{"id":1051,"date":"2012-04-10T21:45:15","date_gmt":"2012-04-11T01:45:15","guid":{"rendered":"http:\/\/wordpress.stateofshakespeare.com\/?page_id=1051"},"modified":"2022-08-16T16:33:04","modified_gmt":"2022-08-16T20:33:04","slug":"markus-potter-about-the-artist","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=1051","title":{"rendered":"Markus Potter &#8211; About the Artist"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><a title=\"Markus Potter\" href=\"http:\/\/stateofshakespeare.com\/?p=1308\" target=\"_blank\" rel=\"noopener\">Click here to listen to his interview.<\/a><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"218\" height=\"231\" data-id=\"8074\" src=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/download.jpg?resize=218%2C231&#038;ssl=1\" alt=\"\" class=\"wp-image-8074\" srcset=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/download.jpg?w=218&amp;ssl=1 218w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/download.jpg?resize=66%2C70&amp;ssl=1 66w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/download.jpg?resize=24%2C24&amp;ssl=1 24w\" sizes=\"auto, (max-width: 218px) 100vw, 218px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"275\" height=\"183\" data-id=\"8072\" src=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/download-1.jpg?resize=275%2C183&#038;ssl=1\" alt=\"\" class=\"wp-image-8072\" srcset=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/download-1.jpg?w=275&amp;ssl=1 275w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/download-1.jpg?resize=70%2C47&amp;ssl=1 70w\" sizes=\"auto, (max-width: 275px) 100vw, 275px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"275\" height=\"183\" data-id=\"8073\" src=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/download-2.jpg?resize=275%2C183&#038;ssl=1\" alt=\"\" class=\"wp-image-8073\" srcset=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/download-2.jpg?w=275&amp;ssl=1 275w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/download-2.jpg?resize=70%2C47&amp;ssl=1 70w\" sizes=\"auto, (max-width: 275px) 100vw, 275px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Off Broadway: <em>A Perfect Future<\/em> (World Premiere-<a href=\"http:\/\/www.cherrylanetheatre.com\" target=\"_blank\" rel=\"noopener\">Cherry Lane Theatre<\/a>), <em>Professor Bernhardi<\/em> (<a href=\"http:\/\/www.marvellrep.com\" target=\"_blank\" rel=\"noopener\">Marvell Rep<\/a>\/<a href=\"http:\/\/www.barrowgroup.org\" target=\"_blank\" rel=\"noopener\">Barrow Group<\/a>) Regional: Biff in <em>Death of a Salesman<\/em> (Opposite Christopher Lloyd) and <em>As You Like It <\/em>&#8211;<a href=\"http:\/\/www.westonplayhouse.org\" target=\"_blank\" rel=\"noopener\">Weston Playhouse<\/a>, Edgar in <em>King Lear<\/em> (<a href=\"http:\/\/www.denvercenter.org\" target=\"_blank\" rel=\"noopener\">Denver Center<\/a>), Laertes in <em>Hamlet<\/em> and the World Premieres of <em>Roads That Lead Here<\/em> and <em>The New New<\/em> (<a href=\"http:\/\/www.guthrietheater.org\" target=\"_blank\" rel=\"noopener\">Guthrie Theatre<\/a>), Demetrius in <em>A Midsummer Night\u2019s Dream<\/em> (<a href=\"http:\/\/www.longwharf.org\" target=\"_blank\" rel=\"noopener\">Long Wharf Theatre<\/a>), U.S. premiere of <em>The York Realist<\/em> (<a href=\"http:\/\/www.studiotheatre.org\/\" target=\"_blank\" rel=\"noopener\">Studio Theatre<\/a>, D.C.), Leading roles in productions at <a href=\"http:\/\/www.act-sf.org\" target=\"_blank\" rel=\"noopener\">American Conservatory Theatre<\/a>, <a href=\"http:\/\/www.berkeleyrep.org\" target=\"_blank\" rel=\"noopener\">Berkeley Rep<\/a>, <a href=\"http:\/\/theater.ciweb.org\" target=\"_blank\" rel=\"noopener\">Chautauqua Theatre Company<\/a>, <a href=\"http:\/\/www.calshakes.org\" target=\"_blank\" rel=\"noopener\">California Shakespeare<\/a>, <a href=\"http:\/\/www.greatlakestheater.org\" target=\"_blank\" rel=\"noopener\">Great Lakes Theatre Festival<\/a> and many others.&nbsp; MFA: Columbia University, Currently on the acting faculty, American Musical &amp; Dramatic Academy.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Click here to listen to his interview. Off Broadway: A Perfect Future (World Premiere-Cherry Lane Theatre), Professor Bernhardi (Marvell Rep\/Barrow Group) Regional: Biff in Death of a Salesman (Opposite Christopher Lloyd) and As You Like It &#8211;Weston Playhouse, Edgar in King Lear (Denver Center), Laertes in Hamlet and the World Premieres of Roads That Lead<\/p>\n <a href='https:\/\/stateofshakespeare.com\/?page_id=1051' class='excerpt-more-append'>[...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"class_list":["post-1051","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.9 - aioseo.com -->\n\t<meta name=\"description\" content=\"Click here to listen to his interview. Off Broadway: A Perfect Future (World Premiere-Cherry Lane Theatre), Professor Bernhardi (Marvell Rep\/Barrow Group) Regional: Biff in Death of a Salesman (Opposite Christopher Lloyd) and As You Like It -Weston Playhouse, Edgar in King Lear (Denver Center), Laertes in Hamlet and the World Premieres of Roads That Lead\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"google-site-verification\" content=\"UA-28965856-1\" \/>\n\t<meta name=\"p:domain_verify\" content=\"d36dfa872cf08cb1686a0c207bca81df\" \/>\n\t<link rel=\"canonical\" href=\"https:\/\/stateofshakespeare.com\/?page_id=1051\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 4.9.9\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"The State of Shakespeare\" \/>\n\t\t<meta property=\"og:type\" content=\"website\" \/>\n\t\t<meta property=\"og:title\" content=\"Markus Potter \u2013 About the Artist | The State of Shakespeare\" \/>\n\t\t<meta property=\"og:description\" content=\"Click here to listen to his interview. 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