the Winter of our Discontent,<br \/>\n<i>2: <\/i> Made glorious Summer by this Son of Yorke:<br \/>\n<i>3: <\/i> And all the clouds that lowr&#8217;d vpon our house<br \/>\n<i>4: <\/i> In the deepe bosome of the Ocean buried.<br \/>\n<i>5: <\/i> Now are our browes bound with Victorious Wreathes,<br \/>\n<i>6: <\/i> Our bruised armes hung vp for Monuments;<br \/>\n<i>7: <\/i> Our sterne Alarums chang&#8217;d to merry Meetings;<br \/>\n<i>8: <\/i> Our dreadfull Marches, to delightfull Measures.<br \/>\n<i>9: <\/i> Grim-visag&#8217;d Warre, hath smooth&#8217;d his wrinkled Front:<br \/>\n<i>10: <\/i> And now, in stead of mounting Barbed Steeds,<br \/>\n<i>11: <\/i> To fright the Soules of fearfull Aduersaries,<br \/>\n<i>12: <\/i> He capers nimbly in a Ladies Chamber,<br \/>\n<i>13: <\/i> To the lasciuious pleasing of a Lute.<br \/>\n<i>14: <\/i> But I, that am not shap&#8217;d for sportiue trickes,<br \/>\n<i>15: <\/i> Nor made to court an amorous Looking-glasse:<br \/>\n<i>16: <\/i> I, that am Rudely stampt, and want loues Maiesty,<br \/>\n<i>17: <\/i> To strut before a wonton ambling Nymph:<br \/>\n<i>18: <\/i> I, that am curtail&#8217;d of this faire Proportion,<br \/>\n<i>19: <\/i> Cheated of Feature by dissembling Nature,<br \/>\n<i>20: <\/i> Deform&#8217;d, vn-finish&#8217;d, sent before my time<br \/>\n<i>21: <\/i> Into this breathing World, scarse halfe made vp,<br \/>\n<i>22: <\/i> And that so lamely and vnfashionable,<br \/>\n<i>23: <\/i> That dogges barke at me, as I halt by them.<br \/>\n<i>24: <\/i> Why I (in this weake piping time of Peace)<br \/>\n<i>25: <\/i> Haue no delight to passe away the time,<br \/>\n<i>26: <\/i> Vnlesse to see my Shadow in the Sunne,<br \/>\n<i>27: <\/i> And descant on mine owne Deformity.<br \/>\n<i>28: <\/i> And therefore, since I cannot proue a Louer,<br \/>\n<i>29: <\/i> To entertaine these faire well spoken dayes,<br \/>\n<i>30: <\/i> I am determined to proue a Villaine,<br \/>\n<i>31: <\/i> And hate the idle pleasures of these dayes.<br \/>\n<i>32: <\/i> Plots haue I laide, Inductions dangerous,<br \/>\n<i>33: <\/i> By drunken Prophesies, Libels, and Dreames,<br \/>\n<i>34: <\/i> To set my Brother <i>Clarence<\/i> and the King<br \/>\n<i>35: <\/i> In deadly hate, the one against the other:<br \/>\n<i>36: <\/i> And if King <i>Edward<\/i> be as true and iust,<br \/>\n<i>37: <\/i> As I am Subtle, False, and Treacherous,<br \/>\n<i>38: <\/i> This day should <i>Clarence<\/i> closely be mew&#8217;d vp:<br \/>\n<i>39: <\/i> About a Prophesie, which sayes that G,<br \/>\n<i>40: <\/i> Of <i>Edwards<\/i> heyres the murtherer shall be.<br \/>\n<i>41: <\/i> Diue thoughts downe to my soule, here <i>Clarence<\/i> comes.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Richard III.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Act 1, Scene 1.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Richard (This text is featured in our interview with Jim Wallert and Ron Russell) 1: Now is the Winter of our Discontent, 2: Made glorious Summer by this Son of Yorke: 3: And all the clouds that lowr&#8217;d vpon our house 4: In the deepe bosome of the Ocean<\/p>\n <a href='https:\/\/stateofshakespeare.com\/?page_id=2246' class='excerpt-more-append'>[...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-2246","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2Frfq-Ae","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/2246","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2246"}],"version-history":[{"count":5,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/2246\/revisions"}],"predecessor-version":[{"id":2307,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/2246\/revisions\/2307"}],"wp:attachment":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2246"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}