{"id":1051,"date":"2012-04-10T21:45:15","date_gmt":"2012-04-11T01:45:15","guid":{"rendered":"http:\/\/wordpress.stateofshakespeare.com\/?page_id=1051"},"modified":"2022-08-16T16:33:04","modified_gmt":"2022-08-16T20:33:04","slug":"markus-potter-about-the-artist","status":"publish","type":"page","link":"https:\/\/stateofshakespeare.com\/?page_id=1051","title":{"rendered":"Markus Potter &#8211; About the Artist"},"content":{"rendered":"\n<p><a title=\"Markus Potter\" href=\"http:\/\/stateofshakespeare.com\/?p=1308\" target=\"_blank\" rel=\"noopener\">Click here to listen to his interview.<\/a><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"218\" height=\"231\" data-id=\"8074\" src=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/download.jpg?resize=218%2C231&#038;ssl=1\" alt=\"\" class=\"wp-image-8074\" srcset=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/download.jpg?w=218&amp;ssl=1 218w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/download.jpg?resize=66%2C70&amp;ssl=1 66w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/download.jpg?resize=24%2C24&amp;ssl=1 24w\" sizes=\"auto, (max-width: 218px) 100vw, 218px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"275\" height=\"183\" data-id=\"8072\" src=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/download-1.jpg?resize=275%2C183&#038;ssl=1\" alt=\"\" class=\"wp-image-8072\" srcset=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/download-1.jpg?w=275&amp;ssl=1 275w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/download-1.jpg?resize=70%2C47&amp;ssl=1 70w\" sizes=\"auto, (max-width: 275px) 100vw, 275px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"275\" height=\"183\" data-id=\"8073\" src=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/download-2.jpg?resize=275%2C183&#038;ssl=1\" alt=\"\" class=\"wp-image-8073\" srcset=\"https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/download-2.jpg?w=275&amp;ssl=1 275w, https:\/\/i0.wp.com\/stateofshakespeare.com\/wp-content\/uploads\/2022\/08\/download-2.jpg?resize=70%2C47&amp;ssl=1 70w\" sizes=\"auto, (max-width: 275px) 100vw, 275px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Off Broadway: <em>A Perfect Future<\/em> (World Premiere-<a href=\"http:\/\/www.cherrylanetheatre.com\" target=\"_blank\" rel=\"noopener\">Cherry Lane Theatre<\/a>), <em>Professor Bernhardi<\/em> (<a href=\"http:\/\/www.marvellrep.com\" target=\"_blank\" rel=\"noopener\">Marvell Rep<\/a>\/<a href=\"http:\/\/www.barrowgroup.org\" target=\"_blank\" rel=\"noopener\">Barrow Group<\/a>) Regional: Biff in <em>Death of a Salesman<\/em> (Opposite Christopher Lloyd) and <em>As You Like It <\/em>&#8211;<a href=\"http:\/\/www.westonplayhouse.org\" target=\"_blank\" rel=\"noopener\">Weston Playhouse<\/a>, Edgar in <em>King Lear<\/em> (<a href=\"http:\/\/www.denvercenter.org\" target=\"_blank\" rel=\"noopener\">Denver Center<\/a>), Laertes in <em>Hamlet<\/em> and the World Premieres of <em>Roads That Lead Here<\/em> and <em>The New New<\/em> (<a href=\"http:\/\/www.guthrietheater.org\" target=\"_blank\" rel=\"noopener\">Guthrie Theatre<\/a>), Demetrius in <em>A Midsummer Night\u2019s Dream<\/em> (<a href=\"http:\/\/www.longwharf.org\" target=\"_blank\" rel=\"noopener\">Long Wharf Theatre<\/a>), U.S. premiere of <em>The York Realist<\/em> (<a href=\"http:\/\/www.studiotheatre.org\/\" target=\"_blank\" rel=\"noopener\">Studio Theatre<\/a>, D.C.), Leading roles in productions at <a href=\"http:\/\/www.act-sf.org\" target=\"_blank\" rel=\"noopener\">American Conservatory Theatre<\/a>, <a href=\"http:\/\/www.berkeleyrep.org\" target=\"_blank\" rel=\"noopener\">Berkeley Rep<\/a>, <a href=\"http:\/\/theater.ciweb.org\" target=\"_blank\" rel=\"noopener\">Chautauqua Theatre Company<\/a>, <a href=\"http:\/\/www.calshakes.org\" target=\"_blank\" rel=\"noopener\">California Shakespeare<\/a>, <a href=\"http:\/\/www.greatlakestheater.org\" target=\"_blank\" rel=\"noopener\">Great Lakes Theatre Festival<\/a> and many others.&nbsp; MFA: Columbia University, Currently on the acting faculty, American Musical &amp; Dramatic Academy.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Click here to listen to his interview. Off Broadway: A Perfect Future (World Premiere-Cherry Lane Theatre), Professor Bernhardi (Marvell Rep\/Barrow Group) Regional: Biff in Death of a Salesman (Opposite Christopher Lloyd) and As You Like It &#8211;Weston Playhouse, Edgar in King Lear (Denver Center), Laertes in Hamlet and the World Premieres of Roads That Lead<\/p>\n <a href='https:\/\/stateofshakespeare.com\/?page_id=1051' class='excerpt-more-append'>[...]<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-1051","page","type-page","status-publish","hentry","post-seq-1","post-parity-odd","meta-position-line-bottom","fix"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2Frfq-gX","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/1051","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1051"}],"version-history":[{"count":16,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/1051\/revisions"}],"predecessor-version":[{"id":8076,"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=\/wp\/v2\/pages\/1051\/revisions\/8076"}],"wp:attachment":[{"href":"https:\/\/stateofshakespeare.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1051"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}